Discover The History Of Figure Skating!

Learn all about the fascinating world of figure skating history with Skate Guard Blog. Explore a treasure trove of articles on the history of figure skating, highlighting Olympic Medallists, World and National Champions and dazzling competitions, shows and tours. Written by former skater and judge Ryan Stevens, Skate Guard Blog also offers intriguing insights into the evolution of the sport over the decades. Delve into Stevens' five books for even more riveting stories and information about the history of everyone's favourite winter Olympic sport.

Liselotte Landbeck And The King Of Belgium


The high drama connected with figure skating most certainly didn't start with the salacious story of Tonya Harding or "the French judge" Marie-Reine Le Gougne at the 2002 Winter Olympics in Salt Lake City. The controversy surrounded one figure skater from a relatively forgotten era in figure skating may not be a story widely known in skating circles but it is most certainly one that was out there 'in the world outside'.

Austria's Liselotte Landbeck was actually a World Champion skater, not in figure skating but in speed skating. She won the first unofficial World Championship for ladies in speed skating in 1933 and actually held two ladies world records. That said, she was certainly an outstanding and accomplished figure skater as well. Landbeck won three Austrian titles, two silver medals at the World Championships and the bronze medal at the World Championships in 1935. Although originally from Vienna, she married Belgian pairs skater Robert Verdun in 1935 and opted to represent Belgium at the 1936 Olympics in Garmisch-Partenkirchen, Germany. Although her husband finished sixteenth out of eighteen pairs competing at those Olympics with his partner Louise Contamine, Landbeck fared MUCH better in the ladies event at those Games. She finished third in the school figures but a sixth place finish left her just off the podium behind Sonja Henie, Cecilia Colledge and Vivi-Anne Hultén and just ahead of American skater Maribel Vinson. In essence, that was Landbeck's skating career and after those Games, she opted to retire from competitive skating. It was what happened next in her life that changed everything.

Footage of Landbeck skating is found late in this British Pathé clip

In his book "From Küssnacht to Argenteuil", author Leo van Audenhaege pens an incredible story that really changes the way we look at Belgian royal history. van Audenhaege purports that during the winter of 1939-1940, the married Landbeck was invited to teach the royal children to ice skate and that her and the King fell 'in love at first sight'. He claims that Landbeck had an affair with the late King Leopold III, who was married himself at the time to Princess Astrid of Sweden. This affair produced a child, Ingeborg Verdun, who would in fact be an illegitimate half sister to Albert II, who reigned as King Of The Belgians from 1993 until his abdication from the throne for health reasons in July of 2013. Ingeborg Verdun was born in December 1940 in Antwerp and was raised without having any clue of her family ties to the Belgian royal family. Verdun now lives in the U.S. and did not learn the truth until she was fifty years old. In an interview with the Belgian magazine Humo, she stated "I was fifty when I first heard that my father is not my father. Fifty, you know what that means? That destroys your life." 

Sadly, it seemed almost as if little clues to unravel this mystery were obfuscated in plain sight. Ingeborg shares a name with King Leopold III's then mother-in-law Princess Ingeborg of Sweden. When she was born, Liselotte Landbeck's hospital room was purportedly "filled with flowers from Laeken" and "a signed photograph of the 'biological father' of her baby was prominently on display." After his wife Queen Astrid died in a car accident in Switzerland - a car Leopold was at the wheel of - he ultimately married commoner Lilian Baels, the daughter of an Ostend shipping magnate and governor of West Flanders Province in 1941 and he wasn't exactly forthcoming about that either. Leopold and Lilian's wedding was held in secret and was considered in violation of Belgian law. van Audenhaege further suggests that Ingeborg Verdun wasn't the only illegitimate child that King Leopold III fathered. The handsome Monarch is said to have cheated on Lilian as well after World War II. He suggests that an unnamed half-brother to King Albert II was born of this affair. But wait... like any juicy story, that's not all! In his book "A Throne In Brussels", Paul Belien suggests that yet another illegitimate child was fathered by Leopold! The claims that this third suggested illegitimate child (Count Michel Didisheim, who was born in 1930) was fathered by Leopold were denied by Count Michel himself, who interestingly worked as Albert's private secretary for many years. It's all certainly a twisted web to say the least.

After abdicating from the throne himself in 1950 while his country was on the brink of civil war, Leopold travelled the world and dedicated his time and efforts to anthropology and entomology until his death in 1983. He is buried next to both of the wives he allegedly cheated on producing illegitimate children. What became of Liselotte Landbeck? No one really knows. After apparently spending time in both Stockholm, Sweden and in Belgium, van Audenhaege claimed at the time of his book's publication in 2011 that Landbeck was now living in a nursing home in an undisclosed location in a Southern climate. If she is in fact still alive, she would now be ninety nine years of age.

Can we with absolute certainty trust van Audenhaege's claims? Although it has been argued that van Audenhaege has 'no proof' and without disclosing where Landbeck is in fact specifically living now, we can hardly hear 'her side of the story' which she very well may not wish/have wished to be known. At any rate, it's certainly an intriguing and fantastical story that affects generations of Belgian royals and implicates one skating champion of a bygone era whose life we really ultimately know so very little about.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

The 2015 European Championships: The Good, The Bad And The #NoSheBetterDont


In the post U.S. and Canadian Nationals blog, I introduced a new format for event recaps: The Good, The Bad And The #NoSheBetterDont. To repeat my reasoning behind the brevity, this autumn I spent hours upon hours recapping all six ISU Grand Prix competitions and the Grand Prix Final in detail. Here's the thing. Agonizing over Suzie Salchow's take-off edge on her flip and the level of her spin combination really isn't my bag any more than jamming my hand in a car door is. I wanted to enjoy the competitions for the rest of the season rather than extrapolate the results to death but still wanted to represent all the major competitions with content on the blog as well. After all, whether I'm a big fan of the IJS system or not, there's some spectacular skating going on that I'd be absolutely negligent as a blogger by not talking about... and this year's European Figure Skating Championships in Stockholm, Sweden did NOT disappoint:


EL ÉXITO DE ESPAÑA: The success of Javier Fernandez has unquestionably put Spain on the international figure skating map in a big way. In winning his third European title in Stockholm with a superb short program and a free skate that though imperfect featured a quad toe-loop, triple axel and five other triples, Fernandez was quite obviously a great ambassador for skating in his country. However, he wasn't the only one. After making their debut in 2011 as the first Spanish ice dance team to compete at the European Championships, Sara Hurtado Martin And Adrian Diaz Bronchud have slowly but surely climbed the ladder in their results, cracking the top ten at last year's Europeans in Budapest. Their results this season have been a little bit more of a grab bag though. An eighth place finish at Skate Canada contrasted greatly with a fourth place finish at Trophee Eric Bompard. A spectacular free dance in Sweden to music from "Zumanity", "Atonement" and a composition by Karl Hugo moved them up from sixth to fifth place overall and showed the judges are finally ready to start taking the threat they pose a little more seriously. 

OR POUR LA FRANCE: Although Russians and Italians have topped the leaderboard the two previous seasons at the European Championships, this year it was again France's turn... and girl, did they ever do it in style. Gabriella Papadakis and Guillaume Cizeron. Winning both phases of the ice dance event with a score of 179.97 - ahead of the reigning World Champions Anna Cappellini and Luca Lanotte - re-established the fact that this fast climbing French team's improvement this season might be enough to twizzle their way onto the podium in Shanghai. After all, their bronze medal at the Grand Prix Final coupled with this result set them up on paper as the team from Europe to beat this year. I can't gush enough about how much I love this team's free dance this season! It's understated and captivating like a painting you can't turn your eyes away from... and I love those lifts!  



HISTORY FOR ISRAEL: In finishing a surprising fourth, Israel's Alexei Bychenko made skating history with his country's highest ever finish in men's event. Born in the Ukraine and currently training in the States, Bychenko has been steadily climbing the ranks over the past few seasons and this particular result coupled with his win this fall at the Tallinn Trophy in Estonia confirm that he's a skater who is certainly in the top ten conversation looking towards Worlds in Shanghai.

BACK IN BUSINESS: After starting off their comeback season very strongly with a win at Skate America with a free skate that included a throw quad salchow, Yuko Kavaguti and Alexander Smirnoff appeared unstoppable... but a last place finish at the Grand Prix Final after a marred short program gave the impression that they were starting to unravel a little. Their third place finish at the Russian Nationals was just enough to get them on the team for Europeans and once in Stockholm they absolutely blossomed. After finishing a strong second in the short program to their teammates Ksenia Stolbova and Fedor Klimov, Kavaguti and Smirnoff took advantage of their competitors blunders and coasted to victory with an impressive score of 207.67. Their side-by-side jumping passes were on point and they DID land a throw quad salchow but their program, however expressive, wasn't perfect. To compare their free skate score with Meagan Duhamel and Eric Radford's 230.19 would appear the Canadians have a strong edge, but keep in mind with the usually generous scoring at ANY domestic competition, it's still anyone's game. That said, I'd still give the Canadians the edge personally. All in all though, a fine skate for this team and nice to see them reclaim the European title that they first won in 2010.



MARATHON WIN FOR TUKTAMYSHEVA: It seems the theme of Elizabeta Tuktamysheva's 2014/2015 season has been utter and complete domination. Treating the year almost like a marathon instead of a sprint, she has entered an unheard of nine competitions and won all but two of them. In those she settled for silver. In terms of consistency, you can beat that. Coming from second after the short program, the Russian dazzled in Stockholm with a flawless free skate that included two triple lutzes, a triple toe/triple toe combination and three other triple jumps. We've all seen the video of her landing a beauty of a triple axel in practice... and I have a sneaking suspicion that if she keeps it up with the huge TES scores she's posting, her tenth competition of the season could quite possibly see her as the latest World Champion.



ICE DANCE MOVEMENT: Definitely more so than usual, the shuffling in the standings from the short to the free dance was actually palpable. The 'third' Russian dance team finished eleventh in the short dance but sixth in their free dance and Slovakians Federica Testa and Lukas Csolley had a five place difference from the short to free dance as well, only in their case it was a drop to eighth overall. Although there's certainly proof in the pudding that these teams are simply mathematically so comparable on paper, I'd like to think the judges just may be starting to really break down what they are seeing from program to program a little more thoughtfully. Eternal optimism is a beautiful thing, don't you think? 


ROCKY ROAD TO SHANGHAI: Elena Ilinykh - who with former partner Nikita Katsalapov earned Olympic gold (team) and bronze (individual) in Sochi - hasn't exactly had the smoothest start to her new partnership with former rival Ruslan Zhiganshin. Although the duo were able to stave off the competition at home in winning their first Russian title together, their last place finish at the Grand Prix Final in Barcelona didn't exactly turn a lot of heads although they showed considerable improvement in the free dance from both of their Grand Prix outings. In Stockholm, it was definitely the other way around. Synchronisation issues on their twizzles and a botched lift plummeted them down to eighth place in the free dance and dropped them from second to fourth overall. To ultimately be taken seriously in the medal equation at the World Championships against Weaver and Poje, two strong American teams, the defending World Champions Cappellini and Lanotte and the champions of this event, Gabriella Papadakis and Guillaume Cizeron, they'll need to step up their game considerably.

THE STOCKHOLM SICKNESS: After missing the last two European Championships due to an extremely serious Achilles tendon injury that ultimately required surgery, three time European Medallist made her comeback at this year's event after winning the only two competitions she'd entered this season - the Golden Spin Of Zagreb and the Finnish Championships (her fifth title). She wasn't perfect but she proved she was certainly in fine form. Her resplendent short program set to "A Day In The Life" by The Beatles was worth particular mention. Although she put her hand down on her double axel, the triple flip/double toe combination and triple loop she did execute both earned her positive GOE's and the choreography by Jeffrey Buttle was in my opinion far more effective than any of the Russian ladies who placed above her in that phase of the competition, although they all received higher PCS marks. Colour me surprised. The bad part? The flu caused this Finnish beauty to withdraw after the short program. An article from "The Stockholm" quoted Korpi as saying "I had to stop the training session because I was not feeling well, but unfortunately after a few hours the situation was even worse. I'm really distraught at not being able to take part in the free program. I could not wait to be before the audience and I could fight for a good result."

THE BUCKLAND BROTHERS: Seventeen times the Union Jack has been raised following the ice dance competition at the European Championships but sadly this year Great Britain wouldn't have a representative in the ice dance final whatsoever, with the illness of brothers Nicholas and Joseph Buckland necessitating the withdrawal of both British teams. My father and grandparents being born in England, I always cheer on the Brits and I was particularly disappointed to see these teams miss out. Get well soon Joseph, Nicholas and Kiira!


THE FORTY SECOND RULE: Under current ISU rules if "a skater/team has a problem related to themselves or their equipment (i.e. damage/injury) and is unable to continue skating or resolve the problem and does not report to the Referee within 40 seconds, the skater/team is considered to be withdrawn." Harkening back to Jeremy Abbott's fall in the short program in Sochi, we again saw a skater at this event - the UK's Phillip Harris in the free skate who clearly injured his arm - fight through obvious pain and continue his program. Though we can applaud his grit and determination to continue, one can clearly ascertain that this rule doesn't have the skaters best interests at heart. I've heard the "this is the sport and these are athletes that need to toughen up" argument and I'm quite frankly over it.

BEATING A DEAD HORSE: The powers that be and I are just going to have to disagree on the topic of Elena Radionova's PCS scores. Her basic skating skills, posture, body line and musical interpretation just aren't in my opinion on a level that warrant marks of that level. This is figure skating, not figure jumping... and I can't say I agree whatsoever with the kind of PCS scores in any of the categories that are being doled out here. While she hits absolutely stunning positions in her spins and without question has the jumps, the in-between's and choreography are not there just yet in my opinion - but that will come with time. There's a growing period for developing the style that takes you from juniors to seniors and while I feel her short program suits her well enough, the free skate isn't working for me and gives the impression of a young girl trying on her mother's dresses. By offering generous second marks (at 32.02 and 67.22 the second highest PCS scores in both phases of the competition in fact) judges are hammering home the 'keeping the second mark in line with the TES score' fundamental problem with the way IJS skating is being judged. Just because you have a system in place to attempt to in some way quantify and evaluate five different aspects of a program's composition doesn't mean that system can't be taken advantage of. I've said it before and I'll say it again... I can do better.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Interview With Samantha Cabiles


With the success of skaters like Christopher Caluza, Michael Christian Martinez and Melissa Bulanhagui, it's only quite recently that figure skating has put The Philippines on the proverbial map. Among the country's stars of tomorrow is the current Filipino junior ladies champion Samantha Cabiles, a confident and ambitious young Hawaii born skater with a promising future in the sport. It was my pleasure to talk with her about her career to date, future goals and aspirations, focuses in training and much more in this great interview:

Q: After your first taste of high level competitive skating in watching the 2008 U.S. Figure Skating Championships, you took to the ice and by 2012, earned the bronze medal on the junior level at the Filipino National Championships. You've represented The Philippines internationally on the ISU Junior Grand Prix circuit and other international junior events including the Cup Of Nice and Triglav Trophy. Most recently, you won the Filipino junior title in Manila this past November. What are your proudest moments so far as a competitor?

A: Winning the junior title at Philippine Nationals was a definite highlight since I am still working on catching up to my contemporaries who have been skating many more years than me. This October at the Cup of Nice I skated two clean programs and it was an incredible feeling to accomplish this. It boosted my confidence in a big way!

Q: What are your focuses in training and going forward, what improvements do you most want to focus on in your skating?
     
A: My current focus is getting my triples consistently in the performances of my programs in competitions. Also, I am working on triple axel in the harness right now and I have to say because I am such a powerful jumper it feels easier to me than the triples if that makes sense.

Q: What is your ultimate goal as a skater and how do you hope to achieve it? 
       
A: My ultimate goal within these next three years to make it to the 2018 Olympics in Pyeongchang, South Korea with a triple axel and a quad in my routines.

Q: Skating in The Philippines has received a lot more attention in recent years with the international success of skaters like Christopher Caluza and Michael Christian Martinez. Being born in Hawaii, how did your decision to compete for The Philippines come about and do you see the popularity of skating there growing since you started?

A: Well, I never thought about figure skating until I moved to Michigan in 2005, I had actually never skated in Hawaii because there was no ice rink on the island I was raised on. With that said, once I started skating in a learn to skate program at the local rink in Michigan (a couple of months before I turned eleven years old) I knew 'this is what I want to do with my life'. The decision to skate for the Philippines was an easy one, I am half Filipino and I am proud of my heritage and thought it would be great way to honour my country. For the past three years I have noticed more young skaters at the Nationals competition, not only more interest from them but their skill level has improved tremendously.


Q: What’s your favourite jump and favourite spin - and least favourite?
       
A: My favourite jump is the axel, I love my double axel and I am really enjoying working on the triple axel. My least favorite jump is the salchow. It's a tricky jump and really requires perfect technique. I am working on a triple salchow/half loop/triple salchow and that's going well. My favourite spin is the flying sit (anything that has to do with jumping I love) my least favourite is the flying camel, I am working on not being so wild with my landing into it.

Q: What’s one thing most people don't know about you?
        
A: I love acting and love incorporating my expressive style in everything I do. Also, I can sing and talk with my mouth closed.

Q: Who are your three favourite skaters of all time and why?
     
A: I really love the men because they do the big jumps. My two favourites are Daisuke Takahashi, for his artistry and Yuzuru Hanyu, for his technique, Yuna Kim for her solid confidence and performance and of course Michelle Kwan, I don't think there has been another skater besides Katarina Witt who could captivate an audience and bring them along with them during their performances

Q: What do you love more than anything about skating? 
    
A: I love the ability to play many different characters and the feeling of sheer freedom to express myself.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Threes Company, Fours A Crowd: Skating's Lost Discipline


Skating has long been a social activity as much as a competitive one and it was very much owing to this social aspect that fours skating (a now defunct discipline that featured two pairs skating one program together on the ice in tandem) got its start. With its roots in English Style combined figures, fours skating emerged as a popular discipline in Canada in the early twentieth century. It evolved simultaneously at clubs in Toronto, Ottawa and Montreal and its popularity soon trickled down to clubs in United States. The Minto Four of Margaret Davis, Prudence Holbrook, Guy Owen and Melville Rogers were arguably the most successful pair, winning the North American Championships three consecutive times beginning in 1933.

Margaret Davis, Prudence Holbrook, Guy Owen and Melville Rogers

On fours skating, in her 1938 "Primer Of Figure Skating", Maribel Vinson Owen wrote: "A four, where two ladies and two men do combination skating, is always a favorite with skaters and audiences alike. The program, where moves may be done separately, in pairs, or all four together, is a fascinating problem of construction, while in execution complete unity of steps and skating rhythm plays an even greater part. Every four should have a 'leader' to direct practice and keep order, but in performance four people should skate as one."

Soviet pairs turning fours into sixes

Fours skating's early beginnings consisted not of the free skating programs we traditionally think of in connection with the discipline but in actuality in the execution of school figures in unison. Irving Brokaw's 1913 book "The Art Of Skating" explains that in the Minto Skating Club's Grey Challenge Trophy event in fours skating teams were required to perform a specified series of figures: "F and F three about and F meet 5 2, F and IF Bracket and Once-back and F meet (four individuals), Once-back and F about and Once-back off meet, 'Twice-back and F and IF, center three and IB and IF and F meet 6, Total, 22. All of above figures to be skated to a center. 'Fours' comprise two pairs to same center and four individuals to same center." Later, the discipline would evolve into a single free skating performance (no short and long program) judged obviously for technical merit and artistic impression on a scale of 6.0 as that system was in place.

The discipline gained some traction in other countries as well, including the Soviet Union and Germany but was mainly a novelty act used in exhibition performances. It was to my knowledge only ever contested internationally at the North American Championships (last in 1949) and Skate Canada International (last in 1990). After former CFSA President and later ISU Vice President David Dore won the Canadian fours title in 1964 with Bonnie Anderson, Laura Maybee and Greg Folk, fours skating was put on the back burner at the Canadian Championships for for almost twenty years. Interestingly, during the time period fours FIGURE skating's popularity lulled, it was very popular as a discipline in roller skating.

Christine Hough Sweeney, Doug Ladret, Denise Benning and Lyndon Johnston exhibiting fours in the Parade Of Champions at the 1988 World Championships

In 1982 (the year I was born coincidentally), fours figure skating made a resurgance at the Canadian Championships in Brandon, Manitoba when Melinda Kunhegyi, Lyndon Johnston, Becky Gough and Mark Rowsom claimed the national title. Debbi Wilkes' show "Ice Time" in the nineties used to show plenty of great archival footage of eighties fours skating and the discipline was actually held consecutively every year from 1984 to 1997 after this revival in popularity, with many elite Canadian pairs skaters including Christine Hough Sweeney and Doug Ladret, Isabelle Brasseur and Lloyd Eisler and Jodeyne Higgins and Sean Rice all taking home MULTIPLE Canadian fours titles. Interestingly, when the event was last held at the 1997 Canadian Championships in Vancouver, B.C., David Pelletier took home the title with his partner Allison Gaylor and teammates Nadine Prenovost and David Annecca.

The fact that fours skating never caught on with the ISU and thus was never contested at the World Championships surely played a major factor in the discipline's demise but one of the unfortunate things that I noticed time and time again in watching videos of fours skating was the fact that when you had four people on the ice instead of just two all doing side by side jumps or spins for instance, the odds of error were just simply mathematically higher and Murphy's Law usually prevailed. Keeping in mind that as fours skating would have been a "fun thing on the side" really for the majority of the pairs participating, when mistakes happened the programs simply weren't always trained enough that the skaters were able to bounce back from their mistakes gracefully without majorly disrupting the programs. That said, fours skating was just so unique! You had double death spirals (two men lowering their female partners at the same time in the same pivot), people switching partners and four person pairs spins... just some really cool things going on! It's really a shame the discipline never caught on more internationally and kind of petered of although it's nice to see elements of fours skating resurface from time to time in show and ensemble pieces. Considering we're hedging on almost twenty years since the event was last held at the Canadian Championships, who knows? The cyclical nature of skating might see fours skating resurface at some point. It's anyone's guess. I'd be all FOUR it.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

The 2015 Canadian & U.S. Championships: The Good, The Bad And The #NoSheBetterDont


This autumn, I spent hours upon hours recapping all six ISU Grand Prix competitions and the Grand Prix Final in detail. Here's the thing. Agonizing over Suzie Salchow's take-off edge on her flip and the level of her spin combination really isn't my bag any more than jamming my hand in a car door is. I wanted to enjoy the competitions for the rest of the season rather than extrapolate the results to death but still wanted to represent all the major competitions with content on the blog as well. After all, whether I'm a big fan of the IJS system or not, there's some spectacular skating going on that I'd be absolutely negligent as a blogger by not talking about... so I decided to come up with a new format for covering events this season. It's The Good, The Bad And The #NoSheBetterDont. Get ready for a Skate Guard not so in depth look at the 2015 Prudential Figure Skating Championships and 2015 Canadian Tire National Skating Championships, held respectively in Greensboro, North Carolina and Kingston, Ontario:


DAILYMOTION COVERAGE: As Martha Stewart would say... "it's a GOOD thing". Skate Canada had the right idea by streaming the novice and junior events (and the early flights of seniors) in their entirety free of charge on DailyMotion. The level headed, intelligent commentary and generous coverage on CTV, TSN, RDS and RDS2 of the senior events was as always a treat. Offering freebies to fans is the way to grow skating's audience and I gotta say, Canada's on the right track in this respect.

A RUDY GALINDO MOMENT: Remember Rudy's once in a lifetime winning free skate at the 1996 U.S. Figure Skating Championships? Adam Rippon had that kind of a moment today, winning the free skate and the silver medal in Greensboro with the skate of HIS LIFE! This was the former U.S. Junior Champion's seventh appearance on the senior level at U.S. Nationals and with a clean free skate that not only showcased his elegant artistry but spectacular jumps including a quad lutz (underrotated slightly but landed), two triple axels and a triple/triple combination AND triple/triple sequence (triple flip/half loop/triple salchow) he was simply on fire. Jason Brown might have won the overall title in Greensboro with a spectacular and truly special performance of his own, but unlike Jason's win Adam's result this year wasn't something I would have ever predicted. This medal win was just so deserved for a skater who has struggled to have that breakout moment since winning the Four Continents title in 2010. A standing ovation all the way from Halifax!


YOU'VE BEEN SERVED, ASHLEY WAGNER STYLE: When the going got tough, Ashley got going... and she did it in the most brilliant way at the U.S. Championships. Winning her third national title with a score of 221.02 after finishing off the podium last season, she upped her technical ante by adding two triple lutzes (one in combination with a triple toe) to her free skate repertoire as well as a triple loop/half loop/triple salchow combination. She showed up in North Carolina with two highly stylized, packaged programs that set her well ahead of the pack in terms of artistry and maturity and delivered both with confidence and passion. The competition was fierce and many of her competitors laid down stellar free skates, but she persevered and succeeded in her goals and I couldn't be happier for her. 

 
\
LUCKY NUMBER FOUR: In numerology, the number four often refers to strength, stability and discipline and those are certainly qualities that relate to perhaps the most dangerous discipline in skating: pairs. The number four consistently popped up throughout both of the pairs competitions this weekend. Meagan Duhamel and Eric Radford won their fourth Canadian title in epic fashion with a new Canadian record. In doing so, they performed the first four revolution throw EVER at the Canadian Championships: a gorgeous quad salchow. Earlier that day, Alexa Scimeca and Chris Knierim had won their first U.S. pairs title with - you guessed it - a throw quadruple twist making them the first American team to accomplish that feat! One thing both pairs events had in common were a really impressive, high level of performance among the top tier of teams. 


A VERY SPICY NAMNAMNOODLE: Okay, can I just say something? This guy is amazing! He goes through his free skate without breaking a sweat, not only landing a quad salchow and two triple axels with absolute ease but also giving a very commendable and clever interpretation of the music along the way. Although his Grand Prix season was very successful, I don't think the judges quite grasped the level this kid is skating on. With a pre-novice, novice, junior and now senior Canadian men's title to his credit (making him the second youngest Canadian men's champion in history), the world is Nam Nguyen's oyster and mark my words, this kid will be on the world podium sooner than you think. 


THE THREE J'S: It was wonderful to see Jason Brown, Josh Farris and Jeremy Abbott top the leaderboard in the men's short program at U.S. Nationals. I think it's fair to say that each of them has their own distinct styles but they have all contributed some great art to skating and their performances on Friday were all excellent in their own rights. In the press conference following the short program, Jeremy summed it up best in a wonderful statement about this when he said "I am so happy to be sitting here with these two men. I think we all made a nice, strong statement than skating can be an art as well as a sport... I think attention needs to be paid to detail and I think we are doing that and that's very important... Figure skating is a craft and the craft can sometimes be a little overlooked.... It's important to do the tricks but it's also important to not lose was figure skating was and is and what it could be. I think it's very important to study the history and the craft of figure skating and to not sacrifice yourself or your goals for one element." Jason echoed the importance "never losing the artistry in the sport and to always be musical and to be an overall performer and skater". The depth in U.S. men's skating is crazy but it was wonderful to see them all not only have a great night technically but really make a statement about packaging good choreography with the elements to create actual programs that didn't make you feel like you were checking off boxes.



THE GREAT NORTH AMERICAN PARTNER SWAP: In 1994, reigning U.S. Champions Calla Urbanski and Rocky Marval returned to the U.S. Figure Skating Championships in the wake of TonyaGate with new partners. It didn't fare so well but it made for great TV, as did the whole Pasha/Sasha/Evgeny/Maya switcharoo at the 1998 World Professional Championships. In an age where skating is highly criticized for lacking in engaging personal stories, at BOTH the Canadian and U.S. Championships we saw former National Champions Marissa Castelli and Simon Shnapir and Kirsten Moore-Towers and Dylan Moscovitch arrive with new partners Mervin Tran, Dee Dee Leng, Michael Marinaro and Lubov Iliushechkina. I think it's fair to say that at least three of these teams had underwhelming fall seasons and the results expected from them probably weren't as impressive as the ones they achieved and good on them! Skating's no stranger to good old fashioned high drama and this was the best possible kind. Although both new Canadian teams fared better than their American counterpoints, this is the kind of story that we'll all remember whoever our favourites are.



EIGHTH TIME'S A CHARM: After much waiting and winning a silver or bronze medal in each of their seven previous attempts, Kaitlyn Weaver and Andrew Poje finally won Canada's national title in Kingston, and they did it with impeccable style. Although Piper Gilles and Paul Poirier certainly skated excellently in both the short and free dances, Weaver and Poje were the class of the field and won the event with a score of 187.88, over ten points ahead of the silver medallists. Their performance of their free dance to Vivaldi's "The Four Seasons" by Shae-Lynn Bourne was arguably their best yet and seems a forerunner of great things to come at the 2015 World Championships in Shanghai. Yet another reminder that 'sticktoitiveness' pays off in the long run.


CANADIAN LADIES SKATING BOOM: Although none of these ladies were perfect in the sum of their performances in Kingston, the days of Canadian ladies skaters with their eyes down for the entire program, flutzing and popping jumps are long gone. They actually were a long time ago, but some people just can't to seem to get that through their noggins. The quality of the free skates of Gabby Daleman, Alaine Chartrand and Véronik Mallet was spectacular actually this year and all three of these skaters made some pretty telling statements about what we can come to expect from them at the Four Continents or World Championships. The times, they are a'changin'... 


ELLADJ BALDE UNRAVELS: This poor guy just can't catch a break can he? Injury, success, injury... Issues on both his quad attempt and jump combination in the short program left this gold medal contender all the way down in seventh place heading into the men's free skate at the Canadian Championships, but not so far out of it points wise (about fifteen points) he couldn't have rallied and perhaps medalled if he came out and skated to his potential with a killer free skate. Unfortunately, that didn't happen either and he ended up finishing out the competition in sixth place with a miss on his quad toe and a really hard fall on a triple axel in his free skate. Not the Nationals this talented skater wanted but I have a feeling we haven't seen the last of him.

U.S. ICE DANCE JUDGING: At this point, I'm pretty much convinced that Maia and Alex Shibutani could throw in twenty more sets of clean twizzles and they'd still be in second. I'm not dogging the talent and high performance level of Madison Chock and Evan Bates one bit, but as I've said before, it's contrived and it's not my cup of tea. I'm not all up in arms about the result or anything, but I just find with U.S. ice dance right now I feel like I didn't even need to watch the event whatsoever to tell you how it was going to go... down to the numbers pretty much. It's just getting really predictable and not in a good way.



MIRAI NAGASU AND THE BOARDS: Speaking of people who can't catch a break, the 2008 U.S. Champion who famously was left off the U.S. Olympic team last season after winning the bronze medal at Nationals, started off very strongly in her free skate at the U.S. Nationals with a triple/triple/double and double axel/double toe combination and then proceeded to have a fluke fall when she clipped the boards on a back crossover. Clearly in pain, she mustered the energy to get the job done but things unravelled a bit afterwards, dropping to tenth overall. She came off the ice in pain and got sent right back to center ice to do her bows, which to me was just no. The girl was clearly in pain. You don't do that. The doctor who examined her post skate said that "one month prior to the event, Mirai Nagasu had an MRI on her left knee, which showed a cartilage contusion. Tonight, when she fell, she hyperextended the same knee and bruised the cartilage again. The clinical impression ..., following a bedside examination and ultrasound, is that there was no ligament tear or more serious cartilage damage." I will say this though. A lot of people would have thrown in the towel after last season, but her determination to soldier on and actually really improve speaks volumes about her character. 


KEVIN REYNOLDS WITHDRAWS: With his signature wild and fabulous hair, Kevin Reynolds was on paper the skater to beat in the men's event in Kingston. With Patrick Chan not competing, he was the highest ranked returning men's skater but that said, he was also coming into the event as the hard luck kid who has had more boot problems than some of the drag queens I know who insist they're a size 9. Unfortunately, in his short program, he fell on all three of his jumping passes (two quads and a triple axel) and found himself in twelfth place and distraught by his placement, he withdrew. I'm not one to advocate quitting when the going gets tough, but not being him, we don't know his reasons. I think we're all entitled to walking away when we just can't or taking that mental health day once or twice in our lives and I wish him the best in the future!


NO KAETLYN OSMONDStill recovering from a fractured fibula in her right leg in September that caused her to miss plenty of precious practice time this fall, I think Kaetlyn made the right decision not to participate in Nationals if she wasn't rehabilitated to a level where she was ready to. Her absence was definitely felt though and with the strides that Canada's top ladies made this season I would have loved to have seen a showdown between Kaetlyn, Gabby and Alaine. That'll have to be next year!


ICE DANCE SNUB: In pulling off a surprise fourth place finish at Skate America in the fall, Élisabeth Paradis and François-Xavier Ouellette obviously made a strong impression on the international judges with their gorgeous free dance set to "Un peu plus haut" by Jean-Pierre Ferland. That's why when they performed the same free dance even better in Kingston Saturday night and dropped from fourth to fifth I was like SAY WHAT? Interestingly enough, the team that beat both them and Paul and Islam in the free dance was Nicole Orford and Thomas Williams. They're obviously a very talented team as well, but a noticeable bobble in their footwork and a rather meh interpretation of "Titanic" kind of left me wondering what all that was really about. I may not be an ice dance expert, but I know that if I'm sitting in a room watching skating with two people who NEVER watch the sport and also thought this team kind of got screwed, something doesn't sit right with me. As knowledgeable as Tracy Wilson is and as excited as I get when she's in the commentary booth, her vague explanation of "technical skill" didn't give me any more confidence or further understanding of why the free dance result was what it was. As always, it's buried in the numbers somewhere.


CHASE BELMONTES' PCS DRAMA: You all remember the hilarious interview I did with Chase, right? It was a time! Social media was abuzz when Chase skated his short program in the junior men's event on Wednesday in Greensboro, landed all three of his jumping passes (triple flip/triple toe, triple lutz and double axel) and ended up with a PCS score of 23.89 that coupled with his TES score saw him sitting in tenth place in that part of the competition. The very musical skater's second mark didn't add up with what went down on the ice (especially as compared to at least four of his competitors) and left many calling foul... justifiably so in my opinion. What gives, judges?

JOHNNY AND TARA'S COMMENTARY: I tried. I really did. I've bitten my lip on this topic so hard it's about turn black and blue but Johnny and Tara just don't do it for me whatsoever. Terry Gannon's longevity in the color commentary field and contribution to skating deserves a good old fashioned hats off but I'm more interested in insightful and intelligent commentary than fashion critiques. I get NBC's rationale from a marketing standpoint - I absolutely do - but they're no Peggy and Dick and I say ick. 

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Saying Goodbye To Toller


"There was a very rich, creative cultural period in skating in the seventies, a very thoroughbred, Arabian stallion approach. John Curry would have aspired to the same level. It was all deliberate in retrospect, a facade that was affected and cultivated, but there was something rather imperious about us. 'Don't even look at us the wrong way, we're intelligent, we're untouchable, we're gods, we're artists.'  Janet Lynn, a great skater, the kind that comes along once in a century, but completely forgotten now, certainly in America, had exquisite programs. Her coach told me she wanted Janet's opening to reflect the attitudes she discovered on ancient Greek vases in the Metropolitan Museum. If you were going to tell a skater today, 'Now, for your opening, take this motif from a Greek vase...' they'd think you were out of your fucking mind. They're not into it. It doesn't exist. They don't want to be artistic, interesting, bizarre or be whoever the top ballet stars are." - Toller Cranston



I never met Toller Cranston yet the news of his death of an apparent heart attack today in San Miguel de Allende, Mexico hit me like a ton of bricks... so much so it took me reading a good twenty to thirty sources before I finally accepted that this wasn't some sort of sick social media death hoax. This just couldn't have happened.

Toller inspired me deeply, beyond words in fact, and I never got to tell him. I started skating when I was twelve or thirteen at the very bottom in a Canskate class with kids half my age. It was humiliating. I was a flamboyant and gay young teenager in a small village (not even a town!) who knew how to interpret music with my arms long before I learned the basics of good skating skills let alone footwork but I stuck with it and achieved my goals, winning the Nova Scotia provincial artistic title in 2000. What motivated me? I wanted to skate like the professional skaters in the nineties that were all over television. I wanted to skate like Toller and honestly, I didn't give two flying fucks about jumping. I still don't.

The first time I saw Toller skate I was stopped in my tracks. You couldn't define the way he moved with words; he was an enigma and a visionary and he understood music on such a deep level that comparing him with others was simply an impossible task. Like John Curry, he used his impressive amateur career that included six Canadian titles and World and Olympic medals as an intelligent means to an end. The work he did as a professional not only in touring with Stars On Ice but in professional competitions, shows and his incredible TV specials Strawberry Ice and The True Gift Of Christmas were light years ahead of their time. They still are TODAY! Joni Mitchell once said of Toller's special quality "like 'Both Sides Now' did to the man who was inspired to do the movie Love Actually, Toller Cranston did that to me in his Olympic skate. It's inexplicable how a gesture can do it or how a painting can do it. It's not a sad painting. There's nothing to make you cry. Why does it make you cry?"


He dared to be different and HIMSELF and influenced generations of skaters after him, including myself, to use the ice like a canvas to express your individuality and sense of self with such pride in your art. They way he skated, painted, wrote and spoke was the epitome of the old "dance like nobody's watching" and in that sense I think every one of us could learn a lot from his life. He was never afraid to speak his mind or be himself.


Toller gave Shawn Sawyer his television debut as a young skater from right here in the Maritimes in the nineties. When I interviewed him in 2013, I asked him about their special connection and he said "As Toller said, he discovered me but as a young skater I had no clue who he was so in a way we discovered each other! We did not spend much time together prior, during and after the show but we connected on such a level that whether we spend time together or not it would not change our strange relationship. I say strange because after the show everyone pointed out our resemblance and decided he was my real father. I was OK with that! I have learned a lot from the few words that he carefully mentioned to me... but those are secret!"


I spoke to several other wonderful skating people about Toller's impact to artistic skating in a piece I wrote called The Firebird: Deconstructing A Toller Cranston Magnum Opus and several others... and the impact he made just resonated. Choreographer Douglas Webster said "Toller's exhuberant personality and grandiose flair was (and is still) so full of life and joy for the moment....the ability to say in one fabulous position... here I am; my heart, my soul, my being is filled right now and I'm going to share it with you. That is always relevant to being who you are and saying it without abandon.  There is true joy in that." CBC Commentator and author P.J. Kwong told me "when I was a young skater, I remember watching Toller Cranston with a high degree of fascination. Like some kind of rare and colourful bird it was impossible to not watch and be completely enthralled. Toller’s Firebird was the perfect expression of this iconic music and beautifully costumed to boot. He definitely put the ‘Fire’ in Firebird." The Next Ice Age's Nathan Birch said "what makes Toller such an incredible improviser is that he knows his music intimately down to every note, beat, and intonation. This fact allows his freedom to reign unabashed and perfectly imperfect, in a way we all wish we could experience abandon. He remains a great inspiration to every artist of the ice or any medium."


From the appreciation of his art to the hilarious, Toller stories poured in in interview after interview. On working with Toller on Strawberry Ice, choreographer Sarah Kawahara told me "he created with brush strokes heavy with color and texture as are his paintings. He was very driven by music, although the story always came first. Toller has a wonderful sense of humor and loves the absurd. I'll never forget when he wanted to have synchronized swimmers as shrimp in the tomato soup at the Christmas banquet in "A True Gift Of Christmas". It was an out of body experience for Jojo Starbuck and I to be poinsettia flowers with our heads as portions of the stamen and our arms, the petals." Perhaps my favourite is Angelo D'Agostino's remembrance of Toller: "I saw him skate in Chicago when I was a young boy. He was so outrageous. I knew I was seeing something unique. No male skater had ever skated like that before. Completely theatrical and over the top. The crowd went wild. Years later, when I was actually performing in a show with him I knew I had finally made my way in skating. I'll never forget he said to me as we made our way down the dark corridor to back stage 'Is there anything blacker than black velvet?' So dark... just like Toller at times and I love it!" I could go on and on and maybe someday I will... but I think with his art, APPROACH to art and personality, this man was special - like visionary special - and I don't know if he ever knew just how fabulous he was.


I do know one thing. If I ever would have had the meet or chance to interview him - and that was one of my dreams - I would have asked him what he thought the meaning of life was... and I would have followed his advice to the letter. Goodbye Toller and thank you for bringing artistry, creativity and beauty to figure skating. In my eyes, frankincense, gold and myrrh pale in comparison to that true gift.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

George Alfred Meagher: Champion Figure Skater And Hockey Pioneer


"What can be more tempting to the lover of the 'poetry of motion' than a crisp, cold winter's day and a great sheet of glare ice?" - George Meagher, 1910

The son of Lydia (Trumpour Ruttan) and John Meagher, George Alfred Meagher was born December 6, 1866 in Kingston, Ontario. He was the youngest of fifteen (yes, fifteen!) siblings. His father was a second generation Irish immigrant to Canada who worked as a wine merchant at Meagher's Brothers Distillery with two of his brothers. Growing up in a large family, it's no wonder that the Meagher siblings all spent a lot of time together... and it was on the ice that much of that time was spent. Several of the Meagher boys developed interests in both figure skating and hockey and took to Lake Ontario and other rinks in the Kingston area to practice their new hobbies. Although George's older brother Daniel played in the first hockey game ever held in Montreal on March 3, 1875, it would be George's contributions to both figure skating and hockey that would be more widely remembered by historians.



In 1891, George won an international open competition held at Dey's Rink in Ottawa that was billed as a World Championship but not recognized officially as the ISU had of course not yet been formed. Several of these 'World Championship' type events were held sporadically in different parts of the world and would today probably be more akin to some of the 'senior B' type international events that pop up all over the world every autumn. George's chief rival was his fellow countryman Louis Rubenstein, who refused to compete against him at this event "for personal reasons". 



In the preface to George's 1900 book, Lord Minto recounted his acquaintance with Meagher: "He was... well known as a good and graceful skater, and held that rank at Montreal by those who were certainly qualified to be critics. He was, if I recollect rightly, at that time skating on the public rinks and afterwards at Governnment House, Ottawa, and was always most kind, not only in giving a display of his own powers, but also in instructing those who were novices in the art of which he is a master." It was Lord Minto himself who presented George with his 1891 medal and who noted of "since the year 1891, Mr. Meagher has received many trophies from various skating clubs in America, and also, I believe, from similar clubs in Europe."



After his title win in 1891, George decided (much like Jackson Haines) to make the trek to Europe to give exhibitions of his 'fancy figure skating'. When he arrived in Paris, France in 1894 to give figure skating exhibitions he learned that the people of France had no sweet clue what hockey was. George joined Club de Cercle de Patineurs de Paris and stayed in Paris for seven months, during which time he taught the Frenchmen hockey and put together a hockey league that played four times a week. He did all of this with only a handful of hockey sticks he'd brought with him from Canada... which almost reminds me of that Canadian Heritage Moment commercial about basketball where Miss Thing's like "but we need these baskets back!" I digress.




From France, George traveled to London. He skated for the Duke and Duchess of Teck, Duke and Duchess of Saxe-Coburg and Gotha, The Princess Louise presented George with a medal at this special party. Again pairing his love of skating with his pioneering efforts in bringing hockey to Europe, he made a hop, skip and a jump to Scotland where he taught the good folks of Glasgow how to play hockey as well. Like The Littlest Hobo, he didn't settle down in Great Britain either.




Having now seen London and France, one might suspect the next thing he'd see were someone's underpants. We don't if he did or didn't, but any rate the next place George went was Germany, and I'm sure they had plenty of beer there so you really can't complain, right? He made stops in Nuremburg and Bavaria then carried on to St. Petersburg, Russia. On each stop he continued to almost act like a missionary of hockey but also made quite an expression with his skating as well. His tour of Europe ended in 1896 and he returned to North America on the ship 'Aurenia' in the autumn of that year. The Aurenia landed in New York so... you guessed it, George decided to get out on the ice there too! A December 13, 1896 article in the "Brooklyn Eagle" reported, "He learned to skate when a child.  As he became more expert he added more tricks and originated others until he gained the undisputed title of champion of the world in his profession. His repertoire of steps, tricks and figures is now a long one.  Among other things he can do twenty-three different grapevines, fourteen spins and seventy-four figure eights, and over one hundred anvils on foot without stopping. Stars, flowers, letters, birds, etc., without number and tricks at jumping, fill out his programme. He does all these things with a grace and suppleness which leave the novice little idea of the real intricacy and difficulty of the figures and the risks he takes in his jumps. The latter require great strength of the legs and ankles and if he did not land squarely on the edge of the runner and stay there after a jump, broken bones would probably follow. Meagher is proficient in the different styles which mark the nationalities of the European skaters. He is the author of 'Figure and Fancy Skating' which was published in London and for which the Earl of Derby, now the mayor of Liverpool, wrote the introduction. The book is illustrated with sketches by Lord Archibald Campbell, brother of the Marquis of Lorne, and has a chapter by Dr. Montague Williams, the author of the English book on skating. Algernon Grosvenor, president of the London Skating club, furnished 195 diagrams and the work is an authority of its kind. Meagher is also the inventor of a skating and athletic shoe." I'm sorry, I had to stop right there after reading that quote. Could there BE anymore parallel's to Jackson Haines' story? Seriously though!



In fact, George didn't write just one book about ice skating but in fact penned three. In addition to his 1895 book "Fancy And Figure Skating" - the first book on figure skating by a Canadian author - he also penned the earlier mentioned "Lessons In Skating With Suggestions Respecting Hockey, Its Laws, Etc." in 1900 and in 1919, "A Guide To Artistic Skating". He made frequent short trips overseas in the subsequent years, heading to Austria in 1898 and reportedly winning 'the World Professional Championship' in Vienna, in 1898. 

Sadly, much like the amateur 'World Championship' George won, that title wouldn't be historically always recognized. In the article "Professional Figure Skating Competitions: What You Didn't Know", we learned that the first accepted date for a World Professional Competition was in 1931 in Great Britain. George also played a role in the formation of the Minto Skating Club and skated with Lady Minto, was one of the earliest references to the crossfoot spin I could find (1900) and invented many of his own special figures, among them The Rattlesnake, The Combined Locomotive, The Demon Eight and The Sea-Gull. His figures often represented a less rigid approach to the English Style of figures skated by more than one person.



Having introduced hockey to much of Europe and having quite the successful figure skating career, George got involved in the organization of hockey tournaments, even traveling to Belgium in 1906 to run a hockey tournament there. He also skated professionally in shows, learned barrel jumping and even performed before Queen Victoria


Photo courtesy Dutch National Archive

Much like many artistic people, George didn't stop there and was ready to perfect yet another artistic outlet. He took up watercolor painting and became quite the successful art dealer. He married Irene Erly and together they had six children, five of them girls. The family settled in Toronto and then Montreal. George suffered a fatal bout of pneumonia and passed away on March 17, 1930. His burial certificate described him as an 'artist', but didn't specify he was a skater. He was posthumously inducted into Skate Canada's Hall Of Fame in 2010. Whether you're a hockey fan or a figure skating fan or both, one thing's for certain... both sports owe this man a great debt for the time and effort he took to get out there and share his passion.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.