Discover The History Of Figure Skating!

Learn all about the fascinating world of figure skating history with Skate Guard Blog. Explore a treasure trove of articles on the history of figure skating, highlighting Olympic Medallists, World and National Champions and dazzling competitions, shows and tours. Written by former skater and judge Ryan Stevens, Skate Guard Blog also offers intriguing insights into the evolution of the sport over the decades. Delve into Stevens' five books for even more riveting stories and information about the history of everyone's favourite winter Olympic sport.

The Haunting Of Hagadorn


From haunted rinks and skating devils to the ghost of Sonja Henie, there's certainly no shortage of terrifying tales that pepper figure skating's history. Today on the blog, we'll go all the way back to 1898 and meet a restless skating spirit from the Victoria era in a unique ghost story now in the public domain by American author Elia Wilkinson Peattie. Turn off the lights, light a candle and get ready to be transported back to a starker time with this chilling tale!

ON THE NORTHERN ICE

The winter nights up at Sault Ste. Marie are as white and luminous as the Milky Way. The silence which rests upon the solitude appears to be white also. Even sound has been included in Nature's arrestment, for, indeed, save the still white frost, all things seem to be obliterated. The stars have a poignant brightness, but they belong to heaven and not to earth, and between their immeasurable height and the still ice rolls the ebon ether in vast, liquid billows.

In such a place it is difficult to believe that the world is actually peopled. It seems as if it might be the dark of the day after Cain killed Abel, and as if all of humanity's remainder was huddled in affright away from the awful spaciousness of Creation. 

The night Ralph Hagadorn started out for Echo Bay -- bent on a pleasant duty -- he laughed to himself, and said that he did not at all object to being the only man in the world, so long as the world remained as unspeakably beautiful as it was when he buckled on his skates and shot away into the solitude. He was bent on reaching his best friend in time to act as groomsman, and business had delayed him till time was at its briefest. So he journeyed by night and journeyed alone, and when the tang of the frost got at his blood, he felt as a spirited horse feels when it gets free of bit and bridle. The ice was as glass, his skates were keen, his frame fit, and his venture to his taste! So he laughed, and cut through the air as a sharp stone cleaves the water. He could hear the whistling of the air as he cleft it.

As he went on and on in the black stillness, he began to have fancies. He imagined himself enormously tall -- a great Viking of the Northland, hastening over icy fiords to his love. 

And that reminded him that he had a love -- though, indeed, that thought was always present with him as a background for other thoughts. To be sure, he had not told her that she was his love, for he had seen her only a few times, and the auspicious occasion had not yet presented itself. She lived at Echo Bay also, and was to be the maid of honor to his friend's bride -- which was one more reason why he skated almost as swiftly as the wind, and why, now and then, he let out a shout of exultation.
   
The one cloud that crossed Hagadorn's sun of expectancy was the knowledge that Marie Beaujeu's father had money, and that Marie lived in a house with two stories to it, and wore otter skin about her throat and little satin-lined mink boots on her feet when she went sledding. Moreover, in the locket in which she treasured a bit of her dead mother's hair, there was a black pearl as big as a pea. These things made it difficult -- perhaps impossible -- for Ralph Hagadorn to say more than, "I love you." But that much he meant to say though he were scourged with chagrin for his temerity.

This determination grew upon him as he swept along the ice under the starlight. Venus made a glowing path toward the west and seemed eager to reassure him. He was sorry he could not skim down that avenue of light which flowed from the love-star, but he was forced to turn his back upon it and face the black northeast.

It came to him with a shock that he was not alone. His eyelashes were frosted and his eyeballs blurred with the cold, so at first he thought it might be an illusion. But when he had rubbed his eyes hard, he made sure that not very far in front of him was a long white skater in fluttering garments who sped over the ice as fast as ever werewolf went.

He called aloud, but there was no answer. He shaped his hands and trumpeted through them, but the silence was as before -- it was complete. So then he gave chase, setting his teeth hard and putting a tension on his firm young muscles. But go however he would, the white skater went faster. After a time, as he glanced at the cold gleam of the north star, he perceived that he was being led from his direct path. For a moment he hesitated, wondering if he would not better keep to his road, but his weird companion seemed to draw him on irresistibly, and finding it sweet to follow, he followed.

Of course it came to him more than once in that strange pursuit, that the white skater was no earthly guide. Up in those latitudes men see curious things when the hoar frost is on the earth. Hagadorn's own father -- to hark no further than that for an instance! -- who lived up there with the Lake Superior Indians, and worked in the copper mines, had welcomed a woman at his hut one bitter night, who was gone by morning, leaving wolf tracks on the snow! Yes, it was so, and John Fontanelle, the half-breed, could tell you about it any day -- if he were alive. (Alack, the snow where the wolf tracks were, is melted now!)

Well, Hagadorn followed the white skater all the night, and when the ice flushed pink at dawn, and arrows of lovely light shot up into the cold heavens, she was gone, and Hagadorn was at his destination. The sun climbed arrogantly up to his place above all other things, and as Hagadorn took off his skates and glanced carelessly lakeward, he beheld a great wind-rift in the ice, and the waves showing blue and hungry between white fields. Had he rushed along his intended path, watching the stars to guide him, his glance turned upward, all his body at magnificent momentum, he must certainly have gone into that cold grave.

How wonderful that it had been sweet to follow the white skater, and that he followed!

His heart beat hard as he hurried to his friend's house. But he encountered no wedding furore. His friend met him as men meet in houses of mourning. 

"Is this your wedding face?" cried Hagadorn. "Why, man, starved as I am, I look more like a bridegroom than you!"

"There's no wedding to-day!"

"No wedding! Why, you're not -- "

"Marie Beaujeu died last night -- "

"Marie -- "

"Died last night. She had been skating in the afternoon, and she came home chilled and wandering in her mind, as if the frost had got in it somehow. She grew worse and worse, and all the time she talked of you."

"Of me?"

"We wondered what it meant. No one knew you were lovers."

"I didn't know it myself; more's the pity. At least, I didn't know -- "

"She said you were on the ice, and that you didn't know about the big breaking-up, and she cried to us that the wind was off shore and the rift widening. She cried over and over again that you could come in by the old French creek if you only knew -- " 

"I came in that way."

"But how did you come to do that? It's out of the path. We thought perhaps -- "

But Hagadorn broke in with his story and told him all as it had come to pass.

That day they watched beside the maiden, who lay with tapers at her head and at her feet, and in the little church the bride who might have been at her wedding said prayers for her friend. They buried Marie Beaujeu in her bridesmaid white, and Hagadorn was before the altar with her, as he had intended from the first! Then at midnight the lovers who were to wed whispered their vows in the gloom of the cold church, and walked together through the snow to lay their bridal wreaths upon a grave.

Three nights later, Hagadorn skated back again to his home. They wanted him to go by sunlight, but he had his way, and went when Venus made her bright path on the ice.

The truth was, he had hoped for the companionship of the white skater. But he did not have it. His only companion was the wind. The only voice he heard was the baying of a wolf on the north shore. The world was as empty and as white as if God had just created it, and the sun had not yet colored nor man defiled it.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Point Breeze: The Ghost Of King Joseph Bonaparte


Love him or hate him, Napoléon Bonaparte's role in history is huge. Although the story of how a young Napoléon (then a student at the Ecole Militaire) narrowly escaped drowning while skating on the moat at the fort at Auxerre in 1791 could be a blog in itself, this Skate Guard blog isn't about the little corporal. It instead has everything to do with his big brother Joseph, who reigned as both the King Of Naples and the King Of Spain and the Indies successively from 1808 to 1813.

After the defeat of the French in the Battle Of Vitoria in his final year as the King Of Spain, Joseph Bonaparte abdicated his throne and returned to France. From there he made the unorthodox move to North America, settling first in New York City and Philadelphia before moving into an estate called Point Breeze in Bordentown, New Jersey. Point Breeze was a controversial spot in itself as it was formerly owned by Stephen Sayre, a former merchant, city sheriff and diplomat who while in London was arrested for his part in a plot to kidnap King George III of England. Enough royals for you yet?

While at Point Breeze, the elder Bonaparte entertained a who's who of anyone who was anyone in New Jersey at the time including the Marquis de Lafayette, John Adams, John Clay and Daniel Webster, but Joseph ultimately returned to Italy where he died at age seventy six in 1844. Here's where things get spooky. Patricia A. Martinelli, Charles A. Stansfield's book "Haunted New Jersey: Ghosts and Strange Phenomena of the Garden State" shares a bit of local folklore about the elder Bonaparte... with a skating connection: "On the north side of Bordentown is a housing development known as Point Breeze, where some residents report strange noises - sounds of footsteps coming from beneath their feet, underground, and the faint sounds of partying: conversations just too low to be understood, laughter, clinking glasses, and faint music. On occasion, in deep winter, a mysterious figure appears to watch ice skaters on a local pond. The figure rolls oranges and apples out onto the ice toward the skaters. But as the skaters chase these gifts, the fruit disappears. Is the dark spectator of the ice skaters the ghost of the one-time king of Spain and former king of Naples?"

The English Style of skating popular in the nineteenth century (which we'll get into more in a later blog), which involved tracing figures around an orange placed on the ice as a point of reference. The fruit being rolled onto the ice almost makes you think that maybe someone with more of a skating background (like Napoléon Bonaparte himself?) might be the culprit but Martinelli and Stansfield's book offers some great insight as to exactly why an ghostly apparition might be making offers of Vitamin C to local skaters: "Calling himself the Count de Survilliers, Bonaparte allowed his neighbours to use the park he had created from wilderness and encouraged them to ice skate on his pond in winter. It was Bonaparte's habit of rolling oranges and apples out on the ice for his visitors to chase that seems to be perpetuated by his ghost... Joseph Bonaparte really liked Americans, and his neighbours liked his generosity and the glamour of his social life. Bonaparte had a carefree life here, out from under the shadow of his famous younger brother... His ghost may have preferred to return to the scene of his happiest days. Bonaparte's wife, an unpleasant woman, refused to come to America with him, and Joseph had a series of lovely young mistresses while at Point Breeze - another reason to lure his ghost back to New Jersey!"

"Skating on Bonaparte's Pond" (mural study, Bordentown, New Jersey Post Office) by Avery F. Johnson. Photo courtesy Smithsonian American Art Museum. 

Not that I didn't want to take Martinelli and Stansfield's word as gospel, but it never hurts to look through historical sources to back up your facts... even if what you're ultimately chasing is a ghost. E.M. Woodward's 1879 book "Bonaparte's Park and the Murats" was just the source material I needed! Woodward wrote that "The Count was very good to the citizens of the town, and allowed them all the privileges of his park, and in winter, of the lake. When the skating was fine, he and his household would come down to the shore to see the sport, and it was one of his greatest pleasures to roll apples and oranges over the ice to see the skaters scamper after them." Now would you look at that? 

Joseph Bonaparte's ghost gets around more than Casanova. In addition to the lake on his estate, he's been linked to several hauntings at the Keene Mansion in Pennyslvania, the home of a woman named Sarah Keene who apparently broke the former king's heart. Perhaps though, civil war skating ghosts aren't the only ones haunting the Delaware River. The only way to find out is to hit up the produce department and head on down to Point Breeze and kindly ask the Catholic missionaries who now own the land to give you permission to trespass for an evening skate. If your fruit starts rolling out onto the ice towards you, be sure to tell Joseph Bonaparte that this skating lover says hi!


Here's where things get even creepier though... and this is a cool (if not icy) note to end on. Joseph Bonaparte also has a connection to another ghost story with a skating connection that was explored last year in October on Skate Guard - The Jersey Devil. Like the two teenage boys who spotted the frightening figure in 1978, Bonaparte himself reportedly saw The Jersey Devil. According to S.E. Schlosser who retold the legend in his book "Spooky New Jersey": "the ex-King of Spain was hunting alone in the woods near his house when he spotted some strange tracks on the ground. They looked like the tracks of a two-footed donkey. Bonaparte noticed that one foot was slightly larger than the other. The tracks ended abruptly as if the creature had flown away. He stared at the tracks for a long moment, trying to figure out what the strange animal might be. At that moment, Bonaparte heard a strange hissing noise. Turning, he found himself face to face with a large winged creature with a horse-like head and bird-like legs. Astonished and frightened, he froze and stared at the beast, forgetting that he was carrying a rifle. For a moment, neither of them moved. Then the creature hissed at him, beat its wings, and flew away. When he reported the incident to a friend later that day, Bonaparte was told that he had just seen the famous Jersey Devil, who had haunted the Pine Barrens ever since he was born to Mother Leeds one dark and stormy night in 1735. Bonaparte was impressed by the story of the Jersey Devil, and thereafter kept a lookout for the fabulous creature whenever he went hunting. Once things settled down in Europe, Joseph Bonaparte returned to Europe and was reunited with his wife in Italy. He never saw the Jersey Devil again." Perhaps maybe Joseph Bonaparte has another reason for hanging around the ice of New Jersey... he's protecting the skaters!

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

The Rink That Commemorated A Ghost Town


The Zetra Olympic Hall in Sarajevo played host to one of figure skating's most iconic moments - Jayne Torvill and Christopher Dean's gold medal winning "Bolero" - and stunning performances by 1984 Olympic Medallists Scott Hamilton, Katarina Witt, Elena Valova and Oleg Vasiliev, Brian Orser, Kitty and Peter Carruthers, Rosalynn Sumners, Natalia Bestemianova and Andrei Bukin, Jozef Sabovcik, Marina Klimova and Sergei Ponomarenko, Kira Ivanova and Larisa Selezneva and Oleg Makarov. The ultimate destruction of the rink in 1992 during the Bosnian War proved as inspiration for Witt's memorable 1994 "Where Have All The Flowers Gone?" program skated at the Lillehammer Olympics. I hate to use the words 'good news' when discussing a topic such as this... but the good news was that the Zetra Rink was rebuilt in 1999 as the Olympic Hall Juan Antonio Samaranch.


Many ice rinks around the world have closed their doors or suffered destruction at the hands of war, fire or wrecking ball but very few suffered a fate like the Phoenix Ice Rink. Before we get to the rink, let's start by talking about Phoenix... because this wasn't Phoenix, Arizona baby. This Phoenix was in beautiful British Columbia. Phoenix, B.C. was a booming mining town from 1899 to 1919 northwest of Grand Forks. In fact, at the time it was one of the province's largest towns boasting a population of four thousand. It had a post office, a hospital, three schools, an opera house, tennis courts, seventeen saloons, four churches, brewery, thriving copper mine and yes... a skating rink. Garnet Basque's book "Ghost Towns and Mining Camps of the Boundary Country" explains that skating was an early favourite activity for residents and that "back in November, 1900, William Drever announced plans to construct a skating rink in Phoenix. 'The building,' noted The Pioneer, 'will be 70 X 170-feet in size and will have an ice surface of 50 X 150-feet.' A month later the newspaper announced that the rink was nearing completion and that plans were 'underway to organize a hockey team.' On December 25, the skating rink was opened to the public for the first time. Winter athletes from Phoenix thrived. Figure skaters and hockey players alike competed at the 1911 Rossland Winter Carnival and skiiers from Phoenix won the Jeldness Cup and Sullivan-Seagram Shield.


Typical of many mining ghost towns, the depths provided what they would and business quickly dried up. The decline of Phoenix was also exacerbated by two fires and a political scandal. It dissolved in 1919 and the majority of the residents moved elsewhere. The town's skating rink would however play an enduring role in commemorating the town's existence. T.W. Paterson wrote: "In a race against winter, salvage crews began to tear up railway tracks, as residents packed up what belongings they could take with them and the city council... concluded the work of wrapping up the town's affairs by selling the skating rink to a Vancouver company for $1,200. The money received was invested in the erection of a cenotaph, which despite the fact that Phoenix was no more, would continue to honor those of its citizens who had died for their country during the First World War. A portion of the $1,200 was given to the Royal Canadian Legion in Grand Forks to insure that the monument would be cared for, and a further sum was used to create a fund to pay a town watchman for a year, by which time all Phoenix residents would have moved away. This post went to an old resident, Adolph Cirque, better known as 'Forepaw' because of the crude iron hook and braces he wore after losing most of an arm. Carrying a billy club and wearing a homemade star cut from a tomato tin, Forepaw moved into the steepled city hall and proclaimed himself mayor and chief constable of Phoenix. Two others also remained: carpenter W.H. Bambury and Robert Denzler, the miner who had coined the name Phoenix for his claim and for which the town was later christened."

The buildings in Phoenix slowly either became dilapidated and crumbled or were scavenged by neighbouring communities for lumber. Within several decades, only the cemetery, old shaft houses and cenotaph remained. It's heartening to think that the only monumental reminder of a long-lost town exists in the ruins BECAUSE of its long-lost rink. Quite the story!  

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Carol Wayne: The Mysterious Death Of A Teenage Skating Sensation


So far in Spooktober on Skate Guard, we've had a skating bat and a murder mystery written by a figure skater. Our next chilling story proves that not all stories begin and end with figure skating. In the case of Carol Wayne, her earlier accolades as a talented young skater were eclipsed by her tragic and mysterious death in Manzanillo, Colima, Mexico in 1985. As a teenager, Wayne and her sister Nina were plucked from a Chicago rink and offered contracts to tour with the Ice Capades. They were billed as The Wayne Sisters and performed a shadow skating act. 


John Austin's book "More Of Hollywood's Unsolved Mysteries" shared in Carol's own words the story of her time as a figure skater: "During a polio scare many years before her death, Mrs. Wayne thought not polio germs could live in an ice rink. 'Such logic,' laughed Carol, resulted in years of ice skating lessons. 'Our grandmother made all of our clothes. We were never in fashion. We were Chinese one year, Pilgrims another, Japanese the following year. We did shadow skating, and because we were tall and had long legs and stupid ponytails, we were offered a professional contract when we were 15 and 16. Yes... neither of us finished high school. Yes, zip education!' For three years the 'nerd' Wayne sisters - Carol's expression for them - did their 42-city tour with the Ice Capades - that is, until Carol's big accident. Exhibiting a five-inch scar on her knee, Carol explained, 'Sometimes, people would unconsciously, or perhaps on purpose, throw pennies that would stick on the ice and make you fall down. It was... a very unforgiving sport. When your blades hit something that wasn't meant to be, you crashed...' Like Carol did. Carol later returned to the Ice Capades to finish the tour, but it was the end of the Wayne Sisters skating career. 'When you train for something so young and become good at it as we did, you never know if that's what you were meant to do in the scheme of things of life, or if it was just because it was someone else's idea. We missed a childhood of growing up, dating, junior and senior proms and all those goodies,' she observed solemnly."

After Carol's skating career ended abruptly with injury, she and her sister got jobs as topless showgirls at Folies Bergère in Las Vegas. They both travelled on their days off to Hollywood and auditioned for television and film roles. Carol found success in the glamorous world of show business, appearing on episodes of "Bewitched", "I Dream Of Jeannie" and "I, Spy". In 1968, she appeared alongside Peter Sellers in the film "The Party". Although she also made many appearances on The Red Skelton show, Wayne's biggest claim to fame was her role as The Matinée Lady on "The Tonight Show" in Johnny Carson's 'Art Fern's Tea Time Movie' comedy sketches. After Carol was replaced by Danuta Wesley, her acting career started to dwindle. Her on screen appearances were limited mostly to game shows like "Hollywood Squares" and a D list 1984 film (which would be her last) called "Heartbreakers". That same year, she filed for bankruptcy and posed in "Playboy" magazine. By 1984, Wayne was on her third marriage, had a son... and by all accounts, a pretty bad drug habit. Apparently Richard Pryor had even offered to pay for Carol's rehab, but like Amy Winehouse, it appears the answer was "no, no, no".

The circumstances surrounding her death are a bit blurry at best. We do know that she was involved with a man named Ed Durston and that they had checked into a rather posh Mexican hotel, despite her bankruptcy. On January 10, 1985, the couple checked out late and missed their flight back to the U.S. When they returned to the hotel after missing their flight, they were told there was no room at the inn and were pointed towards a less upscale hotel that had rooms. Apparently Carol wasn't interested in staying there, the couple got in a fight and Carol stormed off to take a walk on the beach. When she didn't show up in their new hotel room that night, Durston checked out and left her luggage at the airport under the impression that she would probably come by to claim it. She never did. Her fully clothed and bloated body was found in the shallow Santiago Bay three days later by a fisherman. She couldn't swim and apparently didn't like to go near the water, so the fact her body was found in shallow water was even more suspicious. Leaving many to speculate that she had come on the trip to clean up her act, no alcohol or drugs were found in her system when an autopsy was performed. Her death was eventually ruled as accidental but theories as to whether it had really been murder, suicide, an overdose or a simple case of drowning were all out there. Adding fuel to the conspiracy theories, Durston was also present in the apartment of Diane Linkletter (daughter of TV personality Art Linkletter) on the morning of her 1969 apparent suicide. Durston was however never reported to be officially a suspect in either case. U.S. Consular William LaCoque said in 1990: "Carol Wayne's death is unsolved, certainly... But I don't think it was a drowning. A drowning, yes, of course, but there is much more to it than that."  

Although the stories of Carol's fall that ended her skating career parallels in many ways her fall from grace and tragic death, the fact that her story to this day still intrigues so many is a reminder to us all that no matter what twists and turns our lives may take, our stories can and will always be remembered.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

There's Always A Murder: The First Skating Mystery Written By A Skater


I'm definitely someone who has always been more comfortable on a stage than behind a computer. I've either skated, danced and performed as a drag queen in front of many thousands of people over the years but another of my great loves is the theatre. One of the best parts of growing up in Chester, Nova Scotia was having chance to act in several plays with the Chester Drama Society and KIDS Into Drama Society at the extremely popular Chester Playhouse. Much like skating, I'm a firm believer that community theatre is one of the most fulfilling pursuits you can get involved with so when I came across this particular story I knew it just had to take center stage on the blog right away and what better a time than during October, where I love to feature spooky skating stories!

First copyrighted in 1946 under the title "Four Flights Up" and later sold to Samuel French, Ken Parker's play "There's Always A Murder" was the very first traditional stage play to have an ice skating background in its plot. It was first presented on January 6, 1948 at The Provincetown Playhouse in New York and has been performed by professional and stock touring companies over the years throughout the U.S. The script explains that "the plot centers around Kim and Drucilla Taylor, a young married couple, who, by answering an ad in a Boston paper, move into an apartment four flights up. Almost as soon as they move in strange things begin the happen. They are plagued by mysterious phone calls, a statue is left at their door, and a girl climbs in their window. The haughty Katherine Horton, pianist and daughter of a judge, visits them and tells how her piano partner, Lawrence Sheppard, has suddenly disappeared. It seems Sheppard was also the step-brother of the former tenant, Steve Haywood, and slowly, piece by piece, Drucilla tries to solve the mystery. She tries, too, to convince Kim that not only has a murder been committed but the body chopped up in their bathtub! Kim just laughs at her foolish notions, but Drucilla, undaunted, continues to find more clues, which include a broken record, a newspaper clipping, and a bottle of formaldehyde. However, not until detectives arrive on the scene does Drucilla realize she is right and becomes panicky. To add to her fright, part of the body has been left in the apartment and the murderer is on his way back to destroy the last remaining bit of evidence... Kim, who has been rehearsing for an ice show, hurts his foot and returns home on crutches... Kay comes to take Drucilla off for a radio audition and Kim is left alone. The supposed murderer returns... there is a terrific battle... Kim has to protect himself with his crutches, and the detectives arrive in time to save his life. Kim, in turn, proves that Haywood isn't the real murderer... it seems he only cut up the body!"

This dark comedy's skating connections are more than meet the eye. The character Kim Taylor is described as "a professional ice skater of about 26. Well built and good-looking, he is one of those happy-go-lucky chaps who gets a great kick out of watching his pert little wife go through her antics." The skating references in the script are plentiful. Drucilla at one point says to her husband, "See, Kim, don't count your outer an inner edges before you skate them" and Haywood says to Kim "Oh, an ice skater, eh? Well, that's interesting. I once stepped out on a sheet of ice and did a spread eagle right away. Only trouble was, I spread a little too far." The most important skating connection to this play of all was indeed its author and how he came up the idea in the first place.

The play (and Kim's character) certainly had their roots in autobiography. The October 31, 1948 article "Skater Parker Yearns To Act And Playwright" from The Brooklyn Daily Eagle explained that it was Parker's own broken leg that allowed him the time to pursue his passion for writing: "Ken Parker skates in 'Howdy, Mr. Ice' at the Center Theater. He is almost 26, but doesn't look it. This is his third Center Theater ice show. The break came the first year, when he was rehearsing, so at first it looked pretty bad for him. But Mr. Parker is not the brooding type. He took an apartment four flights up and since he couldn't go out for meals with his leg in a cast, the landlady used to bring them up to him. He had considered himself lucky to find the apartment at all. Then one day the landlady said: 'It's nice you don't mind living here.' Ken asked why. 'Don't you know about the corpse that was cut up in the bathtub by the last tenant?' asked the landlady." I don't know about you, but I'd be packing up as fast as I could and getting out of that freaking lease however I could. Just sayin!

Parker was drafted for the Air Corps show "Winged Victory" during World War II and then returned to his passion for skating. He had played on his school's hockey team, took up speed skating at the Boston Arena and figure skated as well. In the 1948 article, Parker explained that "In 'Howdy, Mr. Ice' I'm one of the four turkeys. Of course, there's no future for most skaters. That's why I want to become a playwright." Between three Center Theater ice shows (Ice Time, Ice Time of '48 and Howdy, Mr. Ice), Parker performed over two thousand performances to sellout crowds. Here's where things got confusing for me. It turns out Ken Parker wasn't the only skater named Ken Parker out there at the same time. In May of 1949, Kenneth Parker, the son of Clarence Parker and brother of Nancy Lee Parker (both accomplished professional skaters) sadly drowned in Lake St. Clair, Michigan. It turned out that the professional skater/playwright Ken Parker didn't meet a premature and tragic end like the victim in the play or the other Ken Parker. He moved to Glen Rock, New Jersey and continued his work writing plays throughout his life, passing away in 1991.

I don't know about you, but considering the popularity of skating in films of the thirties and forties with stars like Sonja Henie, Belita and Vera Hrubá Ralston I wasn't at all surprised to learn of skating making its way into traditional stage theatre around the same time. The fact that the play's leading man was modelled after its skating author was just a fascinating plot twist that I never would have expected in a million years. I'll give this one a standing O.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

King Bat Of The Forest


Early 1939 may have marked the very first appearance of the Bob Kane's Batman comic book character in print but the character has certainly been purported to have drawn inspiration from several sources, including the 1920 play "The Bat", the 1930 film "The Bat Whispers", Mary Rinehart's novel "The Circular Staircase", Leonardo da Vinci's diagram of an ornithopter and the Zorro character. I'd like to add one more to that list.

In 1936 at the Sports Stadium in Brighton, England an entertainment impresario by the name of Claude Langdon and the rink's general manager Denis Mitchell first presented an elaborate ice ballet called "Marina" that received rave reviews. The show, which would play to over two hundred and sixty thousand people in one hundred and thirty performances in Great Britain over the years, was named after Marina, Duchess of Kent, whose marriage was the talk of the time. Among its stars were Olympic Bronze Medallist and four time World Medallist Melitta Brunner and Red McCarthy, a Canadian speed skater, barrel jumper and professional skating star who was the father of three time Canadian Champion Norah McCarthy.

Red McCarthy. Photo courtesy "Skating World" magazine.

On My Brighton And Hove blog in 2003, Trevor Chepstow wrote,"One of the funniest acts, was performed by a Irish-Canadian gentleman called Red McCarthy. Billed as the world champion of barrel jumping, Red McCarthy would tear round the ice rink, frightening the life out the audience, whilst dressed as a King Bat and covered from head to toe in silver paint. The paint was compiled of powdered glass and silver nitrate, which under the lights produced an amazing glittering effect, thus emulating all the colours of the rainbow with startling results. It took him one hour to put on his make up and as long to take it off, the removal necessitating a steam bath and powerful sprays."


McCarthy's "King Bat Of The Forest" act became a signature that he used in years to come while touring with the Ice Capades. If you ask me, his painted appearance with those bat wings certainly offers quite an eerie and dramatic effect and the fact that he was performing unusual jumps while wearing speed skates certainly adds to the avant garde allure of this long forgotten act.


So there you have it, folks, just in time for Hallowe'en... Burt Ward who played Batman's sidekick Robin may not have been the only professional skating connection to the charismatic comic book duo of Batman and Robin. I would venture to say that Red McCarthy's King Bat, which appeared to audiences in England three years before the world was ever introduced to Batman, certainly makes its case to be at least added to the list of Batman inspirations.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Underhill And Martini: 6.0 Of Their Best Programs EVER!

Photo copyright Liza Dey Photography

Trying to name 6.0 of 1984 World Champions Barbara Underhill and Paul Martini's best programs is like trying to name six of Julia Child's best recipes, six of Tracy Chapman's best songs or six of one of those football people's best touchdowns or home runs or whatever it is they do. I don't know anything about the team sports. I do know a thing or two about fantastic skating and as far as the marriage between music and movement and just simply beautiful pairs skating, Barbara Underhill and Paul Martini are two of the most talented and memorable stars the sport has ever seen. There's something larger than life about their skating that draws you in and something so authentic about their interpretations of music that puts you at ease and makes you completely in awe of their talent. Let's celebrate Barb and Paul by taking a trip down memory lane and enjoying 6.0 of their best programs! Grab yourselves a hot beverage (I sound like Sheldon from Big Bang Theory) and get ready for some great skating:

WHEN A MAN LOVES A WOMAN



During their professional career together which spanned well over a decade, Barb and Paul won a total of eight World Professional Championships titles - seven at the Landover event and one in Jaca - making them the most successful pairs team in the history of either event. One of their most memorable programs as a team actually came out of the 1989 World Professional Championships in Landover, where they skated to Luba's cover of Percy Sledge's "When A Man Loves A Woman". It became one of their trademark programs throughout their career. Radka Kovarikova explained that "when those two look at each other, everyone believes they are in love". Barb and Paul were themselves interviewed regarding their chemistry on the ice, which is absolutely evident in this and many of their pieces. Barb offered that "over time, we've been able to develop some sort of magic or chemistry on the ice and it comes through... it's a combination of putting on the music, dimming the lights and putting us out on the ice and it just kind of happens." Paul explained that lack of inhibition that comes from the disconnect between a dark stage and an audience you can't see: "It's you, it's the lights, it's the atmosphere, it's the music and it just goes from there". This Sandra Bezic program has got it all: that huge lateral twist and throw axel, that hair-dusting backwards death spiral and final lift where she dismounts and gets pulled through his legs... but more than anything, it has that certain intensity and chemistry that even Barb and Paul seem to have a hard time doing justice when describing.

NOT A DAY GOES BY



Mandy Patinkin's interpretation of Stephen Sondheim's "Not A Day Goes By" from "Merrily We Roll Along" couldn't have been a more fitting or dramatic musical selection for Barb and Paul's final performance together (aside from their brief reunion on the finale of the first season of Battle Of The Blades). I was fortunate enough to get to see them skate this program live on Elvis Stojko's tour and one thing that stands out to me about the choreography of this piece in particular is the different layout of where highlights that they often use are placed. The death spiral is earlier in the program as opposed to near the end. The lift is where you'd expect the throw... but that huge throw axel right into the leap of faith is indeed in there. The ending of the program, where they lock hands but drift in their own directions really reflects the symbolism of their 'farewell piece' and add to just how moving and effective this choreography is. Sensitive, substantial and beautiful.

YESTERDAY


"We'll never know how Stephanie got out the screen door, and pulled herself fifty feet across the patio stone, up a step, through the pool gate, and into our backyard swimming pool. In that one moment, our lives were completely and irrevocably shattered." Barbara Underhill wrote this when talking about the death of her daughter Stephanie Gaetz in a drowning accident in May of 1993. Barb and her husband later started the Stephanie Gaetz Keepsafe Foundation in honor of her daughter to help educate parents about childhood safety. "The first year was, and still is, a blur. I can't even find the words to describe that kind of pain. I felt like my heart and my soul had been ripped from me, and I had no idea how to get them back," explained Barb. To help work through the pain, Barb turned to the ice and performing and with Paul skated a tribute to her daughter to Michael Bolton's cover of The Beatles' "Yesterday". The piece resounds as one of the most moving programs the ice has ever seen. You'll need your Kleenex for this one.

ONE NIGHT WITH YOU/IT'S NOW OR NEVER


From their most emotional performance to one of their most lighthearted comes a look at Barb and Paul's tribute to the music of Elvis Presley. Skating to covers of The King's hits by Billy Ray Cyrus and Wet Wet Wet, Barb and Paul were tongue in cheek, sensual and even comedic in this larger than life program that can't help but make you smile from ear to ear every time you watch. It won the duo the 1995 Canadian Professional Championships and 1996 Legends Of Figure Skating Competition and was a fan favourite in shows. If you haven't seen this one before, get ready for an absolute treat!

HAVE YOU EVER BEEN IN LOVE?


Although there are many memorable programs that many would argue should be on this 6.0 list of programs instead of this particular one, I'd argue wholeheartedly that this piece to Peter Cetera's "Have You Ever Been In Love?" absolutely deserves to be included. It's one of their more introspective pieces but is just ablaze with raw energy and musicality - a perfect marriage between music and movement. The footwork out of the lateral twist just oozes dramatic effect; the lift with her arms straight out right after the leap of faith just commands your attention. This program is really ABOUT that dramatic effect that makes so many of their programs stand out in your mind.

UNCHAINED MELODY



Last and ABSOLUTELY not least on the list of 6.0 of Underhill and Martini's 'greatest hits' as it were is their signature program to the Oscar and Grammy nominated song "Unchained Melody", timelessly crooned by The Righteous Brothers. It's considered by many to be the quintessential love song and this program is considered by many to be one of the most romantic and seamless programs ever skated. What makes it so great? Let's talk about that for a minute. Well, for one... the choreography is just fantastic. Sandra Bezic outdid herself with this particular piece. The simplicity and strength shone and again, the use of highlights to accentuate the music is what makes pieces like this work. There is no rushing, there is no extraneous movement that we are questioning. Every edge and lift has its purpose in relation to the music. I remember Scott Hamilton commentating a professional event and saying of Rosalynn Sumners skating to "Hello Dolly!" something to the effect of "all she needs is a beaded gown and some big music and she can go out there and knock your socks off". A similar statement stands true for all of Barb and Paul's classic programs: sometimes less is much, much, much more. "Unchained Melody" is a superb example.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Wherefore Art Thou, Part 2: Ice Dancing's Real Life Romeo And Juliet

"Come, bitter conduct, come, unsavoury guide.
Thou desperate pilot, now at once run on
The dashing rocks thy seasick, weary bark.
Here’s to my love!
O true apothecary,
Thy drugs are quick. Thus with a kiss I die."

- William Shakespeare, "Romeo And Juliet"

Many years after Shakespeare penned "Romeo And Juliet", another literary great, Oscar Wilde, famously said that "life imitates art far more than art imitates life." In the case of British ice dance pioneers William and Elsie Tomlinson, he couldn't have been more on the money.

1933 was an important year for the development of ice dance in Great Britain. In April, the National Skating Association organized the first in a series of competitions with the ultimate goal of seeking out new dances that would be appropriate for use in rinks during dance sessions. It was actually at that early competition that married professionals Eva Keats and Erik van der Weyden unveiled the Foxtrot. A professional competition followed two months later and on July 26 of that year, the first meeting of the new NSA Departmental Committee for ice dance was held, with the aims of writing the rules of ice dance in Great Britain, setting up a test structure and educating and recruiting judges. They organized the first ice dance test at Streatham Ice Rink at 6:30 PM on July 26, 1933, which had an entrance fee of five shillings. One of the members of that committee was an affluent man by the name of William R. Tomlinson, who lived in Avenue Road Kew, one of the most desirable areas of London.

Pioneering men of British ice dance in Villars, Switzerland: J.T. Mason, Reginald Wilkie and William Tomlinson. Photo courtesy Elaine Hooper, BIS Archive. 

The well-to-do Tomlinson, according to the January 1938 issue of "The Skating Times", would often during the thirties book the ice on Monday evenings at the Harringay Ice Rink as a private ice dance club for his friends. It could have very well been at one such private party that he met his wife and dance partner Elsie Ritson, who excelled not only in horseback riding, swimming, diving and tennis but was an accomplished skater who passed her Gold free skating test and silver dance tests with the NSA. William Tomlinson was during this period extremely active in the NSA's pioneering work in developing ice dance in Great Britain and Switzerland. He also passed his silver figure and dance tests. One thing to keep in mind is that during this period the NSA hadn't had yet developed a Gold dance test, so as ice dancers, both Tomlinson and Ritson were certainly top of the line.

J.T. Mason, William Tomlinson, Reginald Wilkie and Daphne Wallis skiing in Villars, Switzerland, 1934. Photo courtesy Elaine Hooper, BIS Archive.

In October 1936, he served on the board of the new Ice Dance Club at Westminster Ice Rink alongside Viscount Doneraile, Reginald Wilkie, Daphne Wallis and others. Among the ice dance events there are records of Tomlinson judging are the Amateur British Inter-Rink Ice Skating Dance Competition For The Westover Challenge Trophy at the Westover Ice Rink in Bournemouth on April 6, 1935, "The Skating Times" Waltzing Competition on April 8, 1936, the 1937 British Amateur Ice Dance Skating Competition at the Sports-drome in Richmond and the 1938 and 1939 British Amateur Ice Dance Skating Championships.

Elsie Ritson, J.T. Mason, Reginald Wilkie and William Tomlinson skating at the Grand Hotel Kronenhof in Pontresina, Switzerland, 1935. Photo courtesy Elaine Hooper, BIS Archive.

In 1937, William Tomlinson served on the board of the Celerina Skating Club in Switzerland alongside Mr. and Mrs. A. Proctor Burman, H. Allan-Smith, Daphne Wallis and Reginald Wilkie, Miss D. Donatsch, H.A. Bore, T.E. Leschner, George Bisenz and D.M. Martin. Under the direction of this board, an ice dance competition called the Mr. and Mrs. A.P. Burman Junior Dance Trophy was contested in Switzerland by the largely British contingent of skaters training in the Swiss canton of Graubünden during the long winters under coach H. Rolle. BIS' phenomenal historian Elaine Hooper (who assisted with much of the research about the Tomlinson's earlier skating lives contained in this blog and provided me with copies of results and clippings from Daphne Wallis' private collection and the photos contained herein) explained that "he remained on the [NSA] committee until 1939. There is an entry in the minutes of the meeting of October 5, 1939 that his letter of resignation from both the committee and judging panel had been received and was accepted with regret. No reason for the resignation was mentioned in the minutes."

Group photo from Daphne Wallis' private collection. William Tomlinson is second from left on the top row and Elsie Ritson is on the far right on the bottom row. Photo courtesy Elaine Hooper, BIS Archive.

The same year Tomlinson resigned from the NSA's Ice Dance Committee, he married Ritson in London. After residing in Britain for a time, the couple lived for many years in Cuernavaca, Mexico. They generously donated the Tomlinson Trophy to the National Skating Association, which was contested as a televised international ice dance competition in the fifties and sixties in England. In 1965, World Medallists Janet Sawbridge and Jon Lane claimed this very title ahead of West Germans Gabriele and Rudi Matysik.

 In 1975, the then-aging couple moved to San Antonio, Texas. By 1983, Elsie was a sixty eight year old author of a book of poetry and avid painter and William, at eighty, was dying from cancer, had diabetes, progressive degeneration of the spine and his body was wracked with arthritis. He wasn't expected to live.

Like Shakespeare's star-crossed lovers, the Tomlinson's made a tragic decision. On August 21, 1983, they left money for a telephone bill and letters and a tape recording for friends and neighbours. After drinking a glass of wine on their love seat, the couple held hands and put plastic bags over their heads until they suffocated. Their bodies were discovered the next day by an assistant apartment manager in their building who was concerned that no one had heard from the couple. The medical examiner's office ruled their deaths as suicide by asphyxia. In the August 25, 1983 edition of the Lakeland Ledger, friend Julius Germanoz was quoted as saying that "they were embracing. They had told me quite a few times they would end up this way. They had a pact. She said, 'if he goes - I go."

Clyde White, deputy sports editor for The London Times, explained that "The Tomlinson's were ice skaters, but they were better known as ice skating judges. They were judges in the 1939 British Ice Dancing Championships." Their attorney, Larry Gibbs, added that they were "avid figure skaters, but they weren't pretentious. If they received any medals or awards, they wouldn't have been displayed. They would have been privately contained. They were that type of people. In this world of givers and takers, I'd say they were the givers. They had a lot to share, but there were very private people. If you were in that close circle of friends, there would be nothing they'd deny you, but they were hard to approach."

Anyone who has been touched by the loss of someone close to them of suicide knows how heart wrenching a loss it can be. If anything, the 2014 death of actor Robin Williams, who was diagnosed with early stage Parkinson's Disease and suffered from depression, opened the world's eyes to the complexity of the issue. I personally subscribe to the belief that we are here for as long as we are meant to be for a reason. That said, as sad as the Shakespearian decision of the Tomlinson's suicide pact ultimately was, it was their tragic choice.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Wherefore Art Thou, Part One: Romeo And Juliet On Ice

Dorothy Hamill, Toller Cranston and Brian Pockar posing in a publicity photo for "Romeo And Juliet On Ice"

"From forth the fatal loins of these two foes 
A pair of star-crossed lovers take their life,
Whose misadventured piteous overthrows 
Doth with their death bury their parents’ strife"

- William Shakespeare, "Romeo And Juliet"

For decades, skaters around the world have been exploring the themes presented in William Shakespeare's iconic tragic romance "Romeo And Juliet". From Olympic Gold Medallists Marina Anissina and Gwendal Peizerat to Marina Klimova and Sergei Ponomarenko and Natalia Bestemianova and Andrei Bukin to many far less known or remembered interpretations, musical scores from Prokofiev, Tchaikovsky, Mancini and even the 1996 Baz Luhrmann film have become standard fare in skating circles. However, "Romeo And Juliet On Ice", a made for television gem from the early eighties, remains a largely forgotten treasure.

Directed by Robert Iscove, "Romeo And Juliet On Ice" was filmed in a tiny CFTO studio in Toronto, Ontario and starred Olympic Gold Medallist Dorothy Hamill and World Bronze Medallist Brian Pockar in the roles of Romeo and Juliet. Olympic Bronze Medallist Toller Cranston added, of course, his usual flair to the production in the role of Tybalt, Juliet's cousin (a Capulet who is stabbed by Romeo). The choreography for the production was done jointly by Iscove and Sandra Bezic and the production was first broadcast for American audiences as part of 'the CBS Festival of Lively Arts for Young People' in November 1983 and later packaged for Canadian television just prior to Christmas 1983 on CTV.


In a December 17, 1983 article in The Globe And Mail, the late Pockar recalled the dreaded kissing scene, which took an hour and a half to film: "After the rings were exchanged and it came time to kiss, my upper lip started to quiver. I worried that Dorothy would notice and start to laugh or worry about my worrying about it." According to Hamill's then-manager, not only did Hamill notice the twitch in Pockar's lip, she convulsed in laughter for fifteen minutes: He said, "When Dorothy gets tired, she gets the giggles. She gets beyond tired: she's all adrenaline. I told her, 'Think of your grandmother's funeral.'"

Dorothy Hamill. Photo courtesy Los Angeles Public Library.

It wasn't all laughs though; the filming of the production was a challenge for choreographers and skaters alike. Bezic had less than two weeks to turn Hamill and Pockar, two accomplished singles skaters, into a cohesive pair team and Pockar and Cranston both had to adapt double axels and triple jumps to a very small ice surface. When Hamill wasn't going over her lines - she served as the narrator of the production - or fitting for costumes, she was on the ice for twelve hour days and watching Franco Zeffirelli's 1968 film adaptation of the play in the evenings when she left the studio before grabbing less than eight hours sleep and doing it all over again. Many might dismissivelya look back on the production as made for television shtick in hindsight, but these skaters took the authenticity of the production very seriously.


The Sergei Prokofiev score, performed by the London Symphony Orchestra, was used as a musical backdrop and costumes were developed to complement the lavish set by British designer Zandra Rhodes. In the November 25, 1983 edition of The Lakeland Ledger, Judy Flander praised the production thusly: "Romeo And Juliet will charm anyone acquainted with the tragic pair. Others will be attracted by the ice ballet with its sword fights, its romantic balcony scene and the sad finale in the (literally) 'ice cold tomb.' The sets are just magnificent and I think the skating is the best filmed and edited I've ever seen." The production was generally well received by television audiences and critics alike and despite their hesitant on screen kiss, Hamill and Pockar later revived one of their pairs performances from "Romeo And Juliet On Ice" in the 1985 production "Festival On Ice" at the Wolf Trap Filene Center amptitheater in Washington, D.C. in the summer of 1985.  

In a climate today where many televised skating specials revolve around professional skaters creating one-off programs accompanied by musical artists often along the ilk of an Aaron Carter, it's always a real treat to look back at these high production, wonderfully creative efforts from the eighties and nineties. Skating has absolutely not lost its art but I think it's absolutely fair to yearn for more of it. Ice show, ice show, wherefore art thou, ice show? Stay tuned for part two of this series, where we'll learn the shocking story of skating's real life Romeo and Juliet.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Figure Skating Hodge Podge, Volume 3

As autumn creeped in the last two years, I introduced you to a Nova Scotian classic: hodge podge.  If you've never had a proper bowl of hodge podge, you don't know what you're missing. It's a traditional Nova Scotian fall dish that uses nothing but the freshest harvest vegetables. It just warms your soul and I'm craving it already by just mentioning it.

Here in Atlantic Canada, we use the expression "hodge podge" to describe anything that's got a little bit of everything. Figure skating constantly evolves and changes that much that it's not always easy to keep track of all of the developments, stories and (sometimes) dramas that develop along the way. I've had several topics that I'd been wanting to write about for quite a while that all seemed to have two common denominators. For one, they are all tales that many people may not know or if they did, might not remember. Secondly, they don't all really have enough material to constitute a full blog of their own. Fasten your seatbelts and prepare for a tour of compelling stories with a skating connection... an a delicious 6.0 finish:

UPDATE TO SKATING IN AFRICA


Every so often I like to throw in a little update on a blog I have already written and in this case I wanted to start things off with an addition to the October 2013 blog "Winter Sports Without The Winter: Skating In Africa". The Ikeja City Mall in Lagos, Nigeria now plays host to the Philorem Ice Skating Arena. A January 2015 interview with Mrs. Ojikutu, the rink's owner, explained that the inspiration from the rink came from the growing popularity of ice skating in Dubai and that "traffic has been quite impressive. We started three months ago and we've been experiencing great turn out, especially from schools. They come for excursions and recreation. In fact, at weekends, this place is always as clumsy as markets. On Sundays too, we open here after 11 AM. I mean after church services... My future plan for the business is to expand it to other malls across the country and also finally get to our own site to operate." The true growth of skating internationally never ceases to amaze me and I wish our Nigerian skating friends so much luck in getting things off the ground!

THE DEATH OF DELLA BEYAK



I wish I could tell you this is a happy tale but it's far from it. Della Beyak was a twenty one year old figure skater and avid Ukrainian dancer. She was also a constable with the Royal Canadian Mounted Police, and sadly was the first female RCMP officer to die in the line of duty after only nine months on the job. On March 15, 1989 near Assiniboia, Saskatchewan, Constable Beyak responded to a call for assistance at a car crash in the middle of a bad snowstorm. Trying to pass a slow-moving transport truck that was blinding her with snow on the highway, Beyak collided head on with the coroner who had just left the scene of a car accident. An ambulance leaving the scene collided with both vehicles as well. Both Beyak and the coroner were killed and the ambulance driver suffered serious injuries.

EARLY SKATING IN IRELAND



Although the luck of the blarney stone didn't come into fruition for Irish figure skaters until 1980, when the country's first permanent ice rink was built in Dublin, that certainly didn't mean people weren't skating. According to Kim Bielenberg, Liz Kearney, and John Meagher's article "Ireland 1914: suffragettes, ice-skating in the park and a country on the brink of war", skating proved popular as a social activity on the Emerald Isle in the early twentieth century. Bielenberg, Kearney and Meagher state that in 1914 "Ireland was hit by freezing weather at start of the year as blizzards raged across the country. In Dublin, people skated across the ponds in Phoenix Park". Irish eyes might have been smiling, but Irish legs were apparently keeping warm with figure eights. We'll take a further look at Irish skating history topics in a future Skate Guard blog!

GÖRING AND HIMMLER: UGH, MORE SKATING NAZIS


As if the story of Adolf Hitler's skates wasn't macabre enough, The Virtual Ice Skates Museum came into the possession of Hitler's right hand man's skates. Hermann Göring, who committed suicide by taking a cyanide pill while in custody following his sentencing at the Nuremberg Trials, was only second to Hitler himself in terms of power in Nazi Germany. It would also appear he was a skater. The museum's online website states that "any collector once find a couple of objects of which he does not know how to judge them. That feeling also exists with a pair of English ice skates made by I. Sorby, Sheffield. On both platforms the signature of Hermann Göring can be seen as well as two impressions made with a dry stamp showing the German eagle with swastika." Horrifically, one skater's actions would prove directly responsible for the death of countless others, including Anne Frank. Göring and Hitler wouldn't be the only high ranking Nazi's with a skating connection either... Heinrich Himmler skated too. Katrin Himmler's book "The Himmler Brothers" provides this quote from a letter to Himmler's mother confirming Heinrich and his brother Gebhard skated too: "On 2 and 3 November - the semester had only just begun - the brothers wrote their first joint letter home. First of all Gebhard: 'we would both like our ice-skates together with the keys now; so it should get really cold and we have time we'd like to have our skates here. So if you would, Mummy dear, put them in the next parcel.'" Photos of Sonja Henie exist showing her receiving congratulations from Hitler, Göring and Himmler, so they must have all been skating fans even if they were despicable people.

F.C. EVE: THE SKATING DOCTOR

After writing about The Regent's Park Tragedy and other such less than happy stories from skating history where skaters on outdoor lakes, ponds and rivers had drowned from falling through the ice, learning about Dr. F.C. Eve's medical contributions to the resuscitation of the drowned seemed a fascinating and related story... considering the good doctor himself was also a skater. To give you a little background on who F.C. Eve was, I want to start with a quote from one of his friends. In the December 20, 1952 edition of "The Journal" Dr. Peter C. McKinlay remembered the then late Dr. Eve in the following way: "to visit him was a mental exercise, made all the more pleasant by his unfailing courtesy, courage and quiet sense of humour." Much like Tenley Albright (another talented skater who later became a doctor, Eve devoted his time tirelessly to his work in the medical field and research. As explained earlier though, much of his work - which was quite revolutionary at the time - centered around artificial respiration.


He invented something called the 'rocking method', a form of resuscitation that he believed was less tiring on the person performing it, easier on the victim and requiring less skill than the Schafer method of revival popular at the time. In Eve's method, a drowning victim was tied to a board and essentially rocked back and forth over a pile of rocks to allow water to escape from the lungs. An article from the July 1946 edition of "Popular Science" explained that "the rocking ventilates the lungs by alternately pushing and pulling the diaphragm up and down. At the same time, blood is forced through the oxygen-starved heart muscle, helping to start it or restore a feeble beat. Further, the nerve cells of the brain and breathing center receive blood at normal pressure. When the feet-down tilt is made, blood from the extended arms fills the heart and encourages it to beat and pump... Experiments have shown that the Eve method, with a 30-degree rock, produced an average intake of 150 cubic centimeters of air at each inhalation as against 55 c.c.'s under the Schafer method." In his May 1, 1943 article in the "British Medical Journal", Eve was cognisant of the challenges his method posed: "the trouble with apparatus for the rocking method is that it may not be at hand when needed; but in a ship, a stretcher which can be rocked could be instantly available." Eve pointed out success stories using examples of ships that did have a stretcher available to perform his method... and the lives that it saved. His skating connection? His obituary explains that Eve "had many interests outside his profession and was a keen golfer, tennis player, and trout-fisher and he won a silver medal for figure-skating." Although his rocking method for reviving drowning victims gained traction mostly on ships as opposed to being used to treat victims of pleasure swimming related drownings, one has to ponder how many lives this good doctor could have saved had he been among his fellow skaters in Regent's Park. 

NOVA SCOTIAN HODGE PODGE RECIPE


Sop up what's left with some nice hearty bread and be sure to double or triple up so that you have leftovers... this is always better the second day! This recipe is for four to six people:

Ingredients (fresh from a farmer's market or garden):

10-12 new potatoes – scrubbed/not peeled, and halved – quarter any large potatoes, and don't cut the small ones – you want the potato pieces to be about the same size
2-3 cups chopped new carrots – scrubbed/not peeled, cut into bite sized pieces (you can peel them if you like)
1 cup chopped yellow beans – 1 inch long pieces
1 cup chopped green beans – 1 inch long pieces
1 cup shelled pod peas – you want just the peas, not the pods
1.5 cups cream
1/4 – 1/2 cup butter
salt and pepper to taste

1. Fill a large, heavy pot about halfway with water, and salt lightly (about 1/2 teaspoon of salt). Bring to a boil.
2. Add the potatoes to the boiling water. Cook for about seven minutes.
3. Add the carrots to the pot, and continue cooking for about seven minutes.
4. Next add the yellow and green beans to the pot, and continue cooking for about five minutes.
5. Finally, add the peas, and continue cooking for about three minutes.
6. Drain off most of the water – leave about an inch of water (no more) in the bottom of the pot with the vegetables. Return the pot to the stove, and reduce burner heat to low. Add the cream and butter, and some salt and pepper (I start with a 1/4 teaspoon of each).
7. Gently stir to combine, allowing the the blend and butter to heat through. As you’re stirring, the potatoes might break up a bit. As the the blend and butter heat through, the broth may begin to thicken. This is normal. Don’t allow the mixture to boil.
8. Once the mixture has heated through, it is ready to serve. Season with a little salt and pepper to taste. Serve with bread.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.