Discover The History Of Figure Skating!

Learn all about the fascinating world of figure skating history with Skate Guard Blog. Explore a treasure trove of articles on the history of figure skating, highlighting Olympic Medallists, World and National Champions and dazzling competitions, shows and tours. Written by former skater and judge Ryan Stevens, Skate Guard Blog also offers intriguing insights into the evolution of the sport over the decades. Delve into Stevens' five books for even more riveting stories and information about the history of everyone's favourite winter Olympic sport.

Introducing... Fräulein Elsa Rendschmidt

Photo courtesy Sveriges Centralförening för Idrottens Främjande Archive

At times, life may have been anything but a cabaret for Germany's Elsa Rendschmidt, but somehow she made it through, making history more than once along the way. Elsa was born January 11, 1886, grew up in Berlin, Germany and learned to skate at the Berliner Schlittschuhclub alongside her talented brother Max. A contemporary and rival of Madge Syers in the early days of women competing at the World Figure Skating Championships, it's safe to say that in what was very much an 'old boys club', Elsa was a respected pioneer of women's figure skating in her own country. She trained alongside Werner Rittberger, the inventor of the loop jump. In a 2010 interview with HNA, her grandson Ulrich Sander recalled her as "a scary self confident woman" and it would have been that sense of determination that resulted in her breaking many gender barriers along the way and even winning prizes from the Russian Czar and Swedish royal family.

Elsa Rendschmidt posing with a skeleton racer in Schierke in 1911

At the first World Championships for women in Davos, Switzerland, Elsa finished fourth behind Syers and Jenny Herz of Austria, a Viennese student of Leopold Frey who represented Cottage Eislauf-Verein, and well-to-do Hungarian Lili Kronberger. Her participation marked the first appearance of a woman from Germany in a major international skating competition. She repeated that fourth place result in Vienna the following year at a competition (according to Madge Syers) "long remembered by those who took part in it owing to the suffering entailed on them by the intense cold which, accentuated by a bitter wind, was almost unbearable. Several times the benumbed skaters were forced to retire and restore the circulation to their hands and feet, and many of the competitors and judges were subsequently hors de combat as the result of this trying experience." Despite missing the podium on her first two tries, the unflappable Elsa soldiered on.

Scores from the 1908 Summer Olympics in London

Elsa's persistence was rewarded the following January when at age twenty two, she claimed the silver medal at the World Championships in Troppau behind Lili Kronberger. Her good fortune continued when on October 29, 1908 in London, she became the first German woman to win a medal at the Summer Olympic Games... in any sport. Commentary from "The Fourth Olympiad, the Official Report Of The Olympic Games 1908" by Theodore Andrea Cook noted that Elsa performed all six of her school figures quite well, with the exception of the third, the change loop, where she "missed several of the loops". She backed up her second place finish in the school figures with a second place free skate to win the silver. Cook expressed that "Fräulein Rendschmidt's skating was distinguished by a most engaging gaiety. She seemed quite at home on the ice, and danced through her programme in the happiest possible manner."


Elsa didn't challenge Lili Kronberger for the World title in 1909. Instead, she opted to participate in a separate senior women's competition at the same event, in which she finished second to Vienna's Jenny Herz. We can only speculate as to why Elsa made this decision, but it may have had something to do with the fact was Kronberger was competing at her home rink. However, that same winter Elsa won the Championships Of Berlin and the Nordic Games, defeating Zsófia Méray-Horváth and Elna Montgomery in the latter. The following February when the World Championships for women were held in her home city, she again won the silver behind Kronberger and in 1911, she made history in her final competition by becoming Germany's first women's champion in Olmütz.


Retiring from competition, Elsa headed to Switzerland and became a skating instructor in both St. Moritz and Davos. It was there she met her husband Siegfield 'Fritz' Sander, who ran his family's business in Hannover. In 1913, Elsa and Fritz married and three years later, they had their only child, son Günter, during the Great War. They divorced in 1929. Elsa joined the Nazi Party in 1932 and found work as a librarian. When the Olympics were held in Garmisch-Partenkirchen in 1936, she was seated at a table with Adolf Hitler himself.

Elsa Rendschmidt skating with Felix Lochner in St. Moritz in 1912

Records graciously provided by Horst Seferens at the Stiftung Brandenburgische Gedenkstätten in Oranienburg, Germany indicate that Elsa's Jewish ex-husband Fritz was first detained in the Sachsenhausen concentration camp in Oranienburg on April 12, 1941 for being a 'race-mixer'. He never saw Elsa or his son again, dying in the concentration camp's infirmary on August 6, 1941 from an embolism caused by decompensated heart failure as a result of pneumonia. His death is recorded both in the memorial book of the German Federal Archive and "The Book Of The Dead" of the Sachsenhausen Concentration Camp 1936-1945. He was prisoner number "37384".

After the War, Elsa moved to the small German village of Volpriehausen (now incorporated in the city of Uslar) and only spoke about her skating career, even to family, when pushed. She lived out her days in that small resort village before moving into a nursing home in Celle, Niedersachsen, Germany in 1969 and passing away October 9 of that year.

Left: Elsa Rendschmidt. Right: Elsa and Max Rendschmidt. Photo courtesy Sveriges Centralförening för Idrottens Främjande Archive.

Despite her pioneering accomplishments, despite her noted "scary self confidence", despite the fact that she "danced through her programme in the happiest possible manner", Elsa, the first great German queen of the ice, distanced herself from skating entirely.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Champions: A Love Story


"Skating is filled with stories that are very intense - the romances, the hatreds. I don't think that story's ever been told. Skating is a loose fraternity. They share something, the early morning practice, the rigorous training. It's like war veterans without the pall of death." - John Sacret Young, "The Eugene Register-Guard", January 13, 1979

Joy LeDuc and Jimmy McNichol

'Figure skater and hockey player team up and take on the world.' It was the plot of the highly popular 1992 film "The Cutting Edge", which spawned three forgettable sequels. It was also the basis of the hugely popular CBC reality series Battle Of The Blades and the short-lived professional career of Natalia Mishkutenok and Craig Shepherd. It was also the theme of a forgotten television movie from the late seventies: "Champions, A Love Story".


The film's writer-producer, John Sacret Young, didn't come from a figure skating background. Like the male lead in his film, he was initially a hockey player that "wouldn't be caught dead on figure skates." He drew his inspiration for the 'boy meets girl' skating flick after an encounter with the father of a figure skater who worked three jobs to keep his daughter in skating. Sadly, he also drew inspiration in his writing from the 1961 Sabena Crash and another plane crash that killed a young skater on his way to a regional competition. The film first aired on CBS in prime time on January 13, 1979.


The young stars of the film were Brantford born Joy LeDuc and Jimmy McNichol, the brother of Empty Nest star Kristy McNichol. The supporting cast included Tony Lo Bianco, Anne Schedden, Jennifer Warren, Shirley Knight and Richard Jaeckel. While LeDuc was a seasoned pro at sixteen - she toured with the Ice Follies in a family skating act - McNichol was an inexperienced skater who took to the ice every day for seven months to prepare for the role. In the January 13, 1979 interview with Jerry Buck, Young said McNichol was "a gifted natural athlete, but still an adolescent klutz."

The made for television film has been largely overlooked as it came out on the heels of the hugely popular "Ice Castles" film that was released only a year before. Although the story ended on a happy note, the fact that McNichol's character was killed off in a plane crash ultimately drew more attention to the Sabena Crash amongst general audiences who may have forgotten the tragedy. Nothing wrong with a little edutainment, especially if it relates to skating history.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html

SAISA Versus SASA: The Sixties South African Scandals

In 1960, four figure skaters from South Africa arrived in Squaw Valley, California, making history as the first athletes from their country to ever participate in the Winter Olympic Games. Sixteen year old Marion 'Penny' Sage and twelve year old Patricia Eastwood placed twenty third and twenty fifth in the women's event, each besting skaters from Australia. However, it was Marcelle 'Cookie' Matthews who captured the attention of the American press. At only eleven years of age, she was celebrated by reporters as the "youngest, smallest and cutest" athlete at the Games. Marcelle and twenty year old partner Gwyn Jones unfortunately placed dead last in the pairs competition, skating to strains of Verdi's "La Traviata". The South African team's results at the 1960 Winter Olympic Games may not have been extraordinary, but what the media didn't realize at the time was that the back story behind the South African team's participation in Squaw Valley was like something out of a soap opera.

Coach Penny Sage with her students in 1978. Photo courtesy Irvine Green, ISSA Skating News.

Before we get into all of that, a little context! The South African Ice Skating Association (SAISA) joined the ISU in 1938 and remained a member in good standing until 1953, rejoining after a brief lapse in 1955. Though South Africa was expelled by the International Olympic Committee in 1970 because of its policies and laws pertaining to apartheid and the inability of people of colour to obtain equal opportunities in sport, SAISA was never suspended from the ISU, though the topic was brought up at virtually every ISU Congress during the decades it was suspended by the IOC with the same result every time - the majority of members standing by an amendment to the ISU Constitution in 1965 with regard to "non-interference in sport on political grounds". But this was 1960 - long before that hullabaloo - and the scandals taking place internally in South African figure skating at the time were another matter entirely.

Marcelle Matthews and Gwyn Jones

NSA historian Dennis Bird, under his pen name John Noel, wrote an article that appeared in "Skating World" magazine regarding the trials and tribulations of young Marcelle Matthews in her quest to represent South Africa at the 1960 Winter Olympic Games. It painted a negative view of SAISA, and in response the organization's President - one Mr. Gargett - wrote to "Skating World" defending SAISA's behaviour. He stated, "The Association can, without fear of retribution, say its behaviour throughout has been perfectly correct." Had it though? In a large tea chest of Dennis Bird's papers, BIS Historian Elaine Hooper discovered a typewritten letter penned on October 24, 1960. It was written by Armand Perren, who was coaching at the Olympia rink in Johannesburg at the time.

ARMAND PERREN'S LETTER

"At the last National Championship, held in Sept. [1959], competitors had to state whether they wanted to be considered for selection for a team to be sent to the Olympic Games.

The reigning Men's Figure and Pairs Champion for the previous two years, Lennie Mills, duly filled in such a form.

On the day of the Championship, after again retaining both titles, the boy split the partnership with Miss Marcelle Matthews, both being pupils of mine. The parents of Marcelle and the President of the Association were notified of the decision the following day, by myself in front of witnesses, of the dissolution of the pair.

Mr. Gargett, President of the Assoc., was very disturbed about the dissolution, and he informed me that the entire idea of an Olympic team had to be sold to the Olympics Council on these two little skaters, who might make an impression at the Games. He then asked me what could be done, and whether I had any suggestions to make.

Brian and Glenda O'Shea, winners of the junior pairs and Waltz events at the 1958 Natal Championships at the Durban Icedrome

At this request, I proposed to Mr. Gargett that an attempt be made to pair (if we could get the parents to consent) the little girl from the second pair, who were a brother and sister pair from Durban, Glenda O'Shea, who in my opinion was a far superior skater to Marcelle Matthews, with Lennie Mills.

After some difficulty I persuaded the parents to pair the two children, and Mr. Gargett then asked me when the new pair could be seen. Three senior judges were duly sent down a week later to view the pair. I was informed by the Chairman of the Judges Panel (one of the three judges present - Mr. C. West) to carry on with the training, and that I would be informed of the Council's decision.

To our surprise, five weeks later, we read in the daily paper that a team had been selected, nominating Lennie Mills with his old partner Marcelle Matthews for the Olympics. How this could occur some six weeks after the pair ceased to exist surprised all of us here in S.A.

Lennie's parents, on the day of the publication of the team, phoned Mr. Gargett for an explanation as to how the Assoc. could do such a thing, and was informed by Mr. Gargett that it was a Council decision, and that if the boy did not skate wth Marcelle, he would be dropped from the team. The boy was also nominated originally as the Men's representative.

Mrs. Mills reported this to myself and the owner of the rink Mr. D. Sacks, who asked for an interview with Mr. Gargett. At this interview, Mr. Gargett, in front of three witnesses informed Mr. Sacks and myself that pressure had been brought on the Association by Mr. I.G. Emmery, Secretary of the S.A.. Olympics Council for the selection of the team.

Mr. D. Sacks in turn met Mr. Emmery at a Race Meeting and on enquiring how the selection had been made, was informed by Mr. I. Emmery that four names had been forwarded by the Association to the Olympics Council, who were not very well informed about skating affairs, and subsequently the names were accepted.

Note: - At this stage it appeared to us that the Olympics Council had not been informed of the dissolution of the pair, for fear that the Olympics Council may drop the idea of the team which Mr. Colin Ford, an NSA Gold Medallist, and myself, considered unfit at the time, to go to an Olympic event.

Mr. D. Sacks again requested Mr. Gargett to interview him, which Mr. Gargett duly did and arrived with Mr. C. West (Vice-President) and when taxed with his previous statements concerning Mr. Emmery, flatly denied having made any such statements at any time, or to anyone. As these statements had been made before witnesses, and a grave injustice had been done to the boy, Mr. Sacks with his Directors decided to bar the Executive Of The Association, namely, Mr. S. Gargett (President), Mr. C. West (Vice-President), Mrs. B. Ryan (Secretary), until they rectify this injustice.

Neither Mr. Sacks, his Directors, or myself, at any time made any attempt to put pressure on Mr. Gargett to nominate any candidate to the Olympic Team, but he went so far as to offer to pay all expenses for a second pair, or for the boy (which could have been done, as nominations for the Olympics had at the time not yet been closed), to overcome the difficulty of the selection of Marcelle, which Mr. Gargett claimed was a moral obligation, since she had skated with Lennie in two consecutive Championships.

This proposal was ignored and the boy was eliminated.

Mr. Gargett then brought pressure to bear on Mrs. Mills with certain threats concerning the boy's amateur status, and that he may never be able to compete in any event internationally. To this Mrs. Mills replied that if that was the price of the Olympics, she would prefer the happiness of the child rather than be dictated to as to whom he must skate with or not.

My prediction of the fitness of the team was shown in the results of the Olympics, the standard of which I most certainly am aware.

Lennie and Glenda kept on with serious training, and improved so tremendously that I decided to enter them for the British Junior Championships.

We approached the Secretary of the Assoc., Mrs. B. Ryan, for an amateur clearance for the two children to enable them to enter, which was all that was required by the NSA. We were informed by the Sect. that she could not comply with this request as the President was on holiday and the Vice-President was on his way to the Olympics.

As time for nomination for the British Junior was running short we made application to the Durban Branch of the SAISA, of which Glenda O'Shea was a member, being a Durban child, for an amateur clearance stating all details of expenses and stating that Mr. Sacks had offered to pay the air-fare of the children to London. This clearance was sent to the rink here, together with a letter of thanks to Mr. Sacks, by the Durban Branch of the Assoc.

On the strength of this the NSA accepted the children as members of the NSA and entered them for the Junior Championship, but requested us to obtain a further clearance from the Johannesburg branch, who were in closer contact with the children where they were training under me.

The parents experienced great difficulty in obtaining this clearance from Mr. Gargett, and finally appealed to their Solicitor, one Mr. Sanderson (who incidentally is the President of the S.A. Rugby-Football Union) to obtain this clearance. Mr. Gargett then received two letters, one by hand, requesting the clearance, and giving full details of all expenses, and stating that the fares were being paid by Mr. Sacks. Thereupon, Mr. Gargett, after refusing to give a copy of a clearance, either to the Solicitor or to the parents, sent such a clearance to the NSA. The NSA by this time [had] also been informed in writing, the full details of expenses and the manner in which the fares were being paid, by myself.

In due course the children and I left for London, where a week before the Championship (9th April) a letter arrived at the offices of the NSA requesting information, in the form of an enquiry:

Q. Who authorized the children to appear, or to have films taken for a newsreel?

The questions were answered to the NS, who were fully of same already, so were satisfied.

The question of the newsreel was answered that, no-one may request or authorize the taking of a newsreel film, and that there is no rule in either the NSA or the SAISA Constitution, forbidding or requiring a permit for such films.

On the evening of the Championships I was informed by the NSA that a cable had been received from the SAISA, requesting the withdrawal of the children from the Championships, as their amateur status had been withdrawn by the SAISA due to a breach of SAISA rules.

At such short notice the NSA, not knowing the rules of the SAISA, were not in a position, nor did they have the time, to query this request, and so had no alternative but to withdraw the children.

On the return to S.A. by the children, Mr. Sanderson, their Solicitor, who has power of attorney for the children, wrote to the Assoc. requesting the grounds of the suspension, and which rules had been broken. He also requested immediate reinstatement. To these requests he received no reply whatosever.

A few weeks later Mr. Gargett communicated with the parents and asked them to attend an enquiry. To which the parents replied that they would be willing to attended such an enquiry, if they were permitted legal representation, which request was flatly refused by Mr. Gargett, who claimed that they had no right to such representation whatsoever. (There is no rule in the Constititution of this Assoc., concerning such representation at all.)

The children's Attorney then advised them not to attend any enquiry, but to refer the Assoc. direct to him should the Assoc. try to communicate with them.

In the meantime Glenda O'Shea, while still under suspension, was permitted to compete in a Championship held in Durban, under the control of the SAISA, with official judges from Johannesburg.

Shortly after this a newsletter was published by the Assoc. to all members, stating that the suspension of Lennie Mills and Glenda O'Shea from 19/7/1960 was due to their not attending an enquiry, and that they would remain so until such time as they attend such an enquiry. (Since they had been suspended on 9/4/60, what happened to the time between that date and the new date (19/7/60)?

To date, neither the Durban Branch, the Children's Attorney, their parents, or myself, have, after seven months, been informed of which rules the children are accused of breaking, or what the suspension was in aid of.

The only two skaters from the Olympics who were barred from the rink was the pair (Marcelle Matthews and Gwyn Jones). The reason for this was during December the rink organized a carnival in aid of the Rand Daily Mail Children's Xmas Fund (a charitable organization of this newspaper) and amateurs were asked to give exhibitions, the Olympic team included, of which two members agreed and were given the necessary permission by the Assoc., while the Pair (Matthews and Jones) refused saying that they had been forbidden by the Assoc., and the Olympics Council to skate for the rink. To which Mr. Sacks and his Directors replied that if they could not skate for a needy Charity, when their own trip to America was being paid out of public funds, they should do their training elsewhere.

For the last 13 months the Johannesburg skaters have been unable to take tests, although there have been many ready, from prelim to Gold (inclusive). They have missed two Transvaal Championships and one National Championship, which was to be held in Durban this year. The reason being that the Johannesburg branch cannot operate in any of the two rinks in S.A. as facilities to conduct any events had not been made available in Durban either. The Vice-Chairman, Mr. C. West, had also been barred from the Durban rink. The Assoc. is therefore unable to function in any form of ice skating events."

This was all as a result of the Annual General Meeting held in June this year, on a Wednesday, after repeated requests by the Durban members to hold this meeting on a Sunday to enable them to attend and vote had been refused by Mr. Gargett. He and Mr. West without the knowledge of any of the other members had collected some 40 or 50 roller skaters from another town 36 odd miles away, to ensure their re-election. Some members of long standing experienced great difficulty in entering the hall where the meeting was being held, and members of the Speed section who had taken part in the last National Championships of the Assoc., were refused admission altogether. (Durban is over 400 miles from Johannesburg, hence the request to hold the meeting on a Sunday.)

On my return from America at the beginning of this month, where I had been invited to appear on the television programme "This is your life", which was in honour of an old pupil of mine Hans Mauch (known to you as Frack, of Frick and Frack), and where I was reacquainted with Dr. J. Koch, President of the ISU, who I had not seen for many years, I found that the active skaters, parents and all competitive skaters had resigned from this Assoc., leaving them virtually with only a few roller skaters to govern.

The only members to my knowledge who have not resigned are the remaining seven Council members, four members of the Judges Panel, and two skaters (Matthews and Jones) and the roller skaters from Pretoria. Three Council members resigned on hearing the proposal of suspending the children, some time before the British Junior Championships.

On the night of the 23/10/60, a meeting of all active ice skaters took place at the Olympia Ice Rink, and a new Association, with a foundation membership of 150 was formed, at the time of writing this letter the membership was steadily growing. I am informed that no time during the past ten years, did the membership of the Assoc. exceed 100. The name of the new Assoc. is the National Ice Skating Association of South Africa.

Although the Committee who are still hanging on are still affiliated to the ISU, the new Assoc., with the Durban branch, have made application to the ISU, who are conducting an enquiry into the affairs of the SAISA, at the moment, for affiliation.

Now that you have a complete picture of the conditions over here, and can form an opinion, I would be very much obliged to you if you would publish this letter. You may reword it in any way you please, and can sign my name to to it, as I can furnish witnesses proof to substantiate my statements at any time.

Hoping that you are well,

I remain,

Armand Perren

P.S. - The children's Solicitor has in his possession, sworn statements by members of the Assoc. that the Secretary of the Assoc. had declared, as early as December 1959, that the Assoc. would always find a means to stop Lennie from competing in any event internationally. A copy of this letter has been sent to Dr. J. Koch of the ISU."

In 1961, as a result of the ISU's investigation, SAISA was 'dropped' as South Africa's governing body for figure skating and replaced briefly by the breakaway SASA - the South African Skating Association. SAISA was reinstated in 1967, with C.G. West as President.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

From Jumps To Jell-O: The Mia Macklin Story

Bassano and Vandyk Studios photograph. Courtesy National Portrait Gallery.

The daughter of Noel and Leslie (Cordery) Macklin, Mia Leslie Macklin was born October 28, 1920 in the town of Chertsey in Surrey, England. Her father was a well-known automobile and boat manufacturer; her mother a Monte Carlo socialite. Mia, her brother Lance and sister Nada were raised with silver spoons in their mouths. They grew up at Fairmile, their family's sprawling estate in Cobham, with the girls attending the prestigious Heathfield School in Berkshire. As a girl, Mia learned to skate at the private Park Lane rink at Grosvenor House.

Something of a child prodigy by the standard of the time, by the age of twelve Mia had already appeared in three short "Sunday Express" series films called "Stars Of Destiny". Like Cecilia Colledge and Megan Taylor, the pair of twelve year olds who had captured the attention of the press at the 1932 Winter Olympic Games in Lake Placid, Mia Macklin was for a brief period in the early thirties something of a skating sensation in the eyes of British reporters.


Though she finished off the podium at the British Championships that served as a selection event for the 1936 Winter Olympics in Garmisch-Partenkirchen, Mia was one of five British skaters who competed in the women's event at that year's European Championships in Berlin. Though the talented fourteen year old found herself in the top ten after the school figures, a disappointing free skate dropped her down to eleventh. She fared much better as one of seven British women at the 1936 World Championships in Paris, where her strong figures helped her place eighth overall... ahead of Etsuko Inada, Yvonne de Ligne, Jacqueline Vaudecrane and several other very talented skaters. The February 24, 1936 issue of "The Scotsman" noted that she was "very graceful, but nearly fell in the middle of one of her Axel Paulsens." The following month, she returned to the British Championships, but finished off the podium, well behind Cecilia Colledge, Mollie Phillips and Belita Jepson-Turner. She did however manage to defeat several more talented skaters of that era at those Championships, including Pamela Prior, Daphne Walker, Gladys Jagger and Pamela Stephany. That event marked the end to a very short figure skating career.


Mia's life after her stint as a child skating prodigy was thoroughly fascinating. As a teenager, she was presented to the Court Of St. James and married off to Peter Rowland Hodge of the Royal Artillery, the son of Sir Rowland Frederick William Hodge, the famous and controversial Northumberald shipping magnate. She won the European water-skiing championship in France and during World War II, drove a blitz buggy, served as an A.R.P. warden in England and as a dispatch worker for the U.S. Air Force. Her father's company provided the Royal Navy with motor, gun and torpedo boats.

Mia Macklin posed with her blitz buggy and a bevy of American mechanics 

Mia divorced Peter in 1945 and moved to America with aspirations of achieving the same fame in pictures that other skaters like Sonja Henie, Belita and Věra Hrubá were enjoying at the time. Though she did manage to briefly snag a contract with Twentieth Century-Fox, the extent of her 'acting career' was an appearance as a harem girl in the 1946 film "Anna and the King of Siam".


John Vietor, Jr. and Mia Macklin

Mia  gave up quickly on her silver screen aspirations in February 1946, when she married Eleanor Woodward Vietor's son at the St. Regis Hotel in New York City. John 'Jack' Adolf Vietor Jr.  was a bomber pilot and World War II P.O.W. who was the heir to his mother's seven million dollar Jell-O fortune. The wedding was a swanky, high society affair; Mia was given away by 'Prince' Vladimir Sergeyevich Rashevskiy, a renowned Russian race car driver who lived in Paris. Hedda Hopper made a point of noting that she had only been divorced for six months.

A day before her birthday in 1951, Mia became a naturalized U.S. citizen. She settled with her husband in a mansion on the water in La Jolla, California. John Vietor rubbed shoulders with JFK and drank with Errol Flynn and Theodore Geisel, better known as Dr. Suess. Mia appeared on the cover of Neil Morgan's 1951 book "My San Diego" and a series of portraits she posed for appeared in Great Britain's National Portrait Gallery. In December 1952, she was pictured in "National Geographic" on water skis (a la Belita) in a feature on La Jolla. The couple had a son and daughter named Mielle and Noel but divorced in 1953. John Vietor remarried to Lita di Grazia, the sister of a tequila importer, and died of a heart attack aboard a cruise ship at the Xingang Port in Tianjin, China in November 1982. Mia moved to Beverly Hills with her share of the Jell-O pie. She died September 25, 2002 at the age of eighty-one in West Hollywood... her brief stint as a child skating star all but forgotten.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

#Unearthed: An Evening On Dutch Skates

When you dig through skating history, you never know what you will unearth. In the spirit of cataloguing fascinating tales from skating history, #Unearthed is a once a month 'special occasion' on Skate Guard where fascinating writings by others that are of interest to skating history buffs are excavated, dusted off and shared for your reading pleasure. From forgotten fiction to long lost interviews to tales that have never been shared publicly, each #Unearthed is a fascinating journey through time. Today's gem, entitled "An Evening On Dutch Skates", originally appeared in "The Badminton Magazine Of Sports And Pastimes" in 1898. It was written by Ethel Brilliana Tweedie, a prolific British travel writer and historian.

"AN EVENING ON DUTCH SKATES" (ETHEL BRILLIANA TWEEDIE)

In the cities of Holland more people probably skate at night than during the day. This, of course, does not apply to country districts where frozen canals form the chief highways through the skating months, and where the people naturally convey their goods to the nearest market while daylight lasts.

In the towns this is different; night skating is for pleasure and not for business. Thousands of young folk who are employed all day in shops, warehouses, post-offices, etc.: free in the evening to enjoy themselves to the best of their ability; to take as much exercise as they can, accompanied by amusement; and therefore it is that after eight o'clock the frozen waterways are a teeming mass of human life. They become, in fact, one huge fair. Chattering men and joyous maidens, elderly fathers and fat, round mothers, small children who for the nonce are allowed to stay out of bed, all wend their way, skates in hand, to the canals and enjoy an hour or two of healthful exercise in the dim light of evening before returning home for the night.

The scenes are gay and animated, and most marvellously picturesque. Here and there a booth has been erected whereat tea or steaming potatoes and sausages are sold, or a 'kop' of coffee, thoroughly stewed, as all Dutch coffee is, temptingly invites the passer-by to partake of light refreshment. This booth is lighted by various blazing beacons placed in those iron stands which we in this country politely designate 'devils.' The booth itself is often a very primitive structure, made with four poles thrust into the ice, covered with brown canvas, and adorned perhaps by a little paling, so that it looks more like a gipsy's tent than an ordinary booth at a fair. The table inside is very unpretentious; but the planks on trestles serve the purpose of holding the boiling urns and the cups and saucers. A few chairs placed round the fire give a cosy look to the interior ; and as the skater flits past, the effect of light and warmth, merriment and joy, emitted from the tiny shed is very pleasant - the lurid glare from the blazing fire casting a rosy hue on the occupants whose forms throw quaint shadows on the canvas walls.

Here and there at intervals along the ice other fires are kindled, not so much for warmth, perhaps, as to shed a shimmering glow of light upon the frozen surface; for so many skaters flying hither and thither in darkness, at the terrific speed they practise in Holland, would be very dangerous but for these flaring beacons.

The charm of Rotterdam is not its museums or its pictures, but its waterways, its queer corners and endless bridges. Leaving the hotel on the quay, designated by the awful name of Do Boompjes, which literally means trees - for there are some small specimens planted along its edge in the form of an avenue - we sally forth to skate. It is a strange thing to find the best hotel of the town standing on a quay, literally in the midst of the docks, before which steamers of all kinds are held fast in the ice, while on the embankment are piled up cases of goods, with here and there enormous cranes such as denote shipping life. Yet this is the most fashionable part of Rotterdam. There are some fine private houses on De Boompjes besides hotels, and it is altogether the aristocratic as well as business quarter of a town where it is the custom for families to live over the office.

Standing at sunset on the main bridge spanning the Rhine, and seeing the busy quay with miles and miles of shipping enveloped in the rosy hues of evening, reminds one vividly of a Turner picture. There is that rich warmth of colouring, that wonderful clearness of detail mixed with those hazy effects, so characteristic of Turner in his early days. Indeed, on a fine sunset night no scene could possibly be more beautiful than that spread before the visitor who stands on the bridges of Rotterdam. Big ships can go up the canals leading from the main waterway; two or three times a day the bridges divide in the middle and are drawn straight up into the air by chains, while a little procession of
vessels passes through. All the traffic of the town is stopped for the time, but even commercial people in Holland do not hurry themselves : they have that slow, solid determination and that not easily disturbed temperament of the hardy Norsemen, which nothing excites. As we pass on to the skating ground we watch the train running along the whole length of the town overhead, as it does in New York, and under part of a bridge of this mounted railway we get a peep at the market. The Groote
Market, the enormous cheese market with its terrible and awful smells, and the hall where fish is sold, are worth a visit; they are intensely Dutch, these fat women in short skirts made so full at the waist that the wearers appear broader than need be, while the pretty muslin caps studded with golden pins seem the very essence of a living Dutch doll. All these kindly, round-faced folk are, alas no better looking than they were in the days of Gerard Dow, Van Ostade, Teniers, etc. Strangely enough, in all the pictures of that time the Dutch women, even when out of doors, generally appeared gowned in low dresses!

The fish at the market are complacently swimming about alive in huge tanks placed in rows, our idea of dead fish shops being considered by the thrifty Dutchman simply ridiculous.

We had arranged to skate from Rotterdam to Gouda; but before doing so we decided to have a trial trip with Dutch skates on the canals of the town. It is a delightful journey from Rotter-dam to Gouda, and from Gouda to Amsterdam. Leaving Rotterdam one skates over the ice through the Hague, Leiden, Haarlem, to Amsterdam; or from Leiden to Utrecht by the Rhine. Man proposes, God disposes/ however ; and although we arranged our plans and made everything ready to skate to Amsterdam the thaw came, and that particular expedition was frustrated.

For any length of journey, it is absolutely necessary to use Dutch skates. These are from sixteen to twenty inches long, and the turn-up of the toe allows the blade to skid over the ice, instead of hitting it. These Dutch skates are made of wood and are very shallow, the feet being raised little more than an inch from the ice. The funny part of them is they are not secured to the boot at all, but are merely attached by cord, which stretches from the heelstrap across the foot, and is tied in a big bow over the toe. The cords are generally bright yellow, and give a fantastic appearance to the foot-gear. The reason for wearing things so easily adjusted is to be found in the fact that when skating great distances one often has to cross a tract of land or walk along a bit of road, when it becomes necessary to stoop down, untie the bow, and, skates in hand, trudge along to the next piece of ice. Therefore in the country one often sees the market folk bend down, untie their cord, kick off their skates, and march along for five or ten minutes till they reach the canal they want, when they slip their feet back into position and in a moment are skating away again. When it is a matter of merely crossing a road or walking a short distance, they do not take off their skates at all.


This, to a figure skater, must sound dreadful and most disrespectful to the art, because sharp blades are absolutely essential to his- performance ; but the reader must remember that figure skating is almost unknown in Holland, where, as in Norway and Russia, long-distance skating is the rule, and speed the end to be attained. This arises from the fact that in these countries they have such severe and continued frosts that the whole country is often icebound; consequently such a thing as swept
ice is almost impossible, and the large tracts of frozen waterways become very rough by reason of the wind, which blows the newly formed ice into little ridges, and the snow which collects upon its surface into small hummocks. It is because of this roughness on the surface of the ice that these long bladed skates are necessary, for they will carry the wearer over anything, cracks included.

Having reached the canal we stepped down a wooden plank on to the ice, where a friendly Dutchman fixed our skates. Fixed? Loosely bound them on would be a more appropriate expression; but as he assured us that was quite enough we proceeded on our way. It is very easy indeed to skate on Dutch blades, and we sped quite happily. What a delightful scene met our eyes! The funny old flat-bottomed barges frozen to the sides of the canal, the gay coloured articles of washing hanging out to dry in the
frosty night air, the old women with baskets of bright-skinned oranges, and those delicious shades of red and brown that seem to pervade everything in Holland.

Small boys were running races, for someone on the bridge was throwing pennies for them to scramble for, and a tremendous scuffle was going on, in spite of the lads being on skates instead of
their own feet. We almost wondered that the turn-up toes of the skates did not upset them; but they seemed to take to the blade as the duck takes to water, and they yelled and shrieked and laughed and made merry and tumbled about in a regular football scrimmage, and picked themselves up again, the victorious one speeding away with his coin while all the other shrieking young rascals followed behind. What a helter-skelter crowd it was! No one seemed to tumble down, partly from the fact that the Dutch learn to go on blades when they are babies. The only danger appeared to lie in the extraordinary fashion in which people skate. Form, such as we know it, is an unheard-of art, as
everyone tries to tear along as quickly as he or she possibly can, their arms going like windmills. It is not a graceful style of performance, but it serves the purpose, and the ice on which they skate practically prohibits outside edge and suchlike artistic performances. We were quite alarmed by some of the gymnastic feats of the youngsters, and, after a sudden and unexpected blow from a whirling arm, panting and gasping we hired a chair, and sat down free from the hustling of the seething crowd, in order quietly to regain our breath, and quietly contemplate the passers-by. That they enjoyed themselves there is no doubt, for never did youth seem more gay.


Suddenly, from under the bridge in the dim light, we saw a long, black, dark, moving mass emerge: it might be a walrus or a whale ; it might be the great sea serpent itself, as it swayed from side to side, skidding over the ice at frantic speed. It was only a party of students out on a little pleasure tour. Among them they had a long skating pole, and having singled out the best performer, and put him in front, all his companions held on to the pole, one behind the other, until the whole dozen were
arranged like onions on a stick, when away they wildly flew, their feet moving in unison as the great black mass tore from canal to canal, or rushed madly under and out of bridges. We learnt that this peculiar style of entertainment had arisen in consequence of the frequency of east winds in the Netherlands in winter. Had all those people been skating abreast each would have had to contend with the blast. As matters were, the first one only had to withstand the piercing wind, the others sheltering behind him and each other. As the lead is, therefore, more anxious and tiring, members composing the party change now and again, the one who was formerly in front being put for a change behind.

The excitement was infectious, and we felt we should like to follow this queer crowd. So up we got and started behind them; but they soon distanced us, for, not being particularly good skaters at any time, the novelty of Dutch blades made us somewhat less proficient than usual, and, in a few moments, the pole and its adherents were far, far away. Ah! What was that noise? Music? Yes, undoubtedly music, and in the starlight - for the stars were now shining brightly - we could see a whole party dancing round a fiery beacon. An old fiddler was playing a tune, and the young folk
were having no end of a time dancing in their skates. Uncommonly well they did it, too, finally going through a kind of quadrille to the bowing of the one-eyed old musician. The music seemed to
cause much excitement, and for a while the fun became fast and furious. Even a very stout old Dutchwoman, with a basket over her arm, joined the crowd, and, having looked on for a while, she could apparently stand the temptation no longer, for she bounced off into the midst of the dancing throng, where, alone with her basket, she performed queer antics in the middle. She was so tremendously stout, her face was so round and bonny, and her enjoyment so keen, that everyone laughed and applauded her movements. The old lady seemed much gratified; and the more the onlookers laughed, the more she danced on her skates, and the more hilarious she became. But presumably her feet must have slipped, whether on an odd piece of orange peel or a cabbage leaf history relates not - the dear old lady came down bump, and, in her endeavour to save her somewhat unwieldy form, her basket slipped from her arms. Shrieks of laughter resounded across the ice, as the poor old woman sat, the very picture of surprised misery, surrounded, and more or less smothered, by broken eggs ! Great was the fall of the mighty. She who a moment before had been exultantly joyful was now sitting an egg-besmeared and bespattered mess, while little boys were running off with her pats of butter or wickedly playing ball with them. The good body was in a sorry plight ; but, after the
first bursts of amusement on the part of the bystanders, they were very kind to the old soul - picked her up, put her on her feet again, and did what they could to restore the shattered fragments to her market basket.


It was certainly a quaint evening's entertainment for us, as well as a cheap one. Beyond paying twopence to have our skates put on, it had cost us nothing. Occasionally we came across parents trundling in front of them box-like perambulators containing little rolled up bundles of humanity; or sometimes we saw a baby, enveloped in a woollen hood, sitting in a common wooden box, attached to a string, and dragged along by a young brother or sister.

Judging by the old Dutch pictures, the ladies in former times used to be rolled over the ice in a sort of armchair sledge by the men, but only once did we see one of these old-world sledges in use, and then it was being propelled by a gorgeous man-servant. The lady looked very warm and comfortable in
her furs, her knees enveloped in an enormous bearskin rug, and the servant was pushing her along in a most marvellous fashion, keeping her perfectly straight, although one would naturally suppose that the chair would wobble from side to side in unison with his legs. Not so, however; the Dutch know
how to push their burden in front of them, and it is wonderful to see the little sledge, laden with milk cans, carcasses of meat, tubs of flour, or the hundred and one things used in commerce, propelled perfectly evenly over miles and miles of frozen waterways, dammed up by those wondrous dykes, many of which were made three hundred years ago. These dykes are peculiar to Holland, for they are merely sand piled up against a well-driven wooden paling over which a rough sort of grass is grown - a kind of bent, in fact, such as one finds by the sea shore in Scotland, which the Highlanders plait into mats and baskets.

Holland is all sand, or the poorest of land; but the Dutch are such thrifty, practical, hard-working people that they have redeemed the sea and dyked it up, and by some wonderful process turned vast districts into fair pasture. So painstaking, indeed, have they been, that towns like Monnikendam and
Edam are absolutely built on shifting sand, as is very evident from the leaning appearance of many of the houses. Indeed, whole streets possess rows of houses out of the perpendicular, and props from the ground to the house wall are quite common. To a stranger the sight is alarming, for the angle is sometimes as great as that of the famous tower at Pisa, which makes one giddy to look at; but the Dutch do not mind, and dwell in slanting homes as happily and contentedly as we do in our straight ones.

Iceboat sailing and skating are the two amusements which rouse a Dutchman to the greatest enthusiasm, but while money is required for the first, one and all can enjoy the second - and they certainly manage to do so.

There is no doubt about it that a very indifferent skater may have a good time in Holland when the canals are frozen; for once there comes a frost, the ice generally lasts for some weeks, and, provided the east wind is not too strong, Holland may then practically be traversed from end to end on skates.

It is not necessary to be a grand performer on blades, to be able to cut figures or do outside or inside edges, for such things are not required ; and, indeed, many persons who find skating extremely tiring in this country, from the weight and height of the usual English skates, can without fatigue do
double and treble the distance on the long, low Dutch blades.

Travelling in Holland is not expensive; in fact, in some of the out-of-the-way places, and especially in Friesland, it is cheap. But there is one drawback to seeing the country by this means: this is that not a single soul outside of the towns can understand anything but Dutch, and the natives do not show great adaptability at jumping at conclusions or comprehending the gesticulations of the unhappy traveller.
With a good map much may be done, and, indeed, the entire route planned before leaving the chief hotels. Still it is worth mentioning the fact that some difficulty may be encountered in connection with the language; for several times, even in our small way, we came across instances of dense stupidity on the part of the natives. At least, we thought so - perhaps it was our own dullness and inability to make ourselves understood.

One lad, more enterprising than the rest, replied to some inquiry, 'Oui, Madame,' whereupon we repeated the question in French, when he again answered ' Oui, Madame.' This was so satisfactory that we asked for further information. ' Oui, Madame,' replied the grinning lad. His manner was a little exasperating, but we still persevered. ' Oui, Madame,' he persisted. The little wretch had not understood another word. ' Oui, Madame ' was all he knew in any language but his own !

In little out-of-the-way hostelries in the smaller villages there is one great recommendation, and that is their wonderful cleanliness. The Dutch are a nation of washers! They are always scrubbing or cleaning something; and even in quite little inns clean rooms and spotless beds are always to be found, so that many might do worse than pack up their traps, and be off to Holland with the beginning of the frost; for they will probably have a good time, see much that is interesting, and thoroughly enjoy themselves at a small cost.

We had skated miles. It was almost midnight ; people were dropping off one by one to their homes, and we felt thoroughly tired, so, leaving the ice, we sought a cab to convey us back to De Boompjes. The horses' ears were enveloped in little bags, for it is a common idea in Holland that they easily become frostbitten ; probably only an idea, as in many colder countries they do not cover up these organs at all, and yet the horses do not lose them, possibly because they have sufficient instinct to move them constantly, and so keep up the circulation...

Almost every house we passed as we drove borne had looking glasses at the sides of the windows to enable the inhabitant see who was passing along the street. Does this imply that Dutch are a very curious people, or that their lives are so as to make them herald any little excitement with joy ?

The thaw began that night, and a couple of days later the ice was very much cracked and covered with water. Luckily we had no spills, which would have meant a veritable bath.

Day and night the ice of Holland is quite gay with skaters. Everyone seems good-tempered and jolly, and bent on enjoying him or her self; and even the old people skate with the assurance acquired by practice. But a thoroughly graceful skater is a rarity. Style apparently counts for nothing against speed - the swinging arm and well-kicked-out leg are considered correct form... If they arc not graceful skaters, they are very practical, and they take advantage of the ice to pay visits to distant friends, or to convey their goods long journeys. Ice, indeed, is a vast boon to the people of Holland, who are
not slow to take advantage of its advent, and make every possible use of it, both for business and pleasure, as long as it lasts.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

The Hub Trio: Acro-Ice Pioneers From New Hampshire

The Hub Trio. Photo courtesy Mary Anna Paquette.

From 1916 to 1918, three young men were born in Manchester, New Hampshire who would go on to greatness. Leonard 'Len' and Kenneth Mullen were born in 1916 and 1918 - just two of the seven mouths that James and Sarah (Keough) Mullen had to worry about feeding on the modest wages of a loom fixer at a cotton mill. Edmond 'Eddie' Raiche, the youngest son of Amedee and Angeline Raiche, was born in 1917. His background was equally modest - selling wood and coal was the family business.

Eddie Raiche and Kenneth Mullen with Gene Autry. Photo courtesy Jared Hergenrader.

It was Len and Kenneth Mullen's older brother Fred that taught them how to skate. Fred was a wiz at acrobatics, tap dancing and ice skating and would take Len and Kenneth Mullen, along with their younger brother Russell, to Dorr's Pond. In between skates, the Mullen boys learned how to do backflips in the snow next to the pond. They also took lessons with George Nissen, the inventor of the trampoline, in an effort to perfect the stunt.

Photos courtesy Jared Hergenrader.

In 1942, Eddie gave up his job at a paint store, Len stopped working as a surveyor and Kenneth quit being a photo engraver. They joined the cast of the brand new Ice Capades tour, going by the name The Hub Trio. Len and Kenneth were billed as 'the Mullen twins', even though they weren't twins at all. They were instant hits with audiences, including the backflip in their acrobatic act to "Anchors Aweigh" and "We Join The Navy", sporting sailor suits. As Adele Inge also performed the backflip on skates in 1942 or 1943, it is extremely difficult to say who was the first, but The Hub Trio were definitely one of the first acts to include the crowd-pleasing trick in their programs. Kenneth Mullen's grandson Jared Hergenrader asserted that his grandmother knew Skippy Baxter, and claimed that Kenneth performed the backflip before him.


In 1944, Len and Kenneth Mullen joined the navy. The Hub Trio returned to the Ice Capades and Ice Cycles after the War, appearing for a time as the Hub Duo minus Len. They appeared on The Art Linkletter Show and gave a performance before the Royal Court in England!

Kenneth Mullen and Eddie Raiche (left) and Kenneth Mullen (right). Photos courtesy Jared Hergenrader.

Two of the three members of the Hub Trio married skaters from the Ice Capades cast. Kenneth's wife Carmel and Eddie's wife Voline were both Ice Capets. Len's wife Eleanore was a singer who performed with the Malena Sisters Trio.

The Hub Trio. Photos courtesy Jared Hergenrader.

After they hung up their skates, Len worked as a surveyor for U.S. Steel in Pittsburgh, Kenneth acted as the sales and catering manager at the Hacienda Inn in Fresno and Eddie sold ice cream before opening a drive-in restaurant in Fresno. Len passed away on February 8, 1981, Kenneth passed away on September 22, 1985 and Eddie passed away on June 22, 2010.  Though history may not have given them much credit, these back-flipping acrobats from New Hampshire were pioneers of one of figure skating's most popular tricks!

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

The Lost Years: Skating And The Great War

Artistic print heading the figure skating history feature "The Lost Years: Skating And The Great War"

Between the sinking of the Lusitania, the Spanish flu pandemic, the Eastland disaster in Chicago, the White Friday avalanches in Italy, the Halifax Explosion and the deaths of tens of millions in the Great War, the years 1914 through 1918 were some of the bleakest in the twentieth century. During an era when the first priorities of men and women around the world were service and survival, it would seem obvious that something as relatively insignificant as figure skating would take the back burner. The reality is that against all odds, skating not only survived the War... but in some parts of the world, it thrived.

Illustration of three skaters by Abby E. Underwood

I would like to preface this project by clarifying that the research I'm presenting focuses solely on skating between July of 1914 and November 11, 1918, the date of the Armistice of Compiègne which ended fighting on land, sea and air at the end of the Great War. Excluded are details of the aftermath of the war and the subsequent revival of the Olympic Games in 1920 and European and World Figure Skating Championships in 1922.

My sincerest thanks to those who contributed to the research of this piece:

- Elaine Hooper, Matthias Hampe and Benjamin T. Wright - whose encyclopedic knowledges of British, German and American skating history never cease to amaze me.
- Lesley Hall, Archivist of the Wellcome Library - for her insight into life on the home front in Great Britain during the War.
- Mihály Orendi, Director General of the Hungarian Skating Federation - for his valuable insights into skating in Hungary during this period.


A Taste Of Tatamagouche

Divided pond with behind Main Street in Tatamagouche, Nova Scotia with areas blocked off for hockey and figure skating, circa 1961. Photo courtesy Tatamagouche Heritage Centre.

"The old people of New Annan often used to tell how on a Sabbath that their Pastor was not to preach there, they would skate on the ice to Tatamagouche and even to River John, attend two services and return home the same day." - Frank H. Patterson, "A History Of Tatamagouche, Nova Scotia", 1917

Do you know what's a good time? History. Do you know what's an even better time? Food. Today, we will blend the two with a brief look at the history of The Tatamagouche Figure Skating Club and a selection of delightfully eighties Nova Scotian recipes from the 1985 cookbook "Cherished Recipes Of The Tatamagouche Figure Skating Club".

Clipping courtesy Tatamgouche Heritage Centre

Back in 1971, plans were drawn up to build a multi-purpose arena in Tatamagouche, Nova Scotia. By 1973, the first phase of the project - a natural ice rink enclosed by a fence - was completed. In 1975, the North Shore Recreation Centre officially opened an indoor rink in a steel building with an artificial ice plant. That winter, Dr. Austin Creighton called a meeting of local citizens interested in developing a skating club and the Tatamagouche Figure Skating Club was born. At the club's first Annual General Meeting in April 1976, Mrs. Marjorie Hatherly reported that the club had been registered with the CFSA and had two hundred and fifty members. Skaters from Halifax came to Tatamagouche that year to reproduce their carnival and the following year, Susan Crowell arrived from Truro to provide the skaters with professional instruction. In the years that followed, Doris Byers organized a series of annual carnivals consisting primarily of local talent and classes were held for both beginner and intermediate skaters. By the late eighties and early nineties, many of the club's skaters joined the competitive skating arena... and in 2009 John Mattatall became the first skater from Tatamagouche to win a senior medal at the Canadian Championships. Now that you have had a quick primer on the club's early history, without further ado, a taste of Tatamagouche from the pages of a tried, tested and true skating club fundraising tradition... the cookbook!

Clipping courtesy Tatamagouche Heritage Centre

HADDOCK CASSEROLE (Sheila Elderkin)

1 lb. frozen haddock fillets
1/2 c. finely chopped onion
1/4 c. butter or margarine
2 tbsp. flour
1/4 tsp. salt
1/2 tsp. pepper
1 1/2 c. milk
1 c. shredded cheese
1-1 1/4 oz. env. sour cream sauce mix or 1/-1/2 c. dairy sour cream
1 c. frozen peas, thawed
1-4 oz. can mushroom stems & pieces, drained
1 1/2 c. soft bread crumbs

In a large skillet, barely cover haddock with water. Simmer gently till fish flakes with a fork, 12-15 minutes. Drain. Break fish into large chunks; set aside. Meanwhile, in a large saucepan, cook onion in 2 tbsp. butter or margarine till tender, but not brown. Blend in flour, salt and pepper. Add 1 c. of milk, all at once. Cook and stir till thickened and bubbly. Remove from heat. Add cheese, stir till melted. Use remaining 1/2 c. milk, add sour cream, cheese sauce, fish, peas and mushrooms. Turn into casserole dish. Melt remaining 2 tbsp. butter, toss with bread crumbs to combine. Bake, uncovered at 400 degrees for 15-20 minutes.

CHICKEN THIGHS OR PIECES (Susan Crowell)

5 lbs. chicken pieces
2 medium onions, sliced
1/2 c. soy sauce
1 tbsp. hot dry mustard
1 c. brown sugar
1/2 c. water
Salt and pepper to taste
Garlic powder

Layer chicken and onions in Dutch oven. Mix together rest of ingredients and pour over chicken. Bake for 2 hours at 375 degrees (covered). Stir around a bit after an hour. If too much liquid, leave uncovered for the rest of baking time.

GRANOLA COOKIES (Janet Mattatall)

1 c. brown sugar
1/4 c. white sugar
1/4 c. melted honey
1 c. shortening
2 eggs
1 tsp. vanilla
1/2 c. all-purpose flour
1 tsp. soda
1 tsp. salt
1/2 c. wheat germ
1 1/4 c. whole wheat flour
2 c. rolled oats
1/2 c. coconut

Mix in the order ingredients are given. Drop on cookie sheet and bake at 350 degrees. Nuts and raisins may be added if desired.

POLYNESIAN MEAT (Nancy L. Mattatall)

1 lb. ground beef
1 egg
1 tbsp. corn starch
1 onion, chopped
1 tsp. salt
1/2 tsp. pepper
1/4 tsp. nutmeg
Garlic powder
1/4 c. cooking oil

Sauce:

1 small can pineapple juice
1/4 c. soya sauce
1/3 c. vinegar
1 c. brown sugar
1/4 c. cornstarch
1/2 c. water
2 c. bite size pineapple
1 medium green pepper

Combine first 8 ingredients. Form into small balls. Fry in oil until light brown. Combine pineapple juices, soya sauce, vinegar and brown sugar. Bring to boil, add 1/4 c. corn starch which has been blended with water. Cook and stir until thick and clear. Add meat balls, pineapple and green pepper. Heat about 3 minutes.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.