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Explore a treasure trove of articles on the history of figure skating, highlighting Olympic Medallists, World and National Champions and dazzling competitions, shows and tours. Written by former skater and judge Ryan Stevens, Skate Guard Blog also offers intriguing insights into the evolution of the sport over the decades. Delve into Stevens' five books for even more riveting stories and information about the history of everyone's favourite winter Olympic sport.
The son of Christian and Karen (Holst) Lørdahl, Martinus Lørdahl was born July 28, 1873 in Hof, an agricultural municipality in Vestfold, Norway. After taking an apprenticeship as a goldsmith, he moved to Oslo and established himself as a successful tobacco dealer. An athletic young man, he excelled at skiing, cycling, athletics, swimming and shooting and even taught gymnastics and boxing... but his greatest successes a sportsman came on the ice. In 1892, he won his first speed skating race in Oslo and over the decade, he went on to establish himself as one of Norway's most successful speed skaters of his era. He claimed the silver medal in the five thousand meter race at the 1897 World Allround Speed Skating Championships in Montreal and seven years later in Groningen, won the five hundred meter race and finished second in the other three. Perhaps most interestingly, he raced more than once against 'Papa' Wilhelm Henie... Sonja's father.
Martinus also competed internationally as a figure skater during the same period he was vying for the world's top amateur speed skating prizes. After withdrawing from the 1900 World Championships in Berlin due to injury, he went on to compete in the Nordic Games, European and World Championships. Though he placed dead last at the 1907 World Championships in Vienna, he did manage a fifth place finish at that year's European Championships in Berlin ahead of Martin Gordan, a two-time World Medallist from Germany.
Photo courtesy Nasjonalbiblioteket
Arguably, Martinus' most important contributions to skating history came behind the scenes. One of the top sports administrators in Norway during his era, he played a key role in the administration of the Kristiania (Oslo) Skøiteklub and the building of both Frogner and Bislett Stadions, which played host to countless international figure skating competitions in the decades that followed. He served as the chairman of the Norwegian Sports Association from 1905 to 1907 - the same years he was competing in international figure and speed skating competitions - and on the board of the Norwegian Skating Association for seven years.
Photo courtesy Hof Historielag
Tragically, in 1932 Martinus got gangrene in one of his feet and had to have it amputated. He died on April 2, 1933 from complications related to the surgery. The year following his death, the square northeast of the Bislett Stadion was named Martinus Lørdahls plass in his honour. In September 2010, a bust of him, designed by Per Ung, was unveiled at the Stadion. Though his figure skating achievements weren't as impressive as some, it is hard to imagine how skating in Norway would have developed in the years leading up to Sonja Henie's winning streak without his pioneering contributions.
Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.
From October 29 to November 1, 1987, many of the world's best skaters convened at the four year old, one hundred million dollar Calgary Saddledome for the 1987 Skate Canada International. The venue was set play host to the figure skating events at the 1988 Winter Olympic Games and the competition proved to be an important test event for many skaters who were set to participate. Quoted in the October 28, 1987 issue of "The Vancouver Sun", Ted Barton, technical director for B.C. section of the CFSA said, "A good result here has the skater leaving a good impression internationally, and coming in to the Olympics that is important, as is the confidence to be gained. I think any athlete going into any international competition at this stage knows just how important it is to do well now."
Norris Bowden, Sheldon Galbraith and Barbara Ann Scott reminiscing in 1987. Photo courtesy Toronto Public Library, from Toronto Star Photographic Archive. Reproduced for educational purposes under license permission.
Seven of the skaters who medalled at this important autumn international event ultimately went on to snatch medals at the 1988 Games, and the stories of how things played out are nothing short of fascinating. On today's blog, we will take a trip down memory lane and look at just what transpired.
THE PAIRS COMPETITION
In contrast to the singles and ice dance events in Calgary, the pairs competition did not include any of the top Olympic medal contenders. The short program was rather unremarkable. Winners Elena Kvitchenko and Rashid Kadrykaev of the Soviet Union led the pack, followed by Americana Katy Keeley and Joseph Mero and Canadians Christine Hough and Doug Ladret, but both the Soviets and Canadians both had errors on their side-by-side jumping passes.
In the free skate, Hough and Ladret rebounded with one of the best performances of their amateur career to defeat the Soviets and Americans. Their "Slaughter On Tenth Avenue" program went over to well with the crowd of over ten thousand that they received a standing ovation that lasted over five minutes. A second Canadian team, siblings Katherine and Robert Kates finished fifth among the field of seven teams. In last place was future World Champion René Novotný of Czechoslovakia with his then partner Lenka Knapova. THE WOMEN'S COMPETITION
Debi Thomas
The favourite in the women's event was 1986 World Champion Debi Thomas and it was at this event that she debuted her "Carmen" free skate that she would later use to compete against Katarina Witt at the Olympic Games in The Battle Of The Carmen's. Prior to the competition, Thomas told Associated Press reporters, "There's so much depth in ladies figure skating. The top five are very close. It can really go either way." That not so Freudian slip - either way - presumably meant to one Carmen or the other. Yet, as would prove to be the case at the Olympics, Thomas faced stiff competition from Canada's Elizabeth Manley. In the October 27, 1987 issue of "The Montreal Gazette", she boasted, "I have a jam-packed program. I don't even have time to breathe. But I'm known for my jam-packed programs. And it's a pretty comical program. When I go out and fool around and have fun, I skate my best." Manley won all three phases of the school figures over Thomas and Great Britain's Joanne Conway. When Thomas received marks of 3.2 to 3.6 for her third figure, the loop, she reportedly stormed off and slammed the door to the ice.
The short program was a different story. Thomas skated her steppy Frankie Goes To Hollywood program brilliantly and was genuinely surprised by how hearty of a reception she received from the Canadian crowd. Her marks ranged from 5.1 to 5.7 for technical merit and from 5.4 to 5.7 for artistic impression. Manley fell on her triple Salchow/double loop combination and became disoriented coming out of a spin and skated the remainder of her program backwards. She blamed the rink, which had no discernible points of reference to distinguish between the corners. Interviewed in the October 31, 1987 edition of The Montreal Gazette, she quipped, "I decided I was going to focus on a fluorescent sign up above where the restaurant is to get my direction. I looked up and saw a fluorescent sign, so there must be another one on the other side of the rink. I don't know how the Calgary Flames play here. Don't they always shoot into the wrong net?" She ended up in second with marks ranging from 4.8 to 5.2 for technical merit and 5.4 to 5.8 for artistic impression. Conway remained in third and Canada's second entry, Patricia Schmidt, held on to sixth place.
The debut of Thomas' "Carmen" received mixed reviews, but she held on to take the gold medal ahead of Manley and Conway. Patricia Schmidt dropped to ninth. Neither Manley or Thomas was at their absolute best. Manley's coach Peter Dunfield was quick to take a potshot at Thomas in the November 2, 1987 edition of "The Montreal Gazette". He remarked, "One of these days someone is going to see through her. Elizabeth skates 60 miles an hour. You saw another skater [Thomas] who beat her with difficult moves, but the name of the game is skating. And half of her program if you put it on video was going less than 10 miles per hour. That's easy. That's walking. That's not skating."
Manley took her loss in stride. In her 1991 book "Thumbs Up!", she remembered, "I won the silver medal at Skate Canada, but I didn't really feel I deserved it. I hadn't been at my best and I knew it. I'd felt rattled and overexcited. After a while, I came to a painful conclusion. I realized that Sonya [Dunfield] was throwing me off. I adored Sonya, and at home her infectious enthusiasm was inspiring. I thrived on it. But to be around her during competitions had the opposite effect. It was overstimulating and I couldn't settle down. I asked her if she would stay away until after I'd skated my programs in future, and only join me when the marks were being announced. I hoped she would understand why I had to make such a request. The upcoming Olympics were too important for us to take any chances. I had to do everything right this time." However superstitious Liz's request might have seemed at the time, it worked. THE MEN'S COMPETITION
Brian Boitano and Brian Orser
Poland's Grzegorz Filipowski withdrew prior to the men's event, sending CFSA a Telex advising the organization he was suffering from contusions. Eleven men ultimately competed but the only two the media were really interested were the Brian's: Boitano and Orser. While the American media praised the great strides that Boitano had made artistically, the Canadian media hypothesized as to whether or not Orser would include a quad in his program. He had been practicing the jump but conceded he wouldn't attempt it just to go for a higher technical score. As was the case at the Calgary Olympics, the media had a field day highly embellishing upon the rivalry between the two skaters. Orser won all three school figures, with Boitano a firm second and the Soviet Union's Viktor Petrenko third. Canadians Neil Paterson and Kurt Browning finished fifth and seventh. In the October 30, 1987 issue of "The Montreal Gazette", Orser remarked, "That's the first time I've beaten Boitano in the compulsories since 1985. I don't know what it is. Maybe I've just been concentrating on the compulsories more than he has."
In the short program, Orser missed the triple Axel in his triple Axel/double loop combination but the judges held the defending World Champion up over a clean Boitano with a string of 5.9's for artistic impression. Both men skated very well in the free skate, but Orser remained on top as he had in the figures and short program with 2.0 placement points to Boitano's 4.0, winning first place marks from five of the seven judges. Eighteen year old Petrenko fell twice but remained third overall. He was beaten in the free skate by Kurt Browning. It was the first time Kurt tried the quad in competition. He fell his quad attempt but landed seven triples and was pleased as punch with the fact he'd beaten Petrenko, then ranked sixth in the World compared to his fifteenth. He ended up fourth overall, just ahead of Neil Paterson and Japan's Makoto Kano. In the November 1, 1987 issue of "The Toronto Star", both Orser and Boitano reflected on their experiences. Orser stated, "I did about 75 per cent of what I'm capable of doing with the program. It was very hot in the building, so hot, in fact, that I was a little dizzy and had to go outside for some fresh air before I skated, and I became a little tired and a little bit cautious towards the end. This was my first event as the defending world champion and I had a good amount of the jitters about this competition. That's why I was really pleased that Brian chose to compete here because made it just a dandy test. I didn't want to give everything I had to the program the first time because that would take away the drive to improve between now and February. I can work on making it more powerful and full from now until then." Boitano said, "With the exception of a triple Axel in the slow part of my program, I would be happy if I skated that well in the Olympics. Considering the time of year, I felt great and was able to skate with a large amount of confidence and strength." As we know, the next Battle Of The Brian's went a little differently. THE ICE DANCE COMPETITION
Tracy Wilson and Rob McCall
Four teams pulled out of the ice dance competition in Calgary before it even started. Siblings Antonia and Ferdinand Becherer of West Germany withdrew due to injury; Hungarians Klara Engi and Attila Toth due to 'technical difficulties'. Czechoslovakians Viera Řeháková and Ivan Havránek withdrew due to illness, as did the Soviet team of Marina Klimova and Sergei Ponomarenko, who were heavy favourites to challenge Canadians Tracy Wilson and Rob McCall. In the October 30, 1987 issue of "The Vancouver Sun", Wilson said, "It's a bit of a disappointment that they didn't come. I always feel it more challenging to skate against couples who are ahead of us in the world rankings." With little competition, Wilson and McCall breezed through the Viennese Waltz, Paso Doble and Tango compulsory dances and their "Tanguera" OSP was a huge hit with the Alberta crowd. Americans Susie Wynne and Joseph Druar, who had won Skate America a week earlier with their self-choreographed free dance, got dinged on the second mark in the free dance. Canadians Karyn and Rod Garossino took a tumble. Britons Sharon Jones and Paul Askham's waltz and foxtrot free dance and Italians Lia Trovati and Roberto Pelizzola's Latin inspired program failed to deliver the same marks as Austrians Kathrin and Christoff Beck, whose "Band Wagon" free dance was a hit with the judges, if not as much with the Calgary crowd. Wilson and McCall's free dance received the only 6.0 of the whole competition and a standing ovation that lasted longer than Brian Orser's in the men's event. In her book "Figure Skating History: The Evolution Of Dance On Ice", Lynn Copley-Graves recalled, "Five years earlier, they had first seen the comedic ragtime ballet 'Elite Syncopations', where a shorter man struggles with a tall woman. Because of Tracy's height relative to Rob, they now put it to ice with arm movements choreographed by Vanessa Harwood from the floor ballet. Tracy played the jock, Rob the artiste. Before Skate Canada, they continued to stumble through the difficult steps, trying too hard. Marijane Stong and John Briscoe told them to 'just skate'. With no real competition, Tracy and Rob skipped over the ice, further defining their special style with a lightning-fast sequence from one side of the risk to the other."
The Canadians took the gold ahead of the Austrians, Italians and Brits. The Garossino's ended up fifth ahead of Wynne and Druar, Jo-Anne Borlase and Martin Smith, France's Doriane Bontemps and Amaury Dalongeville and Australians Monica MacDonald and Rodney Clarke. Assessing how the event had gone in the November 5, 1987 issue of "The Vancouver Sun", Wilson said, "Skate Canada was very much an Olympic learning situation. We learned we have to focus on not getting caught up in the Olympic hype... Our first two practices were a disaster." Whatever Wilson and McCall did worked, because only months later they were standing on the podium after performing one of the most memorable free dances in ice dance history.
Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.
Loew's Theatre in Montreal. Photo courtesy City Of Montreal Archives, Collection Cinémathèque québécoise, 1999_0580_PH_07.
An unlikely mecca for Vaudeville shows in the thirties, Montreal's Loew's Theatre (built in 1917) was notorious for its blackface minstrel shows and tramp comedians. In 1931, its star attraction was a pair of conjoined 'Siamese twins' from the Philippines named Lucio and Simplicio Godina who sang, danced and roller skated for gawking curiosity seekers. Seven years later, the venue played host to an equally unusual attraction - an ice show.
Manager Howard Knevels brought in a revue called The St. Moritz Ice-Skating Carnival over the holiday season in 1937. It opened on New Year's Eve and enjoyed a short run with a cast of twenty five skaters. A 'glittering' set painted with Swiss mountain slopes and trees played backdrop to a tiny stage of artificial ice. Three opening acts - impersonator Beatrice Howell, banjo player and MC Ken Harvey and a team of 'comic tumblers' - preceded the ice show, which "The Canadian Jewish Chronicle" described as "a rapid fire production... that is undoubtedly the most spectacular, novel and entertaining ever offered in any theatre in this city."
Kit Klein
Interestingly, the star wasn't even a figure skater. An American speed skater named Kit Klein who had won the Olympic gold medal in the fifteen hundred meter race at the 1932 Winter Olympics in Lake Placid and gone on to do advertisements for Camel cigarettes had top billing. She was supported by barrel jumper Bobby Hurd, ice dancers Irene and Dick Meister, a sister act, a chorus of twelve 'beautiful ice skating maidens' and an ice comedian from Nova Scotia named Douglas Duffy. The highlight of the show? A matador act with a two man skating bull.
The Ice Follies, Ice Capades and Sonja Henie's Hollywood Ice Revue all made stops in Montreal in the years that followed but the interest generated by The St. Moritz Ice-Skating Carnival at Loew's never ultimately translated to a static series of Vaudeville style ice shows in Montreal. Only three years after the The St. Moritz Ice-Skating Carnival, Loew's Theatre was converted to a film cinema. It remained in operation through the nineties until being partially demolished and transformed into a Club Med and later, a Foot Locker shoe store.
Though we often look at history through people and events, it is important to remember that exploring the past through locations can be just as meaningful. Whether a frozen tennis court in the Himalayas, a bullring in Mexico or a Vaudeville theatre in Montreal, figure skating has made its mark in some pretty unique places.
Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.
With a huge thanks to the wonderful folks at the White Rock Museum and Archives and Burnaby Public Library, I'm happy to be able to share the story of a wonderful Canadian figure skater who has somewhat 'fallen through the cracks' of history!
The son of Gladys (Rogers) and John Arthur Wickson, Ralph Roger John Wickson was born May 2, 1927 in Vancouver, British Columbia. He spent much of his childhood in Winnipeg, where his father's parents lived. It was in Manitoba, when he was four, that he and his younger brother Malcolm took up figure skating. It wasn't until the family moved back to British Columbia when his father started working for the government that they really began taking the sport seriously.
Roger appearing as Robin Hood in a club carnival. Photos courtesy "Skating" magazine.
Under the tutelage of Canadian Champion Mary Rose Thacker, the Wickson boys represented a steady stream of British Columbia skating clubs throughout their careers - Connaught, University Hill, Vancouver and Kerrisdale among them. Their father, an avid sportsman who served as secretary of the James Bay Athletic Association, was one of the founders of the latter club. John Arthur Wickson and his brother Gordon (Roger's uncle) were also part of the group of westerners that formed the first section in Canada in 1947 - the Western Canada Section of the CFSA.
Ross Smith, Barbara Ann Scott, Sheila Smith, Suzanne Thouin and Roger Wickson with their trophies at the 1944 Canadian Championships in Toronto. Photo courtesy "Skating" magazine.
After winning the Connaught senior men's club title in 1941, the 1944 Canadian junior men's title and the bronze medal in the senior men's event at the 1946 Canadian Championships in Toronto, Roger made history at the first Western Canada Sectional Championships, held January 15 and 16, 1947 at the Wascana Figure Skating in Regina, winning the senior men's event and becoming the first skater from his club to hold a senior men's Sectional title. During this period, he was also a member of the Connaught Figure Skating Club's championship four. By this time, he was working with Otto Gold. A jack of all trades, Roger also excelled at sewing, swimming and carpentry. In the summers, he won his class as a sailor at several regattas.
Left photo courtesy "Skating" magazine
After finishing second at the 1948 Canadian Championships behind Wally Distelmeyer, twenty one year old Roger made history again at the 1949 Canadian Championships. In front of a crowd of nine hundred spectators at the Minto Skating Club, he became the first man from British Columbia to claim a Canadian senior men's title. Described as a "dark horse" winner by the press though he was a perennial (and often unopposed) champion at the Western Sectionals, he was largely unheralded in the Ontario and Quebec skating communities who largely controlled the sport at the time.
Left: Roger Wickson and Suzanne Morrow at the 1949 Canadian Championships. Right: Roger Wickson, Barbara Gratton, Suzanne Morrow and Peter Firstbrook at the 1950 Canadian Championships. Photo courtesy "Skating" magazine.
At the 1949 North American Championships in Philadelphia, Roger finished fourth behind a trio of Americans - Dick Button, Jimmy Grogan and Hayes Alan Jenkins. The following year, he moved up from second after the school figures behind another British Columbian skater, Bill Lewis, to defend his Canadian title.
Mary Rose Thacker and Roger Wickson at the 1950 Canadian Championships. Photo courtesy Hamilton Public Library.
However, Roger's first and only trip to the World Championships that year would not yield any such comeback. Buried in the standings after the figures, Roger's free skating effort wasn't enough to move him out of eighth place. In 1951, his home club hosted the Canadian Championships for the first time. Under tremendous pressure, he lost his Canadian title to a young up-and-comer named Peter Firstbrook. At the North American Championships that followed, he finished dead last. It was with those losses that Roger's relatively short, roller coaster career ended in disappointment.
Artray Studio photo of Roger Wickson boarding a flight for England in 1950. VPL access number: 84467A. Photo courtesy Vancouver Public Library.
Seven years after his father's death, Roger returned to competitive figure skating at the age of thirty two, teaming up with two young Capilano Winter Club skaters - Nancy Paulson and Vivian Percival - in an attempt to reinvent himself as an ice dancer. Reinvent perhaps is not the best word, as Roger and June Hockley had competed in the Waltz and Tenstep competitions at the Canadian Championships in 1950, but finished dead last. Roger and Vivian fared slightly better, claiming the bronze medal in the Silver (junior) dance competition at the 1960 Canadian Championships, and then Roger promptly retired from skating again.
After studying engineering at the University of Washington, Roger settled in Vancouver and taught at the Hollyburn Country Club for a time before managing a building supply company. He never married, passing away of a heart attack on June 6, 1985 in Crescent Beach, British Columbia at the age of fifty eight. He may not be one of Canada's most remembered men's champions, but he certainly did a great deal to put British Columbian skating on the map.
Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.
On February 23, 1923, Canadian and American skaters gathered in Ottawa, Ontario for the very first North American Championships, then known simply as an 'International Figure Skating Competition'. In addition to being the first North American Championships, this event also marked the first time a Canadian skating club hosted an international competition sponsored by the Figure Skating Department of the Amateur Skating Association of Canada, then the governing body of figure skating in Canada.
The event came about because the Minto Skating Club had wanted to host an international competition in singles and fours, which they had done several times previously outside of the Figure Skating Department's auspices but using ISU rules. This time, they 'played nice' and asked the permission of the ASA. In cooperation with A. Winsor Weld, the President of the newly founded USFSA, the event was formed as a "close, friendly competition" between skaters of two nations.
Louis Rubenstein and A. Winsor Weld, then Presidents of the Figure Skating Department of the Amateur Skating Association Of Canada and the USFSA
In looking at the results of the competition, the event was essentially a draw. American skaters claimed the top two spots in both of the singles competitions, while the pairs title was won by Canadians Dorothy Jenkins and Andrew Gordon McClennan. In the fours competition for the Connaught Cup, donated by the Duke of Connaught, the Minto Four of Elizabeth 'Bet' Blair, Florence Wilson, Philip Chrysler and C.R. Morphy outskated teams from New York City and Boston.
Interestingly, the deed of gift for the Connaught Cup stated that the contest be held in Ottawa, and after this event the Cup wasn't awarded again at the North American Championships until 1933, when the Duke agreed the cup could move from Ottawa. With the Americans taking the men's and women's titles and the Canadians the pairs and fours, the 'tiebreaker' was in essence the informal Waltzing competition, which featured an impressive thirteen couples. The winners were Florence Wilson and Joel B. Liberman. She was from Ottawa; he from New York City.
To gain a better sense of what the competition was like, we can look to the memoirs of Joseph Chapman, penned in 1936: "Once while staying at Placid, during the winter of 1922-23, I received a very nice invitation to act as a judge in what I believe were the first North American Championships ever staged. I was a duly qualified judge under the regulations of the newly formed United States Figure Skating Association, and by these new championships, established through the friendly cooperation of the Canadian Skating Association and our own association, an opportunity was to be given for competition in skating between the Canadian and 'USAtian' enthusiasts. Ruth and I boarded a local train late one afternoon running from Lake Placid to Tupper Lake, in which latter village we landed at seven p. m. and forty below zero. We spent a hectic night in the distinctly unsophisticated six-room hotel in the village, barely able to keep ourselves warm by not only using all the blankets available in our room but also the carpet off the floor. Next morning we boarded another local train running through the back country between Tupper Lake and the town of Ottawa, Canada. Had there been no tracks upon the right-of-way occupied by the small railroad upon which we had to depend, no one could have recognized that right-of-way from any other back-country road. In Ottawa at the Chateau Laurier we found that Tee Blanchard, Nat Niles, Sherwin Badger and Bea Loughran, the United States competitors, were already on hand. Early next morning all of us adjourned to the semi-private rink then used by the Minto Skating Club and it was on this ice surface that I first had the pleasure of meeting Melville Rogers, a handsome young man who was to compete for Canada. It may be some surprise to you to be told that in those particular times at least, the Canadian figure skating ability was by no means on a par with the ability of the skaters from the United States. In the competition which I judged, Sherwin Badger, then U.S. man champion, easily won first place, with Nat Niles a fairly close second and Melville Rogers a trailing third. Bea Loughran and Tee Blanchard fought to the death for first place in the ladies’ singles. Bea [demonstrated] crisp and sweeping vigour [in] her school figures, [showing] the convincing bite of her skate blade as she performed her 'Salchow Rockers', as compared to the more gentle 'Fuchs Rockers' of Tee Blanchard, those Fuchs Rockers as taught by George Mueller to the Boston Skaters, by which they had been greatly assisted in winning championships up to that time... In the evening all hands adjourned to the public rink in Ottawa for the free skating, 'Fours', and dancing competitions. I had believed that I was experiencing something in the nature of cold at the morning events, but I found on arriving for the evening performances I hadn’t 'seen nothing yet' as far as cold temperatures were concerned. I had no thermometer close at hand and therefore can make no guess as to whether the air in the place was very close to the temperature at which air becomes liquid, but I know that within five minutes after my arrival my blood had at least become solid. I still have the vision of Mr. and Mrs. Henry [Wainwright] Howe sitting on a radiator, as though it were their last hold on life, in their endeavor to keep some slight memory of what heat felt like as they waited for their cue to take the ice in the waltz competition, for be it known to you that in those days at least the rinks in Ottawa were served by Mother Nature alone as far as the freezing of the ice was concerned - and therefore no more effeminate obstructions were placed in the walls of those rinks to stand between the vigour of our Universal Mother and the struggling circulation of us skaters - than was absolutely necessary. Our delightful Canadian friends, however, were well used to these conditions and their champion Four of that day performed as though in tropic heat, vanquishing the frozen, first New York 'Four' with agile ease. It was a surprise, however, to me - and maybe to you - to see how inferior the Canadian ice-dancing of that era turned out to be. At the gay party held next day on the outdoor rink of Government House, where we were courteously welcomed by the then Governor-General Byng, of Canada, and his Lady, all of our Canadian friends waltzed with gay abandon but in a 'form' leaving much to be desired. But how the level of their skating has risen! What envied perfection they have reached today in their dancing, group skating, and individual work!"
They may not have even attempted double Lutzes led alone quads, but the brave skaters and judges who convened in Ottawa in 1923 didn't have the luxuries of air travel or heated rinks. They braved the elements to pursue their passion at a time long before the television cameras were rolling or prize money was doled out. They did it because they loved figure skating.
Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.
The children of Isaac James and Sarah (Park) Thaell, Clifford Ernest Thaell and Verona 'Rona' Thaell were born December 4, 1910 and June 28, 1912 in Salford and Manchester, England. Their father was a master tailor. As youngsters, both Rona and Cliff both learned to skate at the Manchester Ice Palace but they didn't actually team up as a pair until their late teens.
After achieving limited success in the amateur ranks, they turned professional in the mid thirties and got their start in the 1937 ice ballets "Enchanted Night" and "The Brahman's Daughter". They then headed to Australia to teach and produce ice shows at the Sydney Glaciarium. While Down Under, the siblings became something of a phenomenon with the Australian people. They lent their names and faces to advertisements for Schumann's Mineral Spring Salts and their summer 1938 show "Swiss Chalet" - featuring a cast of over one hundred skaters - was a bona fide hit.
While holidaying in Hawaii following the success of "Swiss Chalet", they put on a show in Honolulu with Sidney Froebel. A later show program noted, "They skated in Honolulu when the temperature was well over the 100 degree mark and regaled themselves by eating pineapple frozen into their portable artificial rink for decorative purposes."
Heading to North America, they appeared in Sonja Henie's revue at Madison Square Garden and Wirtz's Arthur M. Wirtz's All Star European Revue "Hello America!". On May 27, 1940 in Miami, Florida, Rona married John Caruana, who managed the S.S. Brighton and was the European director of Wirtz's productions. The couple's witness was none other than ice show star Laverne Bush.
During World War II, Rona and Cliff skated in Ice Capades, Ice Follies and Wirtz's "It Happens On Ice" and "Stars On Ice" shows at the Center Theater on Broadway. They also taught skating at the Glencoe Club in Calgary. Cliff enlisted in both the Canadian and British Armies, but was rejected for physical reasons.
After the War, Rona returned to England and taught at Earl's Court in London. Interviewed in the "Sydney Morning Herald" on March 12, 1949, she recalled, "We had 70 to 80 children in our group classes at Earl's Court. They were divided into four groups of 20 each, and we took them through all stages of skating. We used to give them lessons of an hour, and during the last half hour would get the whole lot together on the ice and instruct them through a microphone." Cliff became a respected coach in America, teaching in Lake Placid, at the Philadelphia Skating Club and Humane Society and operating the Cliff Thaell Ice Skating Schools in a studio rinks in Philadelphia and Delaware.
Cliff's wife Edwina Blades
Rona moved to Australia in 1948, when her husband took a job as manager of the Sydney Glaciarium. She served as the club's head pro until the rink closed in 1955. Cliff married Edwina Blades, whom he toured with in Wirtz's revue. Edwina was billed as a South African skater, but she was actually born in England. Cliff and Edwina's daughter Ginny (Thaell) Page recalled, "The ice shows that she was skating in thought the idea of Mum being from South Africa was much more exciting that her being born in England!"
Cliff lived in Blades, England when he was quoted in piece on dance blades in the November-December 1989 issue of "Professional Skater Magazine". Cliff expressed his confusion over the word 'blades' being used in North America. In England, the word 'blade' referred to a knife, razor or lawn mower blade, not a skate. In North America, skaters referred to skates as the boot and blade combined. In Great Britain, skaters referred to a skate and boot separately.
Rona in the middle. Photo courtesy Australian Professional Skaters' Association.
Cliff later returned to the United States, living in Lake Placid and later, Collier, Florida. He passed away December 15, 1996 at the age of eighty six. Rona remained in Australia and coached many Australian Champions. In 2012, she passed away at the age of one hundred. Prior to her death, she was still driving her car and going to aqua aerobics classes three times a week. Though this remarkable duo may never have won an Olympic or World medal, their contributions to the world of professional skating remain nothing short of epic.
Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.
"Bring me, Dorilla, the bowl,
Fill'd up with luscious wine,
For only from seeing the snow
My limbs are shaking with cold."
- "De La Nieve", Juan Meléndez Valdés
There is absolutely no question that Javier Fernández has put Spanish figure skating on the map. After becoming his country's first European and World Champion, he added first Olympic Medallist in figure skating to the list two months ago in Pyeongchang. Though these accomplishments are certainly historic, they aren't the only milestones in Spanish skating history worth celebrating.
The Buen Retiro Park in Madrid has long played host to the Estanque Del Retiro, a 280 X 140 meter artificial lake that still exists close to the park's northern entrance. Throughout the middle of the nineteenth century, the winters in the Madrid were so unseasonable that the Buen Retiro froze and played host to what was perceived as an incredible novelty to the Spanish novelty: ice skating.
In 1836, an article by an anonymous 'resident officer' appeared in "Waldie's Select Circulating Library" called "Madrid In 1835: Sketches Of The Metropolis Of Spain And Its Inhabitants And Of Society And Manners In The Peninsula". This unnamed British military man wrote that at the Estanque Del Retiro, "A frost strong enough to bear a man's weight is quite an event, producing the greatest sensation. The whole population turns out, and the sides of the estanque are lined with spectators, admiring the evolutions and enjoying the occasional falls of the skaters, who are few in number, and almost exclusively men of the north."
Some seventeen years later "Gleason's Pictorial Drawing-Room Companion" posted a second account of skating in the Madrid park: "It is an error to suppose that countries situated in southern latitudes are always exempt from the rigours of winter. Thus the inhabitants of Madrid almost annually enjoy the pleasure of skating at Buen Retiro, a place situated at the extremity of the most elevated point of the city of Madrid. The basin is generally, in the depth of winter, covered with ice, for it is exposed to the cold winds from the summits of the chain of the Somno Sierra, which are covered with snow from the end of October... Situated a short distance from the Prado, which is connected by avenue of trees, the Retro is still considered the Sitio Real, or Royal Habitation, and it enjoys, under this title, numerous privileges... The comparatively small portion devoted to a public promenade, and planted with as fine trees as can be seen in Madrid, terminates in the basin Estanque."
British accounts of skating at the Estanque Del Retiro persisted throughout the mid-Victorian era. On December 23, 1865, the journal "Once A Week: An Illustrated Miscellany Of Literature, Art, Science And Popular Information" noted, "As soon as the snow-storm ceased, and the hardy barrenderos, or scavengers, had, with the aid of spades, and carts... begun to clear its effects away, every inch of skating ground was crowded with patinadors, female as well as male. The available area, however,
is sadly limited. It was almost laughable to see crowds of anxious experts (and inexperts) waiting for their turn round the Estanque, in the Retiro Gardens, calling up the image of the borders of the Pool of Bethesda, while its dimensions would invoke the nickname of a basin from any genuine northern votary of the skates." Early in the Edwardian era, L. Higgins' book "Spanish Life And Country" noted, "I have seen the Estanque Grande in the Retiro covered with ice several inches thick... All Madrid turned out to see the wonder and watch the foreigners skate." Both the 1836 account and Higgins' 1902 book note that the majority of the skaters who took to the ice at the Estanque Del Retiro during this era were not Spaniards, but visitors to the area, who had been presumably been exposed to skating elsewhere. This makes a lot of sense, as it is highly unlikely that many of Madrid's residents would have even have access to ice skates at that time.
At any rate, it's fascinating to think about the fact that the seeds of skating were sown in Spain so early. Winter temperatures in Madrid these days average out around six degrees Celsius, so it's highly unlikely you would have the chance to go skating on the Estanque Del Retiro anytime soon. However, tales like this one only go to show you that what may seem improbable is certainly not impossible.
Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.
Death scene from the 1986 Sierra On-Line game "King's Quest III"
"You don't want to get Mrs. Randall for your driving test. She's like the Russian judge!" Let's face it. The trope of 'the Russian judge' has almost become a water cooler stereotype for any seemingly biased or unreasonably harsh adjudicator. Although skating judges from all corners of the world have been jeered and chastised, why is it that 'the Russian judge' has earned a spot in pop culture as the bad guy? The answer lies in figure skating's rich history.
Although skaters from Russia had of course participated in the World Championships many years previous, skaters representing The Soviet Union made their World debut in 1958. They were joined that year in Paris by Alexey Andrianov, the first Soviet judge at the World Championships. Aside from giving the top Soviet men's skater his highest placement in the free skate, Andrianov didn't really make any major judging foibles in Paris. In fact, prior to the time that skating was widely televised it was more often than not the Austrians who justly earned a reputation for questionable judging.
Vladimir Kovalev, the Soviet skater who benefited from Mikhail Drei's generous marks at the 1976 sWinter Olympic Games
By the seventies, increased media coverage of figure skating in print and on television and radio put a spotlight on the issue of questionable (Bloc) judging. One might think the Cold War 'us versus them' mentality was the reason the trope of the 'Russian judge' holding up a low score stuck moreso than say, the Yugoslavian judge, but it wasn't all smoke and mirrors.
Questionable judging was so blatantly rampant by the mid seventies that the ISU instituted mandatory biennial judging seminars in an effort to ensure all judges were adequately educated. This meant everyone... The Soviet Sports Committee's judges included. By this time, Soviet judges were earning a persistently bad reputation for offering high marks and placements to their own skaters and making covert attempts to 'influence' judges from Satellite nations. The 1976 Winter Olympic Games in Innsbruck was a prime example. In the men's short program, Soviet judge Mikhail Drei placed Vladimir Kovalev in a tie for third when he placed sixth. In the free skate, the same judge placed Kovalev in a tie for first. The majority of the rest of the judges had him outside of the top four. Drei was suspended by the ISU following the incident. During the sixties, the ISU handed out a total of only seven suspensions. By 1975 - three years before the Soviet Union's ultimate suspension - they had handed out twenty seven! Soviet judges Tatiana Danilenko, Igor Kabanov, Boris Anokhin, Valentin Piseev and Evgenia Bogdanova received ISU suspensions from 1970 to 1977. In fact, Danilchenko, Kabanov and Bogdanova were suspended twice! At thirteen during this period, Soviet judges won the 'prize' for the most judging suspensions.
At the 1977 European Championships in Helsinki, previously suspended judge Evgenia Bogdanova placed a trio of Soviet men - Vladimir Kovalev, Yuri Ovchinnikov and Konstantin Kokora - first through third. They placed second, third and sixth overall. When Soviet skaters claimed three of the four gold medals awarded at the 1977 World Championships in Tokyo - with more flagrant bias exhibited from the judges - the ISU had enough. At a tension-filled meeting following that year's ISU Congress, the ISU Council took the unprecedented step of banning all Soviet judges from judging international competitions for an entire year "due to repeated national bias" shown during the previous four seasons. The decision was historic and spoke to an endemic problem in the amateur ranks in the seventies. ISU historian Benjamin T. Wright noted, "The rule in question [by which the Soviets were banned] provided that if the Judges of a Member had proved to be unsatisfactory or incompetent for several years, although the Member had been warned, it would lose the right to nominate judges for Championships. The theory behind the rule... is that since the Member is responsible for the training and knowledge of its Judges, it is also responsible for their performance."
Tatiana Likhareva during her own competitive career. She was a three time Soviet Champion in the fifties.
After a failed protest campaign led by the Soviet Olympic Committee, like the cat that came back the very next day, the Soviet judges returned after their year long suspension. They were quickly up to their old tricks. The Soviet dance judge at the 1983 World Junior Championships received a three year suspension for "the violation of the basic principle of good sportsmanship, having attempted to influence other Judges in an attempt to obtain their support for skaters." At the forty first ISU Congress in late May 1986 in Velden, Austria, Tatiana (Likhareva) Danilenko, whose judging career was already stalled by the earlier blanket ban and her own previous judging suspensions, was again suspended for three years. She'd ignored the ISU's rule that a mandatory 0.1 deduction had to be given to any skater that fell on a jump and gave defending champion Alexandr Fadeev a 5.9 at that year's World Championships in Geneva when he'd fallen twice and missed another jump. Danilenko had Fadeev first on her scorecard and no other judge had him higher than third. He ultimately finished fifth in the free skate that year. In the February 11, 1988 "Free-Lance Star", American judge Claire Ferguson reflected on the incident, perhaps naively saying, "As judges, we wondered whether she just got confused. We can't imagine she would do that just because the Soviet Union told her she had to put her skaters first." Danilchenko was joined in exile that same year by another Soviet judge, Ludmila Kubashevskaya, who was suspended for one year for biased judging decisions over the two years previous.
Who can forget Ukraine's Yuri Balkov, who was caught on tape at the Nagano Olympics trying to rig the ice dance competition? After a one year ban, he was back. He was in Salt Lake City judging when the shit hit the fan... and was in Sochi rubbing elbows with Russian judge Alla Shekhovtseva, who was controversially seen hugging Adelina Sotnikova a big ol' hug after she sat on the panel of judges who judged her to be worthy of Olympic gold in Sochi. But wait, there's more... A May 1, 2002 article from "The New York Times" reminds us that "in 1999 Svyatoslav Babenko, a Russian judge, was barred for three years and Alfred Korytek of Ukraine for two years after they were caught on videotape exchanging signals during the pairs competition at that year's world championships. Appeals cut Babenko's suspension to 18 months and Korytek's to a year." Not to be outdone, Ukrainian judge Natalia Kruglova got herself a two year ban in 2012 and both Irina Nechkina of Russia and Liudmila Mikhailovskaya of Ukraine faced suspensions in 1993. The list goes on...
Why judges from Russia have always seemed to find themselves in the midst of controversy is anyone's guess. In his 1979 book "The Soviet Road To Olympus", author N. Norman Schneidman makes a rather bold hypothesis: "Since Soviet ethics does not recognize morality in general but rather a class and Communist morality which differs considerably from the ethical values and norms accepted in the West, the behaviour and actions of (Soviet athletes) are often misunderstood and misinterpreted by (Westerners) who are guided in their thoughts and actions by a code of values which makes it possible to pass judgement on members of Western society, but which may be useless when applied to people and athletes raised and educated in the Soviet state... While judges representing any country are exposed to the political influence and public pressure of their fellow-citizens, and most. . . tend to support athletes from their own countries, representatives of the Soviet Union have much less freedom in exercising their duties than their Western confreres."
Like everywhere else in society - from politicians to doctors to teachers to your own co-workers - there will always be people great at their jobs and others who aren't. Although it's important to recognize that judges from many countries - Canada, the U.S., Great Britain, Hungary, France, the Czech Republic and Finland included - have at one point been singled out by the ISU for being 'bad at their jobs', I can tell you from my own experience judging that a great MANY judges are educated, unbiased and passionate about what they do. But I can't help but chuckle at this quote from "Thin Ice", Jacqueline du Bief's book: "If I were asked for statistics, I would say that out of ten judges, four are incompetent, three are 'consciously' dishonest, and three are good judges."
Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.
Born May 15, 1862 in Säby, Sweden, Nils Posse was the son of Baron Knut Henrik Posse and Sophia Lilliestråle. As nobility had run in his bloodline since the sixteenth century, he too was automatically given the title of Baron at birth. As his father was the chief at the Military High School in Marieberg, Posse was naturally educated in the military school system. By 1881, at the age of nineteen was appointed Second Lieutenant in the Livgrenadjärregementet (Life Grenadier Regiment) and two years later, he was transferred to the Svea artilleriregemente (Svea Artillery Regiment). Though his regimented upbringing prepared him for a life in the military, Posse wisely took advantage of his military sponsored education at the Royal Gymnastics Central Institute and resigned from the military after graduating in 1884.
Special figures of Posse's design
About a year prior to his graduation, Posse joined the Stockholms Allmänna Skridskoklubb. He astonished many when he entered the club's annual figure skating competition in 1883 and defeated five far more experienced skaters, finishing only second to C.F. Mellin. The following year, skaters from the Wiener Eislaufverein attended the competition, but Posse took the main prize, defeating Mellin. According to the 1894 book "Tio vintrar på Nybroviken" penned by Ivar Boktryckeri, "Posse stood out for [having a] very stylish way of skating. He often performed small, intricate figures and his ability was admirable in that he did so without any apparent effort to obtain speed. He realized that moderation in motion and elegance [were important.]... He was eclipsed after only a short time, retiring by 1885."
The reason for Posse's premature retirement from the figure skating world was actually a pretty sweet job opportunity. He was hired to teach at an institute which educated gymnastics teachers in Boston, Massachusetts called the Normal School of Gymnastics. On June 29, 1887, he married a Boston school teacher named Rose Moore Smith and in the years that followed, he wrote and lectured prolifically on physical education and the Swedish gymnastic system. He was widely credited as being a leader in bringing Swedish gymnastics to America and in 1890, he opened a similar institute on his own called The Posse Gymnasium. He also published a journal called "The Special Kinesiology of Educational Physical Gymnastics" and acted as Commissioner for Swedish Tourist Association, Swedish Yachting Association, Stockholm's Gymnastic Association at the Chicago World's Fair in 1893, where he ensured these areas were well-represented in the Swedish exhibit.
Though better known for his important role in the history of gymnastics, Posse really played an incredibly important role in the development of figure skating in Sweden. Among his many books was an 1889 instructional manual called "Handbok i figuråkning å skridskor", which focused mainly on the technique behind special figures but also included detailed sections on ice dancing and free skating. The figures described in Posse's book juxtapose completely with the English Style that was most prominent in many skating textbooks of the period and his inclusion of early ice dance patterns designed for outdoor ice clearly show how skating in Scandinavia was developing in a completely different way than in America and Great Britain at the time. While in America, he served as the Chairman of the Judges' Committee at an 1893 figure skating competition in Salem, Massachusetts and helped educate the competitors about the Scandinavian style of figure skating.
A position from one of Posse's gymnastics textbooks which eerily resembles a spiral
Just when he was in the prime of his life's work, Posse died suddenly of heart failure on December 12, 1894 at the age of thirty three. An obituary penned by future ISU President Viktor Gustaf Balck that appeared in the magazine "Mind and Body: A Monthly Journal Devoted to Physical Education" in 1894 recalled, "Highly endowed in head and heart, his hand was always open for his countrymen in need. Overtaken through work, he was lately in poor health, and last Wednesday night occurred suddenly his death, which, to judge from a human standpoint, too early ended at an age of thirty-three years, his industrious and useful life."
Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.
When you dig through skating history, you never know what you will unearth. In the spirit of cataloguing fascinating tales from skating history, #Unearthed is a once a month 'special occasion' on Skate Guard where fascinating writings by others that are of interest to skating history buffs are excavated, dusted off and shared for your reading pleasure. From forgotten fiction to long lost interviews to tales that have never been shared publicly, each #Unearthed is a fascinating journey through time. Today's 'buried treasure' is a piece called "The Pleasures Of Skating" which appeared in the December 1889 edition of "Puck's Library". The author, novelist Charles Morris, released it under his pseudonym Paul Pastnor. I think you'll find that this particularly delightful piece really captures the essence of pleasure skating during the Victorian era.
"THE PLEASURES OF SKATING" (CHARLES MORRIS)
Lives there a man with soul so dead, who never to himself hath said: "I'll go a-skating?" Probably not. At some period of our lives we have all us done more or less ground and lofty tumbling on Nature's polished winter floor. It may have been so long ago that we have almost forgotten how we used to bind on the dear old-fashioned steel blades, with the ends curled up in front like a banker's signature; or perhaps, we are just out of our halcyon days, and have no more complicated process to recall than the deft snap with which we attached our "Ice Kings" to our shoes, and sped away on the instant.
But, whether tied with twine, strapped, screwed or clamped, it was all the same when our skates were once on our feet. Oh, the bird-like delight of skimming over that broad, glistening expanse of ice! How the blood leaped in our veins, and the glorious exhilaration tingled to the very tips of fingers and toes!
And then it was such fun to watch the beginner - the tyro in the art. With what infinite caution he raised himself from the friendly bank; and, then, with what wild consternation he found himself mysteriously slipping away, with no power under heaven to stop that insidious motion which seemed to possess him as the magnet possesses the steel. Bending fearfully forward, with arms abroad, and eyes riveted upon the gleaming ice, so he slid, until his feet parted and flew from beneath him, the force of gravity seized him by the back, down he came, wild-eyed and sprawling, while his head smote the frozen expanse with a far-resounding thud. Up again in an instant, upon foot and knee, he surveyed his laughing companions with a sickly smile, and gladly accepted the proferred assistance which got him upon his treacherous skates again, and sent him bowing and balancing away, beating the air like an animated windmill.
But the fun was soon over; for in less than an hour the tyro had mastered the first principles of the art, and was darting hither and thither like a squid, with quick, uneven strokes, ending in a triumphant glide that rejoiced his soul to the very core. Those were the days when we had our little loves, as sweet and innocent as spring flowers. Who can ever forget the thrill of ecstasy with which he strapped his sweetheart's skates to the trim little foot resting on his knees? And then the unspeakable pride and pleasure of clasping those two red-mittened hands in one's own, and "sculling" backward, while one initiated the fair beginner in the mysteries of the forward stroke.
Do you remember, reader, those long hand-in-hand expeditions along the wooded river shore? How she laughed when the shell-ice tripped her, and she swayed into your arms for a sweet instant, knitted hood and flying hair brushing your cheek! Such roses as bloomed in those happy days will never bloom again - the glow of health and the flush of young romance. Do you not sometimes find yourself wondering whether there will be skating in paradise - and red-cheeked, red-hooded, laughing girls?
It was a magnificent thing, too, that skating by firelight! The great bonfire on the shore, leaping and crackling; the reflection of the blaze on the glare ice; the shadowy figures gliding in and out like spectres; the ring of the "shinny" stick, and the wild shouts of the players; the dim white fields and hills, melting away into night; the hoot of the troubled owl; the far-off, silvery sound of sleigh bells — what boy or girl of the olden time can not call up such a picture as this in memory?
Far into the night we played our weird games, and glided away on our winged flights into the gloom. Then some impatient horn would blow from a distant farmhouse; the fun would stop; little groups would melt away, chattering, into the darkness; and by-and-by only a few reckless enthusiasts would remain, silently swinging up and down the ice in the pale glimmer of the dying blaze.
Alas! but the choicest pleasures of skating are so evanescent - confined to the brief holiday of youth! Men and women, it is true, find a sober delight in sweeping around the rink, or launching out on the blue-black lake for a two and a half hours' spin. But what becomes of the red mittens, and the knit hoods, and the young mirth, and the "shinny" sticks, and the bonfire, after thirty? Grim old Father Time takes the raisins out of the pudding, then. We have had our romance; more's the pity if we did not make the most of it! But Father Time can not take away memory- that lingering taste of the good things of life.
Ye who have skated, away back in the first and second decades of your existence, hail! Let us sit down together, in this Midwinter twilight, and barter a smile for a tear.
Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.
