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The 1993 Canadian Figure Skating Championships


Brian Mulroney was just weeks away from resigning as Canada's Prime Minister. Booker Prize winner Michael Ondaatje's novel "The English Patient" was on everyone's nightstand. Walkmans blared with the Snap! hit "Rhythm Is A Dancer". Grunge fashion was the recession rage and for some unknown reason, pacifiers were a thing. The year was 1993 and from  February 4 to 7, Canada's best flocked to Copps Coliseum in Hamilton, Ontario for the Royal Bank Canadian Figure Skating Championships.

The use of such a large venue paid off in dividends for the CFSA. With sellout crowds of upwards of over hundred and sixteen thousand over the three days of senior championship events, it was the highest attendance ever at the Canadian Championships at that point in time. In fact, more people attended the event than one of the Toronto Maple Leafs' NHL home games the week prior.

Left: Barbara Ann Scott backstage. Photo courtesy Hamilton Public Library. Right: Commemorative lapel pin sold at the event.

A who's who of Canadian figure skating were in the stands - World and Olympic Champions like Barbara Ann Scott, Donald Jackson, Donald McPherson, Brian Orser, Kurt Browning, Petra Burka, Karen Magnussen, Frances Dafoe, Barbara Underhill and Paul Martini and Barbara Wagner and Bob Paul. A CFSA Hall Of Fame ceremony was held during the event, where Suzanne Morrow and Wally Distelmeyer, Mrs. Ellen Burka, Dr. Sidney Soanes and Granville Mayall were inducted.

Clipping about Mrs. Ellen Burka's CFSA Hall Of Fame induction. Photo courtesy Hamilton Public Library.

Fans were thrilled with a new technological advancement - an electronic scoreboard which showed the standings of the top five skaters or teams right after the marks were shown. Previously, many die-hard's were forced to scribble down marks on scrap paper and try to figure out 'who was where' on their own until the announcer read the read the results at the end of each event.

Hop in the time machine - we're going to take a look back at the stories, skaters and scandals from this fascinating event!

THE NOVICE AND JUNIOR EVENTS

Left: Collin Thompson. Right: Novice ice dancers Nicole and Derek Brittain. Photos courtesy Toronto Public Library, from Toronto Star Photographic Archive. Reproduced for educational purposes under license permission.

Teams from Quebec dominated the novice pairs and ice dance events. Representing the CPA Boucherville and CPA Jonquiere, Guylaine Brasseur and Kevin Boucher were victorious in novice pairs. Julie Lirette and Jonathan Pankratz took gold in an all Quebec medal sweep in novice dance.

Although compulsory figures had been eliminated from the junior and senior events, novice men and women were still required to perform the scales of skating in addition to technical programs and free skates. Louis-Georges Dufour of Quebec City led the way after the novice men's figures but lost his early lead, finishing off the podium. The winner was Toronto's Collin Thompson.

Photo courtesy Hamilton Public Library

In winning, fifteen year old Collin Thompson made history as the first black man to win a Canadian title at any level. When reporter Larry Moko asked him about the significance of this, he said, "I think I'm just a regular person. It doesn't matter what colour I am." He had been skating for six years, was coached by Osborne Colson and came from a single-parent family.

In the novice women's event, Victoria's Lisa Murdoch and Dorval's Della Pike tied for the lead in the figures, but neither skater earned a medal. In fact, Pike dropped down to eleventh. The title went to Isabelle Thibeault of the CPA Chicoutimi, who had won the Eastern Divisionals the month prior but finished only twelfth at the 1992 Canadians.

Junior men's medallists Ravi Walia, David Pelletier and Matthew Knight. Photo courtesy Skate Canada Archives.

Julie Laporte and David Pelletier of the CPA Rimouski defeated Isabelle Coulombe and Bruno Marcotte and Kelly McKenzie and David Annecca to take the junior pairs title. Laporte and Pelletier's winning free skate featured a triple twist and throw triple Salchow - tough elements for a junior pair. After winning, Pelletier said, "I think it's the international experience that helped a lot and the fact that we've been skating together for three years. Many junior teams haven't been together that long." They'd previously placed fifth at the World Junior Championships and won a silver medal at the Blue Swords event in Germany.

After the junior compulsory dances, Quebec held the top six spots. As in novice dance, Quebec dancer made a sweep of the podium, with Martine Michaud and Sylvain Leclerc besting Elizabeth Hollett and Pierre-Hugues Chouinard and Josée Piché and Pascal Denis for the gold. Nineteen year old Ravi Walia of the Kerrisdale Figure Skating Club won both phases of the junior men's event and landed five triples in his free skate to win gold ahead of future Olympic Gold Medallist David Pelletier and his twenty year old training mate in Kerrisdale, Matthew Knight.

Photo courtesy Hamilton Public Library

In the junior women's event, Keyla Ohs, a student of Linda Brauckman from Maple Ridge, British Columbia, defeated Jessica Sheard and Andreanne Plante to claim the gold medal. Ohs was the youngest of sixteen entrants in the event, having just turned fourteen the week prior the event.

Photo courtesy Hamilton Public Library

Seventeen year old Christy Ness student Tammy Smigelski had the third best free skate but was an unlucky thirteenth in the short program and only able to move up to sixth overall. A young Jamie Sale placed eighth; a young Jennifer Robinson eleventh. After winning, Keyla Ohs said, "I'm excited. My goal was top give when I came here."

THE PAIRS AND FOURS COMPETITIONS

A unique Canadian specialty, fours skating, was included on the bill of senior competitions in Hamilton and proved a big crowd favourite. A cross country team featuring skaters representing both British Columbia and Ontario came out on top: Jodi Barnes, Rob Williams, Jodeyne Higgins and Sean Rice. Tiina Murr, Cory Watson, Alison Purkiss and Scott MacDonald took the silver for Ontario, followed by Julie Leithead, Jonathon Allen, Shannon Robb and Scott Cornfoot. The number of fours skaters that came out of the Preston Figure Skating Club spoke to the strength of Kerry Leitch's school and his important role in keeping the discipline alive for so many years.

Isabelle Brasseur and Lloyd Eisler. Left photo courtesy Bibliothèque et Archives nationales du Québec, right photo courtesy Hamilton Public Library.

It wasn't an easy year for twenty two year old Isabelle Brasseur and twenty nine year old Lloyd Eisler. Though the team took a new approach to training, focusing on having fun rather than taking things so seriously, Isabelle was grieving the loss of her father. Though they were the reigning Olympic Bronze Medallist, they'd finished off the podium at the NHK Trophy in Japan in the fall, held just two weeks after his death. Neither of the teams that had beaten them at the Albertville Olympics had competed. Just prior to the event, Isabelle told Steve Milton, "I didn't want to pack it in. You can't stop your life. I mean my Dad died, and he showed me so much stuff... He wouldn't be proud if I did that."

Left: Allison Purkiss and Scott MacDonald. Middle: Kristy Sargeant and Kris Wirtz. Right: Jamie Salé and Jason Turner. Photos courtesy Hamilton Public Library.

Whatever may have been going on in Isabelle Brasseur's head, you wouldn't have known anything was wrong in Hamilton. In the short program, she and Lloyd Eisler skated clean as a whistle to "Tequila", earning marks mostly in the 5.8 and 5.9 range and a standing ovation. They easily outranked Michelle Menzies and Jean-Michel Bombardier, Kristy Sargeant and Kris Wirtz, Jodeyne Higgins and Sean Rice and Jamie Salé and Jason Turner, with first place ordinals from all nine judges. Menzies and Bombardier and Sargeant and Wirtz were both new partnerships; Higgins and Rice were competing in seniors for the first year. Lucky to even compete were Higgins and Rice's Preston training mates Tiina Muur and Cory Watson. Watson had been in a car accident just ten days before the start of the competition. He'd spent nearly a week in the hospital with a collapsed lung and only started practicing lifts during the pre-short program practice.

Isabelle Brasseur and Lloyd Eisler. Photos courtesy Hamilton Public Library.

Despite a fall from Isabelle on the side-by-side double Axels in their free skate to Rachmaninoff's "Rhapsody On A Theme Of Paganini", Brasseur and Eisler won their fourth Canadian pairs title in a convincing fashion. They received 5.6's and 5.7's for technical merit and 5.8's and 5.9's for artistic impression and again received first place ordinals from every judge. Menzies and Bombardier remained in second and Higgins and Rice moved up to take the bronze medals. Higgins and Rice's medal win was so completely unexpected that their coach Kerry Leitch was teary-eyed.

After the event, Lloyd Eisler told "Montreal Gazette" reporters, "The program is world-calibre gold material if we do everything we're supposed to do... Axels are jumps that strong individual skaters nail all the time but if we could nail them one after another, we would be in singles not pairs... We really are revved up now for Prague, very optimistic because of our program what we feel is a good combination of artistry and athletics."

THE ICE DANCE COMPETITION


Shae-Lynn Bourne and Victor Kraatz. Photo courtesy Hamilton Public Library.

You want to talk drama? Let's talk about the ice dance competition at the 1993 Canadian Championships. To give you some perspective, we need to look back on what happened in Canadian ice dance the two years prior. In 1991, former rivals Michelle McDonald and Martin Smith joined forces to win the Canadian ice dance title ahead of Jacqueline Petr and Mark Janoschak and Penny Mann and Juan-Carlos Noria. The following year, Petr and Janoschak claimed gold in a five-four split over Mann and Noria. McDonald and Smith dropped to third. The Canadian Olympic Association kept Mann and Noria off the Olympic team even though Canada had earned two spots but the CFSA sent them to Worlds, where they finished just four spots behind Petr and Janoschak. McDonald and Smith turned professional and everyone was expecting the next two seasons to be a seesaw battle between Petr and Janoschak and Mann and Noria... and then a third team entered the picture.

1992 Canadian Junior Champions, seventeen year old Shae-Lynn Bourne and twenty one year old Victor Kraatz moved up to the big leagues and placed a strong sixth to Petr and Janoschak at the Skate Canada International in Victoria in the autumn of 1992. Rumours swirled that the talented young team was being fast-tracked forward ahead of Petr and Janoschak and Mann and Noria before they even took the ice in Hamilton. There were even whispers that Bourne and Kraatz might pull a 'Duchesnay' and skate for another country, as Kraatz was born in Germany and held a Swiss passport. Coach Josée Picard admitted that both countries had made inquiries about Kraatz. Jacqueline Petr pointed out that since her parents were born in Czechoslovakia, she could have represented another country as well but she "was born here and [wanted] to represent Canada." Both Mark Janoschak and Juan Carlos Noria weren't buying into the hype over Bourne and Kraatz. Juan Carlos Noria told Steve Milton, "I know they are very young and very talented. They are the 'dream team'. But they're pretty young and in dance you need experience. Of course it is between us and Mark and Jacqui. How could it not be?"

And so... in the compulsory dances, Bourne and Kraatz placed ahead of Petr and Janoschak and Mann and Noria. Then, in the original dance - the Viennese Waltz - Mann and Noria took top spot, followed by Bourne and Kraatz and Petr and Janoschak. In the free dance, Petr and Janoschak opted for an avant garde program set to music by Michael Nyman dressed as the King and Queen of Hearts.


Mann and Noria took a traditional route with a Fred and Ginger program and Bourne and Kraatz showed off youth, exuberance and strong edges in a gypsy-themed program. Eight of the nine judges placed Bourne and Kraatz first in free dance, with one opting for Mann and Noria. Bourne and Kraatz won their first Canadian title, Mann and Noria settled for silver and the reigning Canadian Champions Petr and Janoschak were pushed down to third... a similar scenario to the one McDonald and Smith had faced the year prior.

Quoted in the "Ottawa Citizen", Victor Kraatz said, "I'm amazed at how quickly things have picked up for us. We came here just to get experience. There was no pressure on us to win at all." Bourne added, "I'm surprised. You usually have to wait your turn. This is just amazing." Their competitors didn't hide their frustration with their losses. Penny Mann said, "It's really frustrating. We worked really hard this year, with the one goal in mind: to win. We put it all out there. I don't like to say that we got dumped on, but it is a bit of a slap in the face." Mark Janoschak said, "I'm disappointed and a little bitter. I don't necessarily agree with the results, but they were so unanimous that it's hard to disagree. At least we went out fighting. We can hold our heads high and say we did our best job." Quoted in the "Toronto Star", Bourne and Kraatz's coach Eric Gillies defended the judge's decision: "We tend to talk a lot in Canada about the so-called 'norms' and sometimes have a fear of making big moves, even when that's the right thing to do. But this time, what was right was done and the best pair in this competition was judged to be the best, the way it should be, even if it isn't the norm."

THE WOMEN'S COMPETITION

Twenty one year old Karen Preston of Mississauga, a part-time humanities student at the University of Toronto, was the reigning Canadian Champion and as is always the case, there was the expectation for her to defend her title. Prior to the event, she told reporter Larry Sicinski, "I'm really trying not to think about what's on the line. What I did last year in Moncton is a completely different competition. A lot of skaters at other times have, maybe, put too much emphasis on whether or not they were going to lose their title. So I'm just trying to look at this year's Canadians as an event by itself... A lot of personal confidence came out of last year. I worked real hard and learned what I needed to do to get my job done. What kind of schedule I needed to be on. How much on-ice, off-ice work needed to be done. I learned an awful lot about myself as an athlete and it's given me a lot of confidence."


Josée Chouinard. Photos courtesy Toronto Public Library, from Toronto Star Photographic Archive. Reproduced for educational purposes under license permission.

Twenty two year old Kerry Leitch student Tanya Bingert pulled off an upset and won the short program, ahead of Canadian Champions Josée Chouinard and Karen Preston, who both missed their combinations. Seventeen year olds Susan Humphreys and Sherry Ball followed in fourth and fifth places. 1990 Canadian Champion Lisa Sargeant-Driscoll, coached by Michael Jiranek, bravely attempted a comeback. Overrating on a triple Axel attempt and falling on a double Lutz, she found herself buried in ninth place entering the free skate. Sargeant-Driscoll rebounded in the free skate, vaulting from ninth to fifth with an outstanding performance that featured five triples, including a two-footed triple Axel. Her only error was a fall on a triple loop. It's worth noting that she landed the triple Axel in one of the official practices.

Josée Chouinard. Photos courtesy Hamilton Public Library.

Josée Chouinard's six triple free skate was the talk of the town. Skating to Slavic folk music, she nailed her triple Lutz late in her program and captivated the audience with her charm and athleticism. She received marks ranging from 5.7 to 5.9 for technical merit, mostly 5.9's for artistic impression and received a standing ovation from the crowd for her gutsy effort.

Tanya Bingert. Photo courtesy Toronto Public Library, from Toronto Star Photographic Archive. Reproduced for educational purposes under license permission.

Karen Preston fell on one triple and touched down on another but was rewarded with second place marks. Susan Humphreys skated very well to move up to third. She'd missed the previous season due to shoulder injury, placed thirteenth in junior in 1991 and fifteenth in novice in 1990, so her medal was considered quite a surprise to many. Tanya Bingert crumbled, falling twice and dropping to fourth place overall. Sherry Ball played it clean but safe and the judges buried her in the standings.


Behind the scenes, things weren't all rosy. In her book "All That Glitters", Chouinard recalled, "In 1993, when I was about to skate my long program that would earn me my second Canadian title, I stayed up all night fighting with Jean-Michel, who had already finished his competition. I wanted him with me during the evening, but he had other obligations with his partner. Because my nerves were raw and I was concentrating only on myself, I lashed out at him when we finally caught up with each other. Wanting to settle the argument before I went to bed, I can remember some pretty serious yelling going on in the hotel hallway. Poor Jean-Michel. Nothing he said made any difference, and I went to bed determined that I wasn't going to let him affect my skating. The following day, I didn't speak to him at all. Arriving at the rink, I realized I didn't have any toothpaste with me. Most skaters rub a little of the substance inside their mouths to keep them from getting dry. Jean-Michel ran to the store to get me a tube and I didn't even thank him. I went on the ice, stubborn and determined. But I won the championship. Afterwards, I hugged and kissed Jean-Michel as if nothing had happened. No doubt about it, I'm totally impossible to be around before a competition."

THE MEN'S COMPETITION


Kurt Browning. Photo courtesy Toronto Public Library, from Toronto Star Photographic Archive. Reproduced for educational purposes under license permission.

1993 was a game-changing year for twenty six year old Kurt Browning. He was coming back from injury and a split with longtime coach Michael Jiranek that saw him move to Toronto to train with Louis Stong at the Granite Club. To top it off, he had only debuted his new programs week prior at the Western Divisionals. Though he won and received standing ovations at that event, he'd had to skate his new "Casablanca" free skate in a practice outfit as his costume at the time proved too restrictive.

Photo courtesy Hamilton Public Library

In the short program in Hamilton, both Kurt Browning and his nineteen year old rival Elvis Stojko made identical errors, stepping out of their triple Axels in the exact same spot on the ice. Seven of the nine judges placed Browning first. While Stojko received 5.8's and 5.9's for artistic impression, Browning received a slew of 5.9's and a 6.0 from judge Joy Forster for his new program to Led Zeppelin's "Bonzo's Montreux".

Left: Sébastien Britten poses right in front of the commentators, getting the audience smiling. Right: Kurt Browning gets a kiss on the cheek from a fan. Photo courtesy Hamilton Public Library.

Finishing a surprise third was twenty year old Jean-François Hebert, who was competing in the senior ranks for the first time. The twenty year old from Warwick, Quebec only started skating five years prior and had never placed higher than third at the junior level. He took a year off at one point because he "was tired of skating". Fourth through seventh were Marcus Christensen, Brent Frank, Patrick Brault and Sébastien Britten. Quoted in the "Edmonton Journal", Kurt Browning remarked, "It's not every day Elvis misses a jump... That's very strange. I know my own skating, and when I'm hot, I don't miss. But on a normal day, I miss jumps. Elvis doesn't. He's a machine. So I got a little bit lucky we chose the same time to make exactly the same mistake - and then the strength of the program came through for me."

Kurt Browning and Elvis Stojko posing for photographers after both programs. Photos courtesy Hamilton Public Library.

There was a full moon outside the night of the men's free skate - a fact that was chuckled about in the stands when some of the lower-ranked men missed jumps. Jean-François Hebert dropped to fifth and twenty two year old Marcus Christensen of the Royal Glenora Club moved up to third to claim his first senior medal and the third spot on the World team. Kurt Browning's "Casablanca" was a huge hit with the Hamilton crowd. He landed a triple Axel/triple toe-loop combination, solo triple Axel and triple Salchow/triple loop but fell on a triple Lutz and stepped out of a triple toe-loop. He received a standing ovation and two perfect 6.0's for artistic impression and was ranked first by all nine judges.

Senior men's medallists Marcus Christensen, Kurt Browning and Elvis Stojko. Photo courtesy Skate Canada Archives

Though the judges unanimously placed Kurt Browning first and Elvis Stojko second, some in the audience felt Stojko, who skated what he deemed "the best performance of his life", upstaged Browning. He received five 5.9's and a perfect 6.0 for technical merit, but his artistic marks weren't enough for first place. Quoted in the "Edmonton Journal", Stojko's coach Doug Leigh said, "I didn't see the other guy skate. I only know what Stojko did. When you see those kinds of marks in front of you, and then you go out and skate like that - well, he's got great courage. Sooner or later, he's got to break through. He can't be stopped." Browning called his performance, "One of the sweetest skates of my life... a very personal victory. Coming back from the injury, moving to Toronto, not having my parents here . . . there were a lot of things that have happened. The last month and a half have been really tough. There were a few days when I was really scared that whatever I had that made me do what I do was slipping away. But these last five or six days I felt it coming back, and tonight something just pushed me over the edge. I think it was the crowd." While Stojko handled his loss gracefully, local radio talk shows were abuzz with 'Elvis was robbed' calls.

THE PARADE OF CHAMPIONS AND AN AMUSING 'CONTROVERSY'

Canada's best let their hair down in the Parade Of Champions, the annual post-competition gala. Both Isabelle Brasseur and Lloyd Eisler and Marcus Christensen used music by Bryan Adams. Karen Preston and Josée Chouinard both selected music by Céline Dion: Karen an English piece and Josée a French one. Elvis Stojko rocked out to Van Halen's "You Really Got Me" while Kurt Browning mesmerized with a "Casablanca" reprise and a program to Louis Armstrong's "What A Wonderful World".

Photos courtesy Hamilton Public Library

And then there was a manufactured 'controversy' that was so far out of left field that it left many scratching their heads going "are you for real?" On February 9, 1993, the"Toronto Star" published a piece by humour columnist Joey Slinger suggesting that Kurt Browning be stripped of his Canadian title because he was promoting smoking by taking a drag off an imaginary cigarette twice in his "Casablanca" program. Slinger quoted an unnamed anonymous member of an anti-smoking group, who said, "I don't care. He can pee in a bottle all he wants. This is a moral outrage." Joey Slinger also cited an anonymous 'government source' who claimed, "Browning was thumbing his nose at our efforts to improve national well-being... It looked as if he was on the ice as a spokesman for the tobacco industry. What if he had pantomimed buying smack and cooking it in a spoon over a candle and filling a hypodermic syringe with it and injecting it into his vein, and claimed this was based on Frank Sinatra in the old move The Man With the Golden Arm? There would have been hell to pay. Especially if he did it twice." While the piece was obviously poking fun at the Helen Lovejoy "won't someone PLEASE think of the children?" moral outrage bandwagon against smoking in the nineties in Canada, some people missed the joke and took Slinger's article literally. The imaginary cigarette stayed in, and helped Kurt Browning win his fourth World title that spring in Prague.


Thanks to a generous donation of VHS tapes by Skate Guard reader Maureen, you can take a trip back in time and rewatch highlights of the 1993 Canadian Championships in digitized video form. The YouTube playlist, which includes a handful of performances from the men's and pairs events, can be found above or at https://www.youtube.com/playlist?list=PL6c_NN6KdCfJQb_iLlcFe0hdsDU84Bppq.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Sixteenth Century Skating Art

Pieter van der Borcht the Elder's "Ijsvermaak bij Mechelen", 1559

If a skating history aficionado from the twenty-third century looked back on the sport today, they might gain a sense of the sport through watching YouTube videos and checking out skater's Instagram feeds. To learn about skating in the nineteenth century, they might read old newspaper articles, books and look at ambrotype photographs and magic lantern slides.

If one wanted to delve even further back, one of the few clues available about the sport's existence would be the art of the period. While beautiful winter scenes depicted in paintings and woodcuts from the seventeenth century clearly depict skating, several of their sixteenth century counterparts are far more ambiguous.

WINTER

Photo copyright The Trustees of the British Museum. Used for educational purposes under license permissions.

Flemish painter and etcher Hieronymous Cock (now there's a name!) created a cycle of "The Four Seasons" in 1570, after the work of Hans Bol. An engraving of his fourth plate, "Winter", was by printmaker Pieter van der Heyden. No stranger to winter scenes, van der Heyden also made engravings from other artists of the period who featured skating in their work - artists like Pieter Bruegel the Elder and Hieronymus Bosch.

"Winter" is a fascinating piece of art. In the fore of the scene, a man can be seen tying an old-style pair of skates to his shoes. In the center, you can see skaters skating (and falling) and to the right, a drowning man who has fallen through the ice being rescued by a man with a long pole. Behind the skaters is a tavern full of hard-drinking locals. Were they having a pint before they skated or after? Perhaps that's one of those 'chicken or the egg' questions.

DE WINTER


Engraved by his student Jan Saenredam circa 1594, "De Winter" was one of four cycles of winter drawings depicting The Four Seasons by Hendrick Goltzius. German born Goltzius was one of the most acclaimed engravers of the early Baroque period in Holland despite the fact he drew with his right hand, which was malformed after he was burned by a fire in his infancy.

In the scene, a young couple dressed in the fashions of the era skates hand in hand on steel blades. They are joined on the ice by a wee pup. The inscription in the lower corner roughly translates to, "Young people saluting, in winter... the old ones." Saenredam's engraving of Goltzius' "De Winter" was obtained by The British Museum in 1840.


Interestingly, another of Goltzius' winter drawings from this cycle also depicted skaters. Christiane Lauterbach's journal article "Masked Allegory: The Cycle of the Four Seasons by Hendrick Goltzius, 1594-95" noted, "In the cold months, work comes to a standstill. 'Winter' shows us an old couple seated at the table in a living room warmed by a log fire. A roast fowl is being served to them, and through the window skaters can be seen in a wintry landscape."

DIVERSARUM NATIONUM HABITUS


An interesting piece is this plate from Italian typesetter and editor Pietro Bertelli's 1594 two volume "Diversarum nationum habitus...". Although at first glance the man and woman in the pictures appear to be wearing snow-skis to hunt, the fact they don't have poles to propel themselves along is certainly curious. The inscription 'Finmarchorum' likely references the Norwegian region of Finmarchia, and the artist's design of the footwear on the man and woman's feet was likely conceived by an Italian who had never been to Norway, let alone seen skating.

SARMATIAE EUROPEAE DESCRIPTIO, QUAE REGNUM POLONIAE


Even more curious is a folio in Polish writer Aleksander Gwagnin's 1578 book "Sarmatiae Europeae descriptio, quae Regnum Poloniae". The book itself is controversial, as Gwagnin's assistant Maciej Stryjkowski claimed that Gwagnin stole the manuscript and claimed it as his own. The image in question depicts a duke or knight who appears to be wearing what looks like a curlicued toe skate on his foot. Many of the characters portrayed in the "Sarmatiae Europeae descriptio, quae Regnum Poloniae" were based on Lithuanian nobility, so this image suggests that there may have been skating in that region of Europe during that era.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Unlucky Timing: The Harald Rooth Story

Photo courtesy Sveriges Centralförening för Idrottens Främjande Archive

The son of Otto and Ellen (Herzman) Rooth, Harald Rooth was born January 25, 1892 in Stockholm, Sweden. He grew up in Östermalm, an Eastern district of the city, with his brothers Ivar and Gunnar.
He started skating as a boy at the Stockholms Allmänna Skridskoklubb. His first victory came in 1908, when he defeated future World Champion Gösta Sandahl in a club competition.


Four years later, Harald headed to Manchester, England to compete in his first World Championships. Though he placed fourth, four judges gave him first place ordinals in the free skate. While in England, he checked out Prince's Skating Club... and won a waltzing competition with one of the locals - a Miss Somerville.


Unfortunately, similar scenarios as the one that occurred in Manchester played out at the 1913 European Championships in Oslo - where Harald won the free skate - and the 1913 and 1914 World Championships, where he received top three ordinals for free skating. At the 1913 Nordic Games, he won the free skate but lost the gold to Gösta Sandahl. Harald really had the unfortunate luck of being a strong free skater who was comparatively weak in the school figures during the era when Ulrich Salchow, Gösta Sandahl and Richard Johansson dominated the Swedish skating scene.


It wasn't until 1915 - after the ISU halted its organization of the European and World Championships due to the Great War - that Harald finally claimed the Swedish men's title. He also finished second in the pairs event that year with Svea Norén, who would go on to claim the silver medal in the women's event at the 1920 Summer Olympic Games in Antwerp. His brother Gunnar, a fine skater in his own right, placed third in that event with his partner Ingeborg Carlsson. That same winter, he finished second behind Martin Stixrud at an international competition hosted by the Stockholms Allmänna Skridskoklubb, but managed to defeat future Olympic Gold Medallist Walter Jakobsson. During this period, his father served as the Stockholms Allmänna Skridskoklubb's President, succeeding ISU President Viktor Balck.

Harald Rooth, Gösta Sandahl and Richard Johansson

Harald retired from competitive figure skating in 1920 at the age of twenty eight after finishing second twice more at the Swedish Championships but remained involved in the sport as a judge and official. He sat on the executive of the Swedish Federation, frequently getting in disagreements with Ulrich Salchow about how the sport should be managed. Perhaps as a result of his strained relationship with Salchow, he received few international judging assignments, though he did manage to sit on judging panels at two World Championships.

Photo courtesy Nasjonalbiblioteket Norway

Off the ice, Harald worked for a company that sold metal separators for automobiles and as the manager of the Swedish 'Moneylottery'. He lived in Ljungby with his wife and children. His son was an artist of some renown in Sweden and his older brother Ivar was a well-respected lawyer and economist who served as Governor of the Swedish National Bank for close to twenty years.

Ilse Adametz and Harald Rooth at the Nordic Games. Photo courtesy Nasjonalbiblioteket Norway.

Harald passed away in the Stockholm suburb of Hjulsta on August 4, 1967 at the age of seventy five, his successes as a figure skater all but forgotten. Had school figures not existed at the time he was competing, he would have been a World Champion.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

#Unearthed: Life In The Big Show

When you dig through skating history, you never know what you will unearth. In the spirit of cataloguing fascinating tales from skating history, #Unearthed is a once a month 'special occasion' on Skate Guard where fascinating writings by others that are of interest to skating history buffs are excavated, dusted off and shared for your reading pleasure. From forgotten fiction to long lost interviews to tales that have never been shared publicly, each #Unearthed is a fascinating journey through time. Today's fascinating gem, entitled "Life In The Big Show", is an article penned by Toller Cranston discussing the pros and cons of turning professional and joining a touring ice show. It originally appeared in "Canadian Skater" magazine in 1980.

"LIFE IN THE BIG SHOW" (TOLLER CRANSTON)

My motive in writing this article is to try to help other skaters who may be contemplating the big jump from the amateur to the professional world. I spent three seasons performing professionally in three of the four corners of the world, and during this time learned a lot about life in the big show.

When I first joined Holiday on Ice, I expected the worst, but was pleasantly surprised. In retrospect, this period was a time of adjustment and change. As fate would have it, one of my "cold spots" followed a barrel jumper and my final number preceded a chimp act. I later interpreted this misfortune as divine nemesis for all the nasty things I had said about the "big shows".

One thing I learned very early on though, was that it is not where or with whom you skate, but how you skate. In almost every world, quality surfaces: the professional ice show is no different.

Another important lesson I learned that helped change my opinion about the ice show was that a skater's talent doesn't naturally deteriorate the moment he or she joins the show. Rather, it is all in an individual's approach.

Some famous skaters have gone completely downhill after joining a show - but on examination it becomes clear that their training habits have also deteriorated. They no longer train with the same spirit and integrity they did as an amateur.

The fact is that if a skater is looking forward to a long-term career with a show, he or she must be prepared to learn a new kind of training and routine. One crucial element of this is recognizing one's own dispensibility. It may seem dehumanizing and even unfair, but the truth is, that anyone can be replaced at the drop of a hat. One of the key rules, then, is not to complain needlessly. Crying wolf too often can ruin one's career and reputation. Complainers seldom last long. They're the first people to be axed when a promising young amateur comes on the scene.

Another adjustment the new professional must make is to the increase in the frequency of performances. The very idea of skating three shows on Saturday and three more on Sunday presents an enormous psychological obstacle. Sometimes on the weekend I would find myself off in a dream - not knowing who I was, where I was, or what day it was. Monday would inevitably come, but not without many depressing hours. Hours that were often lonely and emotionally barren.

 Toller Cranston performing in 1976. Photo courtesy Toronto Public Library, from Toronto Star Photographic Archive. Reproduced for educational purposes under license permission.

Many professional skaters are lack-luster people who fade out of the show as easily and inconspicously as they fade in. This happens all too regularly. Life in the big show is damn hard - long hours, extreme conditions that are either insufferably hot or unbearably cold, ice surfaces that are hardly of Olympic standards.

Many skaters experience a kind of culture shock when they join the ice show. I remember a young skater from the prairies who flew to Paris to join a show. Not only did she not speak French, but she had no hotel reservations or French francs. She arrived after a thirty-two hour trip and was expected to perform that night. Stories like this are retold again and again. The skaters who announce to their friends that they are off to tour Europe in a glamorous ice show often never recover from the initial shock and return home within a week, dazed and disillusioned. There are others, though, who do stay. These troupers often live lives that are in rich in experience and emotion. Because for all its negative aspects, the big show provides skaters with the opportunity unheard of in most professions.

There are some skaters I know and adore with the ice show. Marie North of Vancouver, for example, used the show to experience the world in a way few others have. Between each show, she read about the cities she was going to visit. There was little she ever missed and she left a million friends on every continent.

Gladys Barrios of Venezuela who has been Holiday on Ice for ten years is another great personality. Fluent in five languages and perhaps the best travelled person I have met, she is a credit to her profession.

Generally, the big shows are against the star system - this philosophy has a legitimate basis. Too often skaters have had entire shows built around them but for personal reasons (marriage, sickness, injury, weight, personal problems) they leave. Performers like Richard Dwyer (Ice Follies) and Janet Lynn are the exceptions. And, of course, there is Sonja Henie - the ultimate professional. A woman who loved being a star and who had the money to live the life to its fullest. Without question, she was  undoubtedly the richest professional skater of all time.

But the ice show is not the place where fortunes are made. The salaries of principal skaters are generally a well-kept secret, but, those in the thousand dollar a week category are in the minority. Many principals who are the 'stars' of the show make little more than five or six hundred a week. Even newly-crowned World or Olympic champions have little chance of receiving those few high salaries offered by the shows. Granted, these titles weild a certain amount of clout at the bargaining table, but if a skater is unknown or not considered good 'box-office material' the salary offered may be a fraction of what the skater expected. If money is your main concern for joining an ice show - you're in the wrong business.

Toller Cranston meeting SCTV's Catherine O'Hara, now the delightful Moira Rose on "Schitt's Creek". Photo courtesy Toronto Public Library, from Toronto Star Photographic Archive. Reproduced for educational purposes under license permission.

So why join? Why put up with the long hours, the loneliness, the low pay and the hard work? For me, its the love of skating, the chance to travel and meet different and interesting people from all over the world. It's a unique opportunity to experience a quality of life that is difficult to obtain in other fields.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Last Rites In Lower Lusatia


You may never have heard of the Sorbians. The Sorbians (or Wends as those living in nearby Germanic settlements often referred to them) were people of Western Slavic origins who settled primarily in Lower Lusatia, Prussia. As territorial boundaries slowly grew narrower and narrower during the seventeenth and eighteenth centuries, they declined in numbers and became largely assimilated. By the late nineteenth century, there were only around forty thousand Sorbians left. Their language was quickly dying out but they fiercely clung to their medieval traditions. Preferring (or being forced) to live in isolated forest dwellings away from settlements isolated them largely from the general populous but they fiercely clung to their unique traditions and strong religious ideals.


For the Sorbians, skating was an important means of transportation. "The Seventy-Fourth Report Of The British And Foreign Bible Society" published in 1878 noted, "The River Spree - Berlin's river - and one of its tributaries, divide into about 300 arms, cutting up the flat country and intersecting it with a network of narrow, shallow, sluggish streams. The soil rises in summer about a foot above the level of the water; in winter it is flooded and generally covered with ice. The country is called the Spree Forest, for a part of it is covered with woods. It has no roads, often no footpaths, and but a few bridges. All communication is by punts in summer, by skates and sledges in winter. The [Sorbian] people go in punts or on skates to school, church and market, or if on foot they wade when necessary through the streams... On a Sunday from 1,500 to 2,000 may be seen in church, who have punted or skated, or walked or waded, from the many points of a parish almost as large as that covered by the houses of Berlin."


Although the Sorbians relied heavily on skating to get from point A to point B during long, harsh winters, their unique contribution to skating history was their funerary tradition... on ice. Volume 124 of "The Living Age" noted, "Some curious customs, we learned, are still extant in the Spreewald villages when the head of a family dies. For instance, if the deceased should have chanced to be a bee-keeper one of the family will go to the hive, and striking the comb, will exclaim, 'Bees, arise, your master is dead!' On the morning of the funeral, too, the men proceed to the cattle-sheds, and after causing the animals to get upon their legs, and placing cheese for them, will solemnly announce to them that the body is about to be taken away." Sorbian men would wear black and women donned a traditional Sorbian funerary costume and all put on their skates for a ritualistic final 'goodbye skate'. The March 1908 edition of "Popular Mechanics" magazine noted, "As in Holland, the thoroughfares are waterways. In the winter time, when these are frozen over, funeral processions pass along the ice on skates. The coffin is carried on a sledge, drawn by six mourners on skates. The immediate relatives of the dead, men and women alike, skate along behind the coffin, surrounded by their friends. The women carry a Bible in one hand and wear the ancient national costume."


As the Sorbians were a highly religious but isolated people, their funerary procession on ice was as much out of necessity as it was ritualistic. They needed to go that distance over the icy terrain to find a priest. It might seem odd to us today to think of a funeral procession on skates but to the ice-loving Sorbians, they were giving their loved ones one final skate. It's kind of beautiful, isn't it?

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

A Jumble Of Judging Tales

Tom Engelhardt editorial cartoon from St. Louis Post-Dispatch, March 18, 1994. Photo courtesy The St. Louis Post-Dispatch Editorial Cartoon Collection, The State Historical Society of Missouri Art Collections. Used with permission.

"If I were asked for statistics I think I could say that out of ten judges, four are incompetent, three are 'consciously' dishonest, and three are good judges." - Jacqueline du Bief

From the all Norwegian panel that handed Sonja Henie her first World title to the 2002 Salt Lake City scandal, figure skating history is peppered with stories of judges run amuck. While the majority of judges are honest, extremely dedicated volunteers, there's no denying that there have been many bad apples in the bunch over the years. Hell, in her autobiography "Thin Ice", World Champion Jacqueline du Bief even claimed she overheard one judge remark, "I would willingly give her two-tenths for a kiss." Wow! From the controversial to the charming, today we'll take a look back at 6.0 lesser known anecdotes about judges from the annals of figure skating history.

BREAKING A TIE

As World War II raged overseas in 1941, the Philadelphia Skating Club and Humane Society hosted the North American Figure Skating Championships for the very first time. Mary Rose Thacker, Eleanor O'Meara and Norah McCarthy made history with the first clean sweep of the women's podium since the event's inception.

Mary Rose Thacker, Eleanor O'Meara and Ralph McCreath. Photos courtesy "Maclean's" magazine.

It was a great moment that was eclipsed by a lot of hullabaloo in the men's event surrounding the problematic nature of nationalistic judging in a competition between two countries. In his 1955 book "Dick Button On Skates", two time Olympic Gold Medallist Dick Button recalled the fiasco: "In the men's event, Ralph McCreath of Canada competed against Eugene Turner of the United States. Out of the six judges, three were American and three Canadian... The three Canadians voted first places to the Canadian McCreath and the three American judges voted first to the American Turner. Each judge placed the skater from the other country second, thereby giving both of the skaters a total of nine ordinals. Whenever a tie is reached in ordinals, the point totals are resorted to in deciding the winner. In this case, since the Canadian had a total of 1575.8 points to the American's total of 1575.0 points, he won; with an exact split on first and second places down the judging line, the decision was decided on the fact that the Canadian judges had marked the American slightly lower in second place than the Americans had marked the Canadian skater in second place!" Button's example outlined in black and white the kind of recurring controversial judging that ultimately led to the downfall of this competition some three decades later.

ISU historian Benjamin T. Wright remembered, "I attended that North Americans also, as I was assigned by Tee Blanchard, the editor of 'Skating', to interview and write a column called 'Meet the Champions' for the magazine. That was the first time that I met my future wife (then age seventeen), whom I married in 1953 after the War. I was a young (unpaid) volunteer on the magazine at that time and a freshman in college... It was probably the closet competition ever in that championship. McCreath won, Turner was second and third was the US Junior champion of that year, William Grimditch, who was a better free skater than both Ralph and Gene."

DEDICATION AT DAWN

Jacqueline du Bief finished a forgettable sixteenth at her first Olympics in St. Moritz, Switzerland in 1948. She fondly recalled the dedication of the judges who ensured ice conditions were favourable for the school figures: "When we arrived at 7 a.m. it was still dark and I shall always remember the two nice judges who, their eyes heavy with sleep, tried to examine the state of the ice by the light of a candle. The wind blew softly and felt almost warm and the drip, drip of water falling from the roofs told only too clearly of the thaw."

JUDGES REVOLT

Disenfranchised by their lack of input on everything from assignments to training and a lack of representation on CFSA boards, by the late eighties Canadian figure skating judges were fed up. Several prominent competitive skaters turned judges, including Norris Bowden and Suzanne Morrow-Francis, were involved in the push to organize a separate Judges' Federation, very similar to the controversial Professional Skating Association of Canada/Figure Skating Coaches of Canada organization which sparred with the CFSA for decades. In Teresa Moore's book "Reflections On The CFSA: A History Of The Canadian Figure Skating Association 1887-1990", judge Jane Garden explained, "There was a real push for this in 1988. Most judges [had] been involved in skating programs longer than the elected officials and [could have provided] continuity and overall perspective." The situation escalated and David Dore was tasked with the job of writing a report that summarized the judge's concerns and suggested solutions. The CFSA board approved it, but the judging community hated it. Though the Judges' Federation died with Norris Bowden in 1991, resentments brewed for several years until the CFSA started making an effort to include judges on committees that made decisions that affected them.

IN A ZONE

In an interview in "Weekend Magazine", Canadian judge Hugh Glynn recalled the first time he ever judged World Champion Petra Burka thusly: "It was in 1965 [at Canadians] and as you know, in free skating the skater is judged both for technical merit and artistic impression. Well, I was so awe-struck after seeing her that I forgot all about the score. They stood in front of me, waiting, and finally they had to say, 'Your slip, please... may we please have your score?' I snapped out of it and stuck up 5.9 and 5.9 because it was the nearest thing to perfection that I had ever seen."

LOSING LUNCHES OVER LASSO LIFTS

Ralph McCreath. Photo courtesy Toronto Public Library, from Toronto Star Photographic Archive. Reproduced for educational purposes under license permission.

Ralph McCreath, a Canadian Champion in singles, pairs, fours and ice dancing, judged the men's and pairs events at the 1968 Winter Olympics in Grenoble, France. He told reporter Paul Rimstead that while judging the pairs event, "the tension, even among judges, was so great that two judges were sick to their stomachs before it was over."

ONE JUDGE PER COUNTRY

Herma Szabo's loss to Sonja Henie in the women's event at the 1927 World Figure Skating Championships in Oslo, Norway is often cited as the straw that broke the camel's back with regard to the ISU finally instituting its infamous "one judge per country" rule. However, in his 1948 book "The Complete Figure Skater", T.D. Richardson reminded us of an equally disturbing scenario that played out in the men's event in Davos that year: "They are lucky inasmuch as they will never be in the position that I was in the World’s Championship at Davos in 1927, wherein three Viennese skaters from rival clubs each claimed a judge or he would not skate, and the panel was made up with three Austrians, a German, a Frenchman, a Swiss and myself. Seven in all. It was skated in a blizzard. The late Jack {Ferguson] Page of Manchester was the only skater who did not fall in the figures and once or twice in the free. If ever a man won a Championship, Jack won that one, but on account of the arrangement of the panel he was placed fifth - first, second and third being Viennese - one of their judges placing him, as far as I can remember, last or last but one. I reported this matter to the NSA and kicked up an awful fuss in the public press, the direct result being the alteration of the rules of the ISU on the matter of judges and the establishment of 'one country, one judge'."

Men's competitors and judges at The 1927 World Championships in Davos

ISU historian Benjamin T. Wright noted, "At the... Congress (of 1927) at Luchon (France), a protest by Austria of the composition of the panel of judges for the World Ladies at Oslo and a demand for cancellation of the Championship, on which no action had been taken by the Council, was considered at length, but in the end the decision of the Council (to take no action) was confirmed, although it was recorded that the action of the Norwegian association was considered reprehensible and unsportsmanlike... With respect to the complaint of Great Britain, which was not a formal protest, on the apparent irregularities in the composition of the panel of judges for the World Men's at Davos, again no action was taken, no report (to the Congress) was made by the Council, but it 'indicated' that if it had found the action of the Swiss association (in nominating three Austrian judges) was also reprehensible and the Swiss association 'admitted' its error. In any event, the Council finally adopted rule changes providing for 'one country, one judge', with the actual composition of the panels of judges for ISU Championships to be controlled by the President."

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

The 1964 World Figure Skating Championships

Photo courtesy Julia C. Schulze

Radios blared with news of the Vietnam War and Beatlemania. Cassius Clay had just been crowned the heavyweight champion of the world. Agatha Christie's Miss Poirot mystery "The Clocks" was on every nightstand and The Swinging Blue Jeans' cover of Chan Romero's "Hippy Hippy Shake" topped the music charts. 



The year was 1964 and from February 25 to March 1, a who's who of figure skating gathered at the twelve year old Große Westfalenhalle in Dortmund, West Germany. The 1964 World Figure Skating Championships proved to be one of the most exciting and well attended post-Olympic World Championships in history but it wasn't an event without drama.

Left: Mr. and Mrs. Willy Böckl in Dortmund. Photo courtesy "Skating" magazine. Right: German lobby card of Marika Kilius and Hans-Jürgen Bäumler. Photo courtesy Julia C. Schulze.

NATO refused the visas of East German skaters who hoped to compete on the other side of the Berlin Wall and then the team dramatically withdrew when West German announcers refused to say "Deutschland Ost", instead announcing the East German skating association Deutscher Eislauf-Verband. An angry mob was waiting for Suzanne Morrow-Francis when the Canadian contingent arrived by bus in Dortmund. The judge dubbed by the European press as 'The Red Devil Of Innsbruck' had given low scores to the popular West German team of Marika Kilius and Hans-Jürgen Bäumler at the Olympics and the patriotic Dortmund crowd was out for blood from the moment she arrived.


In her book "Ice Time", Debbi Wilkes recalled, "They were ready to tear Suzy apart. She switched outfits with Marg Hyland and quickly walked out with the kids with Marg's hat pulled over her face. Marg sauntered out in the red coat and said, 'Hi, everybody.' Everyone stared at her. 'Who are you?' She said, 'I'm one of the mothers.'"


Photos courtesy Julia C. Schulze

Soon after the Trojan Horse like ruse was discovered, the media frenzy continued. With all of the theatrics off the ice, tension was building in the Westphalian city before the competition even began but the action on the ice turned out to be just as exciting as the hype. Let's take a look back at the thrills and spills of this fascinating event!

Manfred Schnelldorfer and Hans-Jürgen Bäumler

THE MEN'S COMPETITION


Men's medallists in Dortmund. Photo courtesy Dutch National Archives.

Despite the fact that twenty one year old Munich student Manfred Schnelldorfer had walked away with a surprise gold medal at the 1964 Winter Olympic Games in Innsbruck, Austria, many of those 'in the know' in the skating community still considered twenty three year old Alain Calmat of France - the defending European and World Champion - the overwhelming, hands down favourite entering the men's event in Dortmund.

German press clipping featuring Sjoukje Dijkstra and Manfred Schnelldorfer. Photo courtesy Julia C. Schulze.

However, in the school figures, five judges had Manfred Schnelldorfer first.  Two gave Alain Calmat the nod, the Canadian judge favoured Karol Divín of Czechoslovakia. The Italian judge tied Schnelldorfer and Calmat. The free skate was won by Tommy Litz of Hershey, Pennsylvania, who made history by landing the first triple toe-loop in international competition in his athletic performance.

Tommy Litz

Manfred Schnelldorfer finished second in the free skate and Scotty Allen, Emmerich Danzer and Calmat were close behind. Karol Divín imploded and received ordinals from sixth to twelfth place in the free skate but narrowly held on for the bronze behind Schnelldorfer and Calmat. Scotty Allen of Smoke Rise, New Jersey settled for fourth place ahead of Danzer and Litz. Canadians Donald Knight and Charles Snelling placed ninth and twelfth.


In unseating Alain Calmat, Manfred Schnelldorfer became the first skater from East, West or unified Germany to win a gold medal at the World Championships in men's singles since Gilbert Fuchs in 1906.

Scotty Allen on "To Tell The Truth" following the 1964 World Championships

THE ICE DANCE COMPETITION


Left: Eva Romanová and Pavel Roman. Right: Janet Sawbridge and David Hickinbottom. Photo courtesy "Winter Sports" magazine.

Eighteen and twenty one year old Czechoslovakian siblings Eva Romanová and Pavel Roman led the pack after the compulsory dances with first place ordinals from every judge. Janet Sawbridge and her bespectacled partner David Hickinbottom sat close behind in second. In her book "Figure Skating History: The Evolution Of Dance On The Ice", Lynn Copley-Graves recalled, "Eva and Pavel won unanimously, skating faultlessly and in perfect unison the same free dance program they had used for three years. The key to their success was elegant dancing. The gallery criticized the prevalence of pair-like moves and skating apart in the free dances, especially among the lower placed European Continentals. The English-speaking countries locked up second through eighth place. [Paulette] Doan/[Kenneth] Ormsby, recently engaged, had a lot to celebrate in moving up from third to second with their charming performance. Skating very close together and smoothly, their lively footwork brought fewer points but more ordinals to rise a place and beat the couple with higher marks. Sawbridge/Hickinbottom dropped to third with their classically English free incorporating neat changes of temp. [Yvonne] Suddick/[Roger] Kennison skated as well as they could for fourth."

Photo courtesy Marie Petrie McGillvray

Canadians Carole Forrest and Kevin Lethbridge and Marilyn Crawford and Blair Armitage placed seventh and eleventh. The judges didn't know quite what to do with an unheralded pair of sixteen year olds named Diane Towler and Bernard Ford. Only fourth in Great Britain's junior ranks ten months earlier, they were completely unknown to the international judges. British judge Harry Lawrence had them tied for fourth in the compulsories and seventh overall. They finished an unlucky thirteenth, with a last place ordinal from the Hungarian judge. Lawrence earned a one year suspension for 'inexperience' and two years later, Towler and Ford were World Champions. Demonstrations of the Cha-Cha, Cuban Rhumba, Jamaican Rhumba, Samba, Silver Samba, Starlight Waltz were skated by Peri Horne and Courtney Jones and Joan and John Slater and the Starlight Waltz was accepted as a new compulsory by the ISU, with the others taken under consideration.

THE PAIRS COMPETITION

Marika Kilius, Hans-Jürgen Bäumler, Debbi Wilkes and Guy Revell in Dortmund. Photo courtesy Dutch National Archives.

The 1964 World Championships in Dortmund marked the first time a two and a half minute compulsory connected (short) program was skated by pairs at the World Championships. The compulsory program had been tested at that year's European Championships in Grenoble, France but had not been included at the Olympics in Innsbruck. Olympic Gold Medallists Ludmila and Oleg Protopopov took a slight lead in the first phase of the pairs competition. Six judges had them first, one had them tied with Marika Kilius and Hans-Jürgen Bäumler and two gave the latter the nod. The West Germans had won the European Championships and the Soviets the Olympics and the battle between the two pairs in the free skate - on Kilius and Bäumler's home turf - was the talk of the entire competition.

Left: Marika Kilius and Hans-Jürgen Bäumler kiss for the photographers. Photo courtesy Dutch National Archives. Right: Photographic postcard of the pairs medallists.

In his 1966 book "Winter Sports", British sportswriter Howard Bass described the showdown in front of twelve thousand, two hundred skating fans thusly: "The Russians, skating their free programme first, were at their classical zenith, achieving lifts and daring spirals of even greater difficulty than at Innsbruck. Their victory seemed assured but the tension was electric as the West Germans followed immediately afterwards. Knowing that something fantastic was necessary, they risked everything - and by a miracle everything came off in their greatest-ever performance. Five of the nine judges gave them 5.9 for technical merit and six awarded the same for artistic impression. Their seemingly impossible triumph was a fitting farewell for the Garmisch students."

Pairs medallists. Photo courtesy Dutch National Archives.

As in Innsbruck, Canada's Debbi Wilkes and Guy Revell decisively took the bronze ahead of Americans Vivian and Ronald Joseph. Debbi Wilkes recalled, "We had gold costumes that were totally beaded. We didn't dare wear them for the Olympic Games because everything was black or navy back in those days - that was the trend and the expected fashion. We didn't want to do anything that was going to jeopardize our ability to finish as high as we could, so we opted to stay with the black. There was no short program at the Olympic Games, but there was a short program for the first time in pairs, at Worlds. I think we wore black for the short program and then we decided, 'What the hell... we're going to wear the gold!' We wore the gold for the free program and it was like, when we stepped on the ice, the air went out of the building. It was like, 'Oh my God! What are those Canadians doing?' It was pretty funny... I remember Guy coming off the ice at Worlds saying, 'Those beads have got to come off the waist of that dress. They're making my hands bloody!' How true though - all those catches and twists with those bugle beads which were glass. He was trying to catch me around the waist and he was getting cut in the process. It wasn't very funny at the time, but it seems funny now."

Tatiana Zhuk and Alexander Gavrilov made up serious ground in the free skate to move up to sixth behind West Germans Sonja Pfersdorf and Günther Matzdorf. The Soviets had been ranked as low as eleventh of the twelve teams competing by the West German and Hungarian judges in the compulsory program.


Video courtesy Frazer Ormondroyd

Interestingly, the whole debacle surrounding the medals in the pairs competition at the 1964 Winter Olympics didn't ultimately tarnish Kilius and Bäumler's World title win in Dortmund as the complaint regarding their amateur status had been made to the International Olympic Committee - not the International Skating Union. Nevertheless, it was their swan song to amateur skating.

THE WOMEN'S COMPETITION


Women's medallists. Photo courtesy Dutch National Archives

More than six thousand people came from Holland on four special trains to watch the newly crowned twenty two year old Olympic Gold Medallist Sjoukje Dijkstra skate in her final World Championships. Of the twenty two women who skated their school figures, Dijkstra and Austria's Regine Heitzer were unanimously first and second. Canada's Petra Burka was a solid third, followed by Christine Haigler of the United States and Nicole Hassler of France.

Left: Sjoukje Dijkstra and Arnold Gerschwiler toasting her success in Dortmund. Photo courtesy Dutch National Archives. Right: Peggy Fleming in 1964. Photo courtesy Los Angeles Public Library.

Twelve thousand spectators packed the Große Westfalenhalle for the women's free skate. Though she turned out of an early double Axel attempt, Dijkstra - dressed in turquoise silk crepe - won the gold medal with first place ordinals from every judge. Interestingly, the Dutch judge gave Burka the nod over Dijkstra in the free skate. Another judge, Dr. János Zsigmondy of West Germany, had the two tied. Both Heitzer and Haigler had disastrous showings in the free skate. Heitzer fell twice - once on a double Axel attempt and a second time while making a turn at the edge of the rink. One judge had Heitzer in a tie for fourteenth; three judges had Haigler nineteenth. The skater who actually finished third in the free skate, Helli Sengtschmid of Austria, shockingly remained in twelfth place overall, hindered by a disappointing showing in the school figures and ordinals for other skaters that were all over the place.

Top: Scotty Allen and Regine Heitzer. Bottom: Marika Kilius and Hans-Jürgen Bäumler. Photos courtesy Julia C. Schulze.

A young Peggy Fleming placed seventh in her first trip to the World Championships and Canadians Shirra Kenworthy and Wendy Griner placed tenth and eleventh. Sengtschmid's result contrasted with Heitzer's sparked much discussion about the weight of school figures in determining the overall result of international competition.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.