Discover The History Of Figure Skating!

Learn all about the fascinating world of figure skating history with Skate Guard Blog. Explore a treasure trove of articles on the history of figure skating, highlighting Olympic Medallists, World and National Champions and dazzling competitions, shows and tours. Written by former skater and judge Ryan Stevens, Skate Guard Blog also offers intriguing insights into the evolution of the sport over the decades. Delve into Stevens' five books for even more riveting stories and information about the history of everyone's favourite winter Olympic sport.

Interview With Ben Ferreira

Photograph of Canadian figure skater Ben Ferreira

I come from Canada, where we give our figure skaters some love! I am honoured to have had a chance to interview Ben Ferreira, 3 time Canadian National Medallist and former World and international competitor, who now devotes his time to coaching other skaters and helping them achieve the highest level of success they can. His dedication to the sport, both as an athlete and a coach, is amazing. Let's take a read at what Ben has to say about Canadian figure skating, coaching, competing and more, shall we?

Q: You were a contender in Canadian men's figure skating for years, winning 3 medals and being on Canada's national team for years. What was your favourite performance or most special memory from your competitive days?

A: My favourite performance and special memory was in 2004 at the Canadian Championships in my hometown of Edmonton, Canada where I won the silver medal and made the world team for the third time. After years of trial and error and making many mistakes along the way, winning the short program at Canadians, twice in 2001 and 2003, then not skating as well in the long programs, this 2004 skate, I would have to say was the skate of my life- my time had come. I was on a high from landing my first Quad-Triple Combination in the Short Program where I placed third, then going out and skating like I did in the long program was surreal. I executed 7 clean Triples and a Quad- it was crazy. It was like nothing I'd ever experienced. As someone who was considered an underdog in the field to me it felt really good inside to deliver my very best efforts and to be rewarded for it on the day. This lesson has stayed with me until this day.



Q: Tell us what you've been doing since you retired from competition in 2006.

A: Since retiring from competitive skating in 2006, I have a ride of ups and downs. At first, it felt like falling down the rabbit hole. People talk about going through athlete transition from performer and competitor to regular guy on the street- but until it actually happens we have no idea. Well, that is what I thought anyway. Fortunately, I had a mentor who insisted I begin to PLAN this transition BEFORE I retired so the change was much less drastic and severe for me that I expected. I was so fortunate to have this guidance. I took the next STEP, stumbled a bit but really did land on my feet. In 2005 I got married to my soulmate Jadene Fullen...then my new wife and I moved back to my hometown of Edmonton Alberta. Almost immediately, I was approached, hired and stepped into the position of Head Skating Professional at my home club the Royal Glenora from 2006-2010. I was able to bring my knowledge and training into an environment I was familiar with and I new I could make a difference as I went through the stages of letting go. In 2010 after obtaining my NCCP Level 3 status in 2008 I transitioned to a Skating Professional at the Royal Glenora and a Dartfish™ Software sales representative and consultant. I became a becoming a Dartfish™ Certified Technologist in 2012 and I currently consult with coaches and their skaters using Dartfish™ and Pro-Motion Pole Harness at the both the Royal Glenora and Ice Palace F.S.C. In 2012 I also began building SkatingSuccess™ with my wife Jadene and my coach and mentor Steffany Hanlen Francey. The vision that we hold for this company is to be the ‘pre-eminent resource for coach and skater development through progressive Master Class seminars, on- line learning, NCCP coach mentorship and continuous world class coach education and support’. Since 2002 I began investing in Real Estate and in 2008 I became a proud member of REIN™ the Real Estate Investment Network™. This support network of investors offers a fantastic mentorship and educational program for anyone who chooses Real Estate as their investment vehicle to support their business and life vision. This is the foundation of my long term financial goals and allows me to coach skating because I LOVE it and not just to earn a living.

Q: What is the most rewarding part of coaching other skaters? The most challenging?

A: The most rewarding part of coaching other skaters is quite simply assisting them on their journey to get better and improve their skills and performance, and even more importantly giving them the opportunity to love this sport. I get so much satisfaction and enjoy the day to day experience and purpose that have with the skaters that I consult with. Each lesson always brings something new to the table and it is the interaction with each skater I am privileged to work with that I so enjoy very much. My technical coach Doug Leigh once said to me that it is a gift to be able to teach. I highly agree with him regarding that statement. I think that the most challenging aspect for me with regards to coaching is ‘shutting the door’ when my skaters go out to compete. At that point I now have no control of the outcomes and must let them go on their journey regardless of what happens out there. I also then have to believe that I have done the best job preparing them for their task at hand. This is very different from being an athlete when I had total control and is a very different nervous energy.



Q: You were coached by Doug and Michelle Leigh, who have also worked with great skaters like Elvis Stojko and Jennifer Robinson. What was it like training with skaters like Elvis and Jennifer?

A: I moved to Barrie, Ontario in 2002 to begin my final stage as a competitive athlete and pursue my 4 year plan to the Olympics in Torino. For me my 4 years spent at the Mariposa School of Skating was a fantastic experience. At that time Takeshi Honda, Jeffrey Buttle, Jennifer Robinson, Christopher Mabee, and Lesley Hawker were just a few of the skaters that I had the opportunity to step on the ice with every day to train. It was like stepping onto an international practice every single day. It was more than just motivating, it was an incredible experience that I will never forget.

Q: Do you still skate or perform yourself anymore and if there were professional figure skating competitions around like there used to be, could you see yourself being involved?

A: That is a very interesting question and one that I frequently get asked. Today I don't skate anymore, I'm complete. I think that for me, I enjoyed the training, competing, and travelling as an athlete in my late teens and into my twenties, but today I don't have the desire to skate, perform or compete again. I am now fully committed to the business world and taking everything from what I learned in skating and now applying it to my Coaching, our seminar and education company SkatingSuccess™, and also my Real Estate investing. I don't see myself being involved in any professional competitions or events except, of course coaching a skater at their highest levels.

Q: What do you agree most with about the new judging system?

A: I was one of the lucky skaters that actually competed in the new system as we transitioned from 6.0 to CPC. What I do agree with regarding the new system is from the technical standpoint skaters are rewarded on not only what they do, but also how well they do what they do. The GOE makes complete sense in a sport where we are constantly looking for the quality of skills executed. I basically see the score sheet as a financial statement, where there is profit and loss, asset and liability, and learning to capitalise on your strengths as well as work on your weaknesses to ensure a profitable venture. At the end of the day I do believe that this system does bring out the best rounded skater to the table better than the previous 6.0 system did.

Q: How do you feel it could be improved?

A: This system has evolved very fast in the time that it has been accepted and I think that every passing year it is getting better and better. In the beginning I personally felt that there was not enough emphasis put on the difficulty of triple Axels and quadruple Jumps. For a few years, technically, in terms of jumping the sport took a step backward because the risk vs reward ratio for attempting the more demanding elements was not there when it came to the scale of values. In terms of spins, the system really helped developed much better quality, however footwork and step sequences are in my opinion still to subjective and I think need to be called as a choreographed sequence with a grade for GOE only. This happened with the spiral sequences a few years ago, now all spirals are called a choreographic spiral sequence with a GOE value. I still think that there is still way to much emphasis put on the component side of the sport so much so that officials can completely overthrow a technical mark just because they liked the way a skater "looked" or "made them feel" to me doesn't equate with being an accountable sport. Now that being said I am not attempting to downplay the importance of strong skating skills, choreography, transitions, etc. I just feel that when it comes down to being a sport, the component mark should not be worth 50% of the total mark but more like ..say 25%. I well know that I hold the minority opinion when it comes to this topic and I am well aware of the argument against my case. To me it is the classic objective .vs. subjective argument that skating will have to live with forever. The argument will continue to go on as the sport evolves and keeps it exciting. I’m that guy that gives our sport some balance by questioning the status quo.


Q: Who are your favourite Canadian skaters today?

A: For me there is only one real favourite Canadian skater that I have today and her name is Kaetlyn Osmond. Kaetlyn is a fantastic young woman that I have had the opportunity to work with the past 3 seasons at the Ice Palace F.S.C here in Edmonton doing the Dartfish consulting. Kaetlyn has, what my mentor calls ‘champion energy’ in spades. She is one of my favourite lessons of the week because she is always smiling, always cheerful, always giving it her best. When I am teaching her it takes me back to when I was training at her level and the language and communication we use while we go through the Video analysis of Datfish's in the action module during training involves her leading it. She can view a skill that she just executed and then say "OK, saw that", and put in an instant correction so fast by just looking at the video replay. It amazes me how in control she is of her mind and body. She is a wonderful example of loving the sport and being a tenacious competitor. She also is a great ambassador as she is extremely well mannered and down to earth. For her, when the going gets tough, she gets tougher She is a new fresh inspiration for Canadian Ladies skating and I am very proud of her. Above all that she listens to the same Country Music radio station as I do, she's just awesome!

Q: What about of all time?

A: My favourite Canadian skaters of all time... that's a really hard one to nail down for me. I think that from the beginning Kurt Browning was my favourite as I started skating at the same club the Royal Glenora in 1991 where he trained and he was my inspiration for getting into the sport in the first place. However my favourite skate of all time was Brian Orser in Cincinnati in 1987. Also I admired Elvis Stojko for his consistency and raising the bar technically with the first quad combo in 1991 and for the quad/triple  in 1997. He also is a great friend true ambassador for the sport.

Q: What's one thing you'd like to say to skating fans everywhere?

A: What I would like to say to skating fans everywhere is one thing "Thank you". I appreciate all of the support over the years. The standing ovation I received when I skated the performance of my life in 2004 to win my silver medal in Edmonton showed me how much the fans appreciate what we do. I appreciate all of your support with the standing ovation I received after one of the most difficult, heartbreaking skates of my life in 2006 in Ottawa when taking my final bow when we all realized at the same time that I would not be representing Canada in Torino at the Winter Games and that it was the beginning of the end of my career as a competitor. In hindsight, I think a many skating fans really liked me, they liked my story, they liked my character, and they liked what I represented. Now in 2013 after going to the Canadian Championships for the 18th time -now as a coach, fans still come up to me and say "We miss you out there". I know that I won't go down in history as a multi or even one time national champion/world medallist or someone who changed the sport in some way, however the fact that so many fans still remember me and ask me for an autograph even today really does amaze me. So, I thank all of the skating fans in Canada and around the world for all of your support. Skating is in my blood and I plan to be around it for a long time in one way or another. I hope to see you all rink side.

Visit Ben's SKATING SUCCESS™ YouTube channel at http://youtu.be/ZRapM6Itme8.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Interview With Garrett Kling

                                                 Photograph of American figure skater Garrett Kling

One of the most interesting and exciting young choreographers in the sport today, Garrett Kling is a former competitive figure skater who, as a competitor in YAS (Young Artists Showcase), proved he was not only a total star but a gifted choreographer as well. In this interview, I had to chance to not only learn more about his choreography and his inspirations, but also about Garrett himself:

Q: Tell me about your background in skating, what first drew you to the sport and what drew you to choreographing for other skaters.

A: I was a very active kid - always performing, putting on a show (to the point of being truly obnoxious, just ask my parents!) The first exposure to skating that I remember was at the age of 7 watching a Scott Hamilton television special. I actually tried to teach myself to jump in my kitchen. A few broken pans later I finally started skating seriously by the time I was nine and took off ever since. I loved performing, but competing made me sick - literally. I had terrible nerves all the time and wildly inconsistent jumps. Year after year I was an alternate to nationals. I finished competing in 2011 and kickstarted a career in choreography and doing shows. I am incredibly grateful for the rink I grew up in at Chaska because I would usually train and have lessons in the morning from 7-9 a.m. and then I wouldn't have to go to school until 11 a.m. so for an hour-and-a-half I would have "play time" on the ice where it would be entirely empty and I would put music on and just lose myself in creating and improving to music. Those moments are truly my favourite memories on the ice and where I began to gather all my ideas and creativity for choreography.

Garrett performing as part of YAS2
Q: I had chance to see a lot of the work you did with YAS (Young Artists Showcase) - which I adored! What do you like most about this project and why should more people get involved?

A: Thank you so much! YAS came at the perfect point in my career as I was making the transition from competing into choreography. YAS is revolutionary for skating artistically and technologically. Audrey Weisiger created it as a way to give artistry its voice back to the sport. I believe there has been a lull in artistic skating for some time now due to many factors, but now there is a whole new community hungry for its resurgence. YAS is a global community and I am so grateful to be part of it. I cannot encourage enough people to take part in YAS. If you have any interest in choreography, creating and artistry, take the plunge and do it! It is a platform to make your voice heard and to start the creative process. I found it to be a safe place to start finding who I was as a choreographer and artist. The new season is going to kick off soon, so go to www.youngartistsshowcase.net for more info!

Garrett Kling's choreography for Jason Brown

Q: What skater would you most like to meet that you haven't yet? Choreograph a program for?

A: I could make this answer a novel since I am a geek and literally have music picked out for so many skaters that I want to choreograph for. If I had to pick ONE I would say Stephane Lambiel. He is just an incredible athlete and artist and I just feel like we could make the sickest program ever with his ability to move. If there was a skater that I would want to meet it would be Toller Cranston. A perfect day would include going to his lavish house, seeing all his art and telling me story after story. We know his books only contained half of all his stories.

Q: Who is your favourite figure skating Olympic gold medallist of all time?

A: The most influential in my life have been John Curry and Torvill/Dean. What draws me to them so much is how revolutionary they were. John Curry was such a pioneer infusing dance with skating and creating a touring ice theatre that performed in the same manner as a dance company. That would be an ultimate dream for a touring ice theatre to one day happen again! Torvill/Dean created such genius work throughout their illustrious career and I have studied so many of their programs again and again.

Q: What is the most challenging part of taking a program idea and making it come to life?

A: This is something that I have been thinking a lot about lately because I have so many ideas, but the hardest thing for any artist is to make those ideas reality. Art has a conspicuous way of taking its own path once you begin the process and sometimes it travels an entirely different direction than originally planned. Fear is my worst enemy, but I'm starting to learn not to be afraid of the process. I'm currently reading a book about the creative process and it says that because all creative ideas go against the grain to some degree, it is going to appear eccentric and out of order at the beginning. In order for figure skating to progress and change, there must be those who take those risks to be different and let their desire to create outweigh the fear of their ideas becoming a flop! And that takes a lot of courage and confidence in your craft. At 22 years old I know I still have so much to learn, but I am a sponge right now just craving more and more knowledge and inspiration. I am blessed to have so many great mentors such as Jodi Porter and Audrey Weisiger who are encouraging me to do just that.

Photograph of American figure skater Garrett Kling

Q: Will you be involved with YAS again this season? I'm hoping the answer is yes.

A: I will certainly always be involved with YAS, but not anymore as a contestant. After two seasons of competing I feel like I have experienced and learned exactly what I needed to in order to take the next step in my career as a choreographer. Once a YASer always a YASer, so I will continue to promote and market the event and would love to still be involved in the Master's category they started this past year where past contestants create pieces to showcase. So I will still peak my head in there!

Q: What are your thoughts on professional figure skating? It was so popular in the 1990's and professional figure skating competitions are few and far between these days.

A: The popularity of professional skating in the 90s is what brought me into the sport. Seeing the icons of Browning, Hamilton, Yamaguchi and Boitano week after week on television allowed people to relate to these skaters. So it's sad nowadays that the world of pro skating is now so small, but our world is so different now in terms of social media and the changing ways that people indulge in media and entertainment. Skating needs to adjust and that is why I believe YAS is the platform for this new order. We would love for YAS to grow into something like a television series where choreographers create pieces for world-class skaters and then they are judged by a panel in the same style of Dancing with the Stars or So You Think You Can Dance. Skating has the ability to be just as marketable as these other shows, but it just needs the right combination of creative ideas, skating stars and of course -- enough money! Hopefully some day soon!

Q: Who is your favourite singer or band?
A: This answer certainly changes weekly, if not sometimes daily! Music is a constant in my world. If I had to pick just a few that have impacted me most in my life I would have to narrow it down to Jeff Buckley, Queen, Olafur Arnalds, The Penguin Cafe Orchestra, Laura Marling and Damien Rice. Currently I'm really digging Cloud Cults newest album 'Love' and the electronica-tango group Bajofondo.

Q: Who is your favourite choreographer, skating or otherwise?

A: I again have to say Chris Dean. The work he does with skaters and for Stars on Ice is a constant source of inspiration and amazement for me. In the dance world I am a big fan of modern choreographers Jiri Kylian who is with the Nederlands Dance Theatre and Twyla Tharp who has also created works for figure skating. My new obsession is hip hop dancing and this summer I promised myself I'd start taking class. Mariel Martin from the group "Choreo Cookies" is a choreographer that I am so in love with -- her work is so passionate and she is a master story teller.

Q: What projects are you working on and where can we see your work next?

A: There are a lot of upcoming projects I am involved in and would love to spread the word about! The most immediate one is that Ice Theatre of New York is presenting the Young Artists Showcase finalists at the Rockefeller Center on March 27. There is a kickstarter campaign to raise funds for the event here at http://www.kickstarter.com/projects/457817141/creative-new-voices-in-figure-skating-at-rockefellI will be performing there and am excited to present new pieces of my choreography! I am also choreographing and performing May 2nd with Chicago's Ice Theatre 'Ice-Semble' in collaboration with the American Ice Theatre. The official info isn't quite out yet, but here is the website where it will be soon: http://www.americanicetheatre.org/current-season/In May, I am also dabbling in off-ice choreography. I will be creating a dance piece on a rooftop in Chicago for an exciting project called the "Wake Up! Waltz" For more information you can visit http://wakeupwaltz.comVisit Garrett's YouTube channel for lots of samplings of his choreography at  http://www.youtube.com/gbkling

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Once, Twice, Three Times A Carmen

I'm going to be fair. There are many overused pieces of music in figure skating. From "Malaguena" to just about anything Sergei Rachmaninoff ever came up with, Georges Bizet's score "Carmen" certainly keeps varied company. There's an old drag queen saying that goes "it doesn't matter who did it first, it matters who did it best". It's usually said by the person who did it second or third, not necessarily the person who used the music best, but that's neither hurr nor there. I'm just full of the puns today. I digress.

SO the music is iconic and there's no denying that. It's been interpreted by such skating stars as Katarina Witt and Debi Thomas (who battled it out at the 1988 Olympics in "The Battle Of The Carmens" when both Olympic gold medal contenders selected the same music for their free skates), Angelika Krylova and Oleg Ovsiannikovv, Tessa Virtue and Scott Moir, Natalia Bestemianova and Andrei Bukin, Michelle Kwan, Irina Slutskaya, Evan Lysacek and too many others to even count. The Bizet score was even inspiration for an acclaimed TV production "Carmen On Ice" which starred Brian Boitano, Brian Orser and Katarina Witt and even earned an Emmy award.

But who did it best? Let's take a look at 6.0 of the best interpretations of "Carmen" on ice going:

KATARINA WITT


In winning the 1988 Olympic Winter Games despite losing to Canada's Elizabeth Manley in both the short and long programs, Katarina certainly served up the theatre with this iconic free skate set to Bizet's score.

ANGELIKA KRYLOVA AND OLEG OVSIANNIKOVV


In the tradition of great Russian ice dancers, Krylova and Ovsiannikovv gave us drama and intensity in their 1997/1998 season free dance to "Carmen", which won them the silver medal at the 1998 Olympic Winter Games behind teammates Grishuk and Platov.

TESSA VIRTUE AND SCOTT MOIR



Reigning Olympic Medallists Tessa Virtue and Scott Moir debuted their free dance this season at Skate Canada to contrasting reviews. Though lacking the intensity of Witt and Krylova, Virtue and Moir show precision and passion galore in this free dance, which will be put head to head with Meryl Davis and Charlie White's "The Hunchback Of Notre Dame" free dance at the upcoming World Championships.

TATIANA NAVKA AND ROMAN KOSTOMAROV



Another unforgettable and stirring rendition of "Carmen" was the winning free dance by Navka and Kostomarov at the 2006 Winter Olympics in Torino, Italy. Full of difficulty, attack and personality, this free dance was considered a true "Carmen" by many.

SILVIA FONTANA


A beautifully crafted program, Silvia Fontana's 2002 Olympic free skate to "Carmen" was a lesson in musical interpretation and spirit. Definitely one of her best competitive programs as it really suited her style, I found.

NATALIA BESTEMIANOVA AND ANDREI BUKIN


Eight perfect 6.0's can't be wrong, right? If any team was known for serving high drama on the ice, it was these two. The 1988 Olympic Gold Medallists were criticized by many as over the top, but really came into their own as professionals and created some of the most original and creative ice dance programs out there. This free dance to "Carmen" is typical 80's Bestemianova and Bukin, and won them the 1985 European and World titles.

Definitely deserving of honorable mention is Susanna Rahkamo and Petri Kokko's interpretation of Carmen at the 1997 Challenge Of Champions professional competition. I've yet to find a YouTube link to this performance, but I can assure you it's worth dusting your skating tape collection off and looking for. Susanna's Carmen dies at the end at the hand of a red tube of lipstick. In typical Susanna and Petri fashion, it's pure theatre and avant garde realness.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Interview With Tony Wheeler

Photograph of figure skating influencer Tony Wheeler

One of the most interesting and knowledgeable skating fexperts (that's a new word I just made up to combine fan and experts, cause I'm fancy like that) you could possibly have a chance to talk skating with is the fabulous Tony Wheeler. He knows his shit, and has been dedicated to keeping figure skating fans engaged in the sport and its greatest skaters for years now. I was fortunate enough to get to ask Tony some questions, and I hope you'll be as intrigued and entertained by his answers as I was!

Q: What is your involvement in figure skating and when did it begin?

A: I became a fan of the sport during the 1993 World Championships. I remember watching the ladies long program vividly: the story of Oksana Baiul and her quick rise to the top, and of course the meltdown of Nancy Kerrigan. I was six at the time! I started getting involved on figure skating message boards at an early age, and from that I have had several great opportunities. I was part of a team that maintained the official websites of Maria Butyrskaya and Annie Bellemare and I've helped select and edit music for skaters, including Joannie Rochette and Amelie Lacoste. Following the 2010 Olympic Games, I created the blog Flutzing Around as a place to share my thoughts about the sport. One of my first entries was an interview with one of the judges on the mens short program panel in Vancouver just a month prior. The interview created quite a buzz. As for my own skating, I started taking lessons in 2006 through my university, which actually offered it as a class for credit at the time! All I wanted to do was jump, and learned a few doubles. I don't have as much time anymore, but I still skate every once in a while.

Q: If you could be stranded on a desert island with three skaters, who would be they be and why?

A: Meagan Duhamel would have to be there. Based on the kiss and cry at every competition, I think it's a safe bet that she would have plenty to talk about, and I like her personality. I would also want Dick Button on the island. He has to be the most knowledgeable person when it comes to figure skating, and I'd love to spend days (or weeks or months) talking to him about skating history. Finally, she isn't a skater but she's been a long-time judge and is now part of technical panels-- Vanessa Reilly. She gave some of the most out-of-line marks in the 6.0 system ever, but I found myself agreeing with her more often than not. Like Button, I think talking figure skating with her would be truly fascinating.

Q: Who are your favourite skaters competing today? From the past?

A: My favorite skater competing today is Akiko Suzuki. I love her perseverance and I think she has a great set of programs this season. I also really enjoy the entire Japanese team, Carolina Kostner, and Savchenko/Szolkowy. From the past, my absolute favorite skater is Maria Butyrskaya. I think she had an amazing, special presence that hasn't quite been matched. I also loved Alexander Fadeev, Petr Barna, Andrejs Vlascenko, Matt Savoie, Michelle Kwan, Joannie Rochette, Berezhnaya and Sikharulidze, and Delobel and Schoenfelder to name a few.

Side note: We have VERY similar taste! It must be good. I'm going with that.

Q: Who is the most interesting skater you've ever had a chance to interact with? The nicest?

A: The most interesting skaters are always the ones that come from federations that don't have a strong skating program, and they may be one of the only figure skaters the country has ever had. I love learning how they got involved and how they worked their way up to competing on the international level with limited resources. As far as the nicest (and not to give you another vague answer), I don't think any skaters haven't been nice. Maybe they think I will write a mean blog post about them or something.

Q: What skaters do you honestly think will be standing on the podium in Sochi?

A: For the men, I think it will be a battle between Chan, Fernandez, Takahashi, and Hanyu. I'd honestly love to see Plushenko do well, but I think many men have surpassed him technically. Ladies are shaping up to be so exciting. Gone are the days of four or five ladies fighting for the podium. There will probably be at least ten contenders by the time Sochi comes around. In the end, I think it'll be Kim, Kostner, and one of the Russian girls in some order. For the pairs, I'll go with Savchenko and Szolkowy, Volosozhar and Trankov, and then ask me about third place after Worlds this year - the battle should be a good one! In ice dance, Davis and White, Virtue and Moir and Pechalat and Bourzat.

Q: Who is the most underrated figure skater of all time?

A: Hmm. I'm going to have to say David Liu. He didn't have the difficult jumps, but his presentation was light years ahead of most of the men he competed with. More recently, I don't think Matt Savoie was ever respected as much as he should have been.

Q: Do you think that professional skating competitions are a thing of the past? Should they be?

A: When I was growing up, there wasn't a weekend during the fall and winter months without some kind of professional competition on television. All of the skaters were such household names: Boitano, Browning, Witt, Yamaguchi, and so on. I think the problem with professional competitions today would be that interest in the sport, at least in North America, is so low that it would be hard to really get a set of competitions going and actually profit from them when the names aren't as familiar anymore. The professional competition (Medal Winners Open) that was included with the Japan Open earlier this year included some names that we haven't seen compete in years, but I don't like that they made it an IJS-scoring competition. I think one major pro competition a year (a return of the World Professional Championship) would be great. Keep the 10.0 scoring system. It's more fun for casual fans.

Q: What is one thing you'd change about the current judging system?

A: One thing? Just one?! In all honesty, I think there are many benefits to the IJS. I like that skaters don't 'need help' from other skaters in order to attain a certain placement, as we saw in 6.0. It's just the skater versus the point system. What I don't like is protocol or corridor judging still being so prevalent. The start order seems to have a tremendous correlation with the program components scores, and I also feel that the judges are prone to give better grades of execution (or less severe penalties) to the top skaters. That's not a problem with the system, but with the judges. So, back to the original question. I think that a fall on a jump should receive only a certain percentage of the base value, compared to just losing three points, for example, on a quadruple attempt. I know that they changed this rule so that we would see more difficult jumps being attempted, but I think it's too generous now, and would probably go with the skater(s) earning 25% of the base value.

Q: What's one thing a lot of people don't know about you?

A: I had a crazy obsession with all things Carmen Sandiego when I was a child.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Figuring Figures Into Figure Skating

Do you ever wonder what would have happened to figure skating if they never discontinued the compulsory figures? The current generation of skaters - or many of them - may not even know what compulsory or "school" figures even are, but they would certainly have an impact on competition today.

Compulsory figures were a discipline and proponent of figure skating competition that required skaters to carve patterns or 'figures' onto the ice. They were the bane of some skaters existence, keeping them or prolonging them from topping the podiums at elite competition. In the 1980's for example, skating stars like Brian Orser and Midori Ito were really hurt by the inclusion of compulsory figures in competition. For others, like figures specialists Beatrix Schuba of Austria, who won the 1972 Olympics with a dismal showing in free skating, the high percentage of weight this portion of competitions played ultimately owed to their success. And we can't really fairly criticize skaters like Schuba for winning the Olympics, even if their free skating was sub par, because that's how it was back then.

Illustration of figure skating's lost art of special figures

If you want to really get all historical up in here, the very first time that figure skating was introduced as an Olympic sport, at the 1908 SUMMER Olympics, there was an entire discipline called 'Special Figures' outside of regular 'figure skating', devoted entirely to skaters creating their own complex patterns on the ice.

When I started skating, they were phasing out 'patch time', where skaters silently concentrated on small patches of ice, tracing and retracing loops, brackets and rockers with the aid of a scribe. It was the part of training many skaters either rolled their eyes at or dreaded. It's hard to imagine that at one time this part of figure skating competition counted for 60% of the skaters scores. In the following years, due to lack of interest, and the rise of popularity of figure skating as a televised sport, figures became tired and unmarketable, and finally were skated for the last time at the 1990 World Figure Skating Championships here in my home city of Halifax, Nova Scotia, where Yugoslavia's Zeljka Cizmesija skated the final figure in world championship competition.


While somewhat unappealing to the masses and definitely not most exciting, figures did teach skaters valuable lessons that the sometimes awkward and frantic footwork sequences and "transitions" of today do not seem to - things like holding edges, posture, concentration and improved general technique. While I personally agree with the decision to exclude compulsory figures from elite competition, one has to sometimes wonder what impact they would have made on today's world of figure skating?

The discouraging reality is this - today's skaters don't have time or "room" in their performances to hold edges, perform simplistic and beautiful footwork sequences, perform a nice delayed axel jump into a gorgeous layback spin or end their programs with stars into an Arabian, Russian split jumps and scratch spins. These elements, however beautiful or classic, do not earn the big points. I do think something is to be said for simplicity sometimes.

While I think today's crop of skaters could greatly benefit from exposure to figures and more traditional (and choreographically appropriate) figure skating elements in their programs, until the new system rewards quality over quantity, the days of watching skaters force their way through twizzles and three turns are far from over.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Interview With Allison Manley

Photograph of Allison Manley, figure skating influencer and host of the podcast The Manleywoman SkateCast

Allison Manley's Manleywoman Skatecast is one of the most popular skating podcasts going. If there's a skating star out there, she has interviewed them. I had the chance to turn the tables and interview the interviewer and find out what Allison had to say about her involvement in the sport, her favorite interviews and more!

Q: What would you change about the way skating is judged to improve it?

A: A few things, but one would be to allow for at least one spin that is just a beautiful spin, without having to hit a million positions to get points. I miss a good classic position.

Q: What skater or skaters have inspired you the most?

A: So many I can't list. But one who sticks out in my mind would surprise most people: Stephanie Rosenthal. I just LOVED that she could take her fairly-limited jumping ability and still wow the crowds at US Nationals in 2006 for both her short and long program with well-constructed programs using unusual music choices, and projecting sheer joy. It really showed me the power of making the most with what you have. So few skaters could have pulled off what she did. I watch her short program often.

Q: What is your personal background in the sport and what do you feel was your greatest moment or accomplishment in skating?

A: I started skating because I was born with a hip disorder, and the doctors told my parents to sign me up to some sport that would keep me active as I grew. They tried ballet, and I was a nightmare to the teachers apparently. So then someone said to my parents, "don't you know there's a world-class skating center just down the road from you? Some young hotshot named Scott Hamilton trains there." They signed me up for lessons soon after. I took a few years off in my twenties, but have been skating and competing as an adult for quite a while now. Greatest accomplishment? I'd have to say it's The Manleywoman Skatecast. I never imagined something I started as a hobby six years ago would have evolved as it has and allowed me to meet the people I've met. I got invited to Dick Button's house last year! What normal fan gets to do that unless they have won an Olympic medal or bought dinner with Dick at an auction? That certainly was one hell of a moment for me.

Q: Who has been the favorite skater you interviewed so far? The most difficult to interview?

A: I can't pick a favourite. There have been so many. Honestly, I'd say that I've loved pretty much every interview I've done for different reasons. There is one that I really didn't like, but I'll keep that one to myself.

Q: What would be your first order of business if you were in charge of the International Skating Union?

A: To put David Kirby in charge to replace me. I think the man is a genius. He knows skating inside and out at a cellular level: as a coach, as owner/manager of a rink, as a technical specialist, as an administrator, and as an implementer of new ideas (i.e.: SkateRadio). Plus he's charming and funny, good qualities to have as a leader. I think if Kirby had the reins, he'd know exactly what to do.

Q: What's one thing you love the most about being on the ice?

A: The freedom... freedom to work on myself, freedom of movement, and at times, freedom from reality!

Q: Who's the one skater you'd love to meet/interview but haven't yet?

A: Anyone who listens to my podcast knows I'm a huge Dick Button fan. He's the interview I most wish to have, since he IS skating history. He invented so many of the moves, was the first skating commentator... What a pioneer! As for one that I would have loved to have interviewed as well and will never be able to: Christopher Bowman. What an interview that would have been, to get an hour of him describing he perspective on the sport.

Visit Manleywoman SkateCast at http://www.manleywoman.com or follow along on Facebook and the Twitter at http://www.facebook.com/manleywoman.skatecast and http://twitter.com/MWskatecast.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

2001 Interviews With Annie Bellemare

Photo of Canadian figure skater Annie Bellemare

Back in the good old days of Tripod and Geocities, I briefly attempted hosting a website called Intensity on Ice which included a database of professional competition results, music and a few
great interviews with skaters active during that period. Below I have shared two of these 'lost' interviews with Canadian figure skating medallist Annie Bellemare!

INTERVIEW ONE

Q: Do you feel the pressure to make the world or Olympic team more now that you skated so strongly at Four Continents and Worlds? 

A: Not really. For sure I want to do well, and I want to make the world and Olympic team but its another goal, and I will do everything to make it happen. However, I know it's going to be tough because it's a lot of people's dream and goal and there only one spot.

Q: Describe your new programs to us. 

A: My short is "The Piano". I finally felt ready to skate to that music... it's a soft program. I really like it. My long is classical music but happier (I feel like its more me than last year because I think I'm an happy person). I really like both programs a lot and feel really comfortable doing them. For exhibition, I did not do it yet, so I guess it will be a surprise.

Q: How was your summer training? 

A: It was good: no injuries, lots of good training on and off ice. I worked a lot on the new programs and on triple Sal/triple loop (new combination actually in the long (not perfect yet but coming along pretty well). I also worked a lot on my layback so hopefully it's going to be better.

Q: What are your goals for the Grand Prix? 

A: Top five in both would be great... but my biggest goal is to skate real well in both competitions. I really want to become more consistent.



INTERVIEW TWO

Q: How did you feel about your performances and your spot qualifying for your first World Championships, held in your home country? 

A: I was really happy of my performances at Four Continents. I had great practices all week and felt really good. My short program was one of the best ones I ever did in competition and I was thrilled to do it clean (it's actually a great confidence booster for Worlds ). My long was so-so, but it was still the best of this year, and the fact that I tried everything and did not quit made me really happy. As for Worlds, I was really glad to make the team, for me it means so much. It's one dream that is coming true, and it could not feel better, especially since its in Canada.

Q: What is your game plan for Worlds? 

A: Well, right now, just to train hard; do more runthroughs (especially the long). With the foot injury it was hard to do a lot before Canadians, and now that I have more time I feel like I can be even more ready. Maybe also to work on a triple/triple or triple axel, but not to add in the programs; just to show it in practice but only if I have time.

Q: How is training coming? 

A: Training is going well. I'm training as hard as I can and taking one day at a time to be as ready as I can be.

Q: What are your goals for Four Continents (and tentatively, Worlds)? 

A: Four Continents : Have two good programs and get to go to Worlds, a top 10 finish at Worlds : Have a good skate and get top 15 and maybe top 10.

Q: What was/is your favorite program and why? 

A: I would say that I loved all my programs a lot, but I think one of my favourite one was "The Man In The Iron Mask". It just felt good and I guess it always brings me back to that first Canadian medal.

Q. Who are your skating idols? 

A: Kurt Browning for the skater he is... I think the best in the world. Elvis Stojko for his endurance and perseverance. I think he is one of the toughest out there!

Q: Tell me about your daily training, coaches, choreographers etc.? 

A: I train from about 11 am until 3 pm (sometimes more, sometimes less). I have about 45 minute lesson time with my coach (Stephane Yvars) every day and I work with Majoly off and on ice on my movements and feeling with the music. To do my programs, I go to Toronto off and on to work with Marijane Stong.

Q: What do you/don't you like about being a celebrity? 

A: Well , I don't think I'm a celebrity. Not yet... so I can't really tell you what I like or don't like.

Q: If you could skate to any one piece of music, what would it be? 

A: I think I always skate to music I like, but there is one I actually never skated to and I really like: the "Piano" soundtrack. It's really good. Maybe one day. Maybe a song from Tori Amos would be good.

Q: How long do you plan to compete as an amateur? Would you like to compete or skate professionally? 

A: I can't plan the future but if everything goes fine I would say until 2006 amateur, and maybe a couple of years professionally.

Q: Tell me about your day to day life, hobbies and friends.

A: I usually skate most of the time, and when I don't skate I work in a figure skating shop: it's actually my mom's figure skating boutique... and when I have some time off , I go out with my friends see a movie, have a good meal, or read a book alone.

Q: What's your favourite skating element? 

A: I really like skating around with every song that I like that makes me remember why I skate. I also like trying new jumps - it gets me really excited... but I think one of my favourite jumps is the triple lutz. I just love the feeling of nailing a great one...

Q: Any advice to your fans? 

A: Stay yourself, be who you are, do what you want to do, and have fun... I think if you do this, you will go through life a lot more easily.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

6.0: 6 Fabulous Skaters That You May Not Know About But Should

When it comes to good skating, there's a lot of it out there. Today's casual skating fan may only know the names like Patrick Chan and Joannie Rochette, but there are so many brilliant and unique skaters that have touched the sport over the year that you may not know about. They may not have won an Olympic medal, but they certainly have something damn fabulous going on!

SANDRA GARDE


I first discovered this wonderfully musical skater in 1995, in watching a grainy video of the 1995 Miko Masters competition held annually in France. She was skating to "Night On Bald Mountain" in a diabolical red bodysuit and had this enigmatic quality about her I couldn't quite put my finger on. Sandra finished as high as 4th at the World Junior Figure Skating Championships but never had great success internationally. Her artistic skills, however, were a cut above her jumping prowess and this really helped her blossom as a professional, where she won the Trophee Lalique professional competition in the mid 90's and toured extensively with Disney On Ice. It's a shame there isn't more video of her available on the YouTube because she has something really special going on.

DOUG MATTIS


A wonderfully creative skater with stage presence plus, Doug Mattis was a skater that really came into his own as a professional. I remember watching him skate (yet another program you can't find on the YouTube) to a medley of "Nightmare" by Brainbug and Depeche Mode at the 1997 U,S. Open and being just floored by his talent and the way he projected to the audience. Now a wonderful ambassador to the sport, he is heavily involved in the YAS project I mentioned in my first post and he's one bitchin guy!

SUSANNA RAHKAMO AND PETRI KOKKO


How these two never won an Olympic medal is beyond me. Two of the most outrageously creative and immensely talented ice dancers I've ever seen! They have interpreted pretty much every musical genre and type of dance out there with applomb and their original dance during the 1994/1995 season to "Borsalino" remains one of the best quicksteps the sport has seen. Their professional career included success in professional competition and even this Enigma music video. In short, totally underrated.

RORY FLACK


She's related to Roberta Flack, she lives in the state where you can see Russia from your house and she's one genius of a figure skater. She joins the ranks of Surya Bonaly, Lori Benton and Ashley Clark - a select few ladies skaters who perform the backflip and went from virtual anonymity to make a name for herself as a professional and dazzle audiences worldwide. Rory is a fine example of the underdog who made it and she has talent galore.

ANITA HARTSHORN AND FRANK SWEIDING


My favourite pairs team of all time! Need I say more? Working with the genius choreographer, the late Brian Wright, Anita and Frank created a whole portfolio of crowd pleasing and truly innovative programs. Always theatrical and thoroughly entertaining, if you haven't discovered Anita and Frank yet, you need to get on that girl.

MATT SAVOIE


If you could wave a magic wand and want to skate like any men's skater, it would be Matt Savoie. From the jumps to the spins to the nuances and edges, if anyone "wuzrobbed" in their skating career, it was this brilliant skater. A true shining light in his generation of skating!

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

The BIG Introduction

After months of procrastinating, I'm finally done doing it: sharing my unique perspective on the world of figure skating in blog form. What qualifies me to do this you ask? Well, for starters, I do enjoy a good bit of fun and I drink a little (which always livens things up). I have been following figure skating religiously since 1994, when the "whack heard around the world" brought the sport into the collective consciousness of people everywhere just in time for the Lillehammer Olympics.

Long before the internet was a 'big thing', I armed myself with a VCR and an immense love for the sport and absorbed as much skating as I possibly could. Fortunately, this came at a time when skating was at it's ultimate heyday. On a Saturday afternoon, you could count on a Grand Prix event on one channel, a professional competition on another and a cheesy made for TV special on a third channel. I never complained!

Somewhere in the middle of all this I started skating myself. I never quite achieved amazing success but I achieved the goals I wanted to as a skater starting way after most people do (I started skating in my teens). I won a handful of gold medals at local competitions and even took home the gold in Artistic skating at Nova Scotia Provincials in 2000. I also got certified as a skating judge with CFSA (now Skate Canada) and judged at many competitions here in Nova Scotia while I was still competing.

After moving on to other adventures in dance, writing, drag performance, spirituality and real life shortly thereafter, I no longer skate but I still have SO much intense passion for a sport that has given me hours upon hours (I don't even wanna count!) of enjoyment.

If you're looking for a blog analyzing skater's CoP, PCS, personal bests and personal blursts, you've come to the wrong place. I'm a firm believer that the new scoring system that came into play after the final judging scandal that broke the ISU's back in 2002 has sucked the creativity and originality out of the sport. That's not to say today's skaters aren't immensely talented, they are just having to serve cookie cutter realness and it's a damn shame. Sorry.

I'm a strong advocate of professional skating and am thrilled to see projects like YAS (Young Artists Showcase) going on that are encouraging a new generation of skaters to be original, interpret music and choreograph and construct brilliantly crafted pieces. If you look at some of the skaters and choreographers that have been involved in this, it's just incredible. Garrett Kling and Kate McSwain are two names that come to mind among many. That said, professional skating competitions and shows and NEED to make a comeback and this generation of skaters need to be educated about the Robin Cousins', John Curry's, Torvill and Dean's, Toller Cranston's, Duchesnay's and Janet Lynn's of the sport (I could name a million more... AND WILL).

At any rate, I hope you enjoy some of the postings I'll be making. I plan on talking about artistry, professional skating competitions, doing some interviews with skaters and members of the skating community and of course Brian Joubert's butt... because you know... it would be rude not to. You could eat off that. You really could girl.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.