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#Unearthed: Skate Sailing Down The Skatchawattomie

When you dig through skating history, you never know what you will unearth. In the spirit of cataloguing fascinating tales from skating history, #Unearthed is a once a month 'special occasion' on Skate Guard where fascinating writings by others that are of interest to skating history buffs are excavated, dusted off and shared for your reading pleasure. From forgotten fiction to long lost interviews to tales that have never been shared publicly, each #Unearthed is a fascinating journey through time.

This month's #Unearthed comes to you from as the result of anecdote shared in Arthur R. Goodfellow's fabulous 1972 book "Wonderful world of skates; seventeen centuries of skating".
The author wrote, "Skates have been life-savers on more than one occasion. There was the 16-year old Canadian girl who skate-sailed twenty miles down the Skatchawattomie River in 20-degree below zero weather to get help for her brother who was in danger of losing his eyesight due to burns received in a cabin fire. With their parents away, there was no one to go for assistance but his sister. Using a home-made skate sail and her brother's long skates, she started the journey as dusk was falling without thought of danger to herself. But ten miles down the river, a pack of howling winter-starved timber wolves gave chase and pursued her all the way to the settlement. It was only by skillfull use of the sail and constant tacking in the moonlight that the heroic girl eluded the gray mass of terror and skated to the safety of barking dogs, running men and the lighted, open doorways of the hamlet - and help for her brother." This harrowing anecdote was certainly reminiscent of the story "Cornelius And The Wolves", which we've already covered on the blog. But was it fact or fiction?

I reached out to Deidre at the University Of Saskatoon who put me through to a retired (and very kind) ninety one year old limnologist. Neither had ever heard of the Skatchawattomie River, but pointed out that it was probably either a name given by the local First Nations people or a river that has long since dried up. I was, however, through some digging able to find out that the source of this story was the January 10, 1910 issue of "The Victoria Daily Colonist". The paper was one of the first daily newspapers on Canada's West Coast and often printed fictionalized accounts of real life stories, so while it's pretty safe to say that this likely did happen, some poetic license was most likely taken to 'make a good story', so do take it with a grain of salt. Now in the public domain but crudely digitized, I was able to largely correct the digitization errors in editing to reveal the original story "Skate Sailing For Life" in its entirety.

"SKATE SAILING FOR LIFE" (C.H. CLAUDY)



"Put on an extra pair of socks, please Fanny. It will be bitter cold tonight. Jack, get me the brown blanket for Jim. He needs it for when I stop at Harrige's."

Mr. Billings spoke quietly, but his heart was in a tumult. It was not easy for him to leave his sixteen-year old daughter and eighteen-year-old son in a trapper's house in middle Canada at the height of an unusual snap of cold. But his partner, in camp forty miles away had been hurt by a falling tree, and had sent word by a neighbour assisting for him, and Mr. Billings had to go.

"And, Jack," he called, as his son came with the horse-blanket. "Take care of Fanny. You're the man here now. And keep off the river. I saw wolf track's this morning."

"Why, father, are you sure?" cried Jack. "It must have been a dog. We have never heard of a wolf this far south since we've been here."

"They were wolf tracks, son," was the answer. "I know a wolf track when I see one... You stay away until I get back. I'll be back before two or three days."

This was all there was to his leave taking. They were not emotional people, these Billings. That father had to go forty miles with the thermometer twenty-five below zero, that they two were to keep house alone, In a place where loneliness stalks bare-faced always, [there] were things to think of, to regret, to sorrow over, if need be, but not to make a fuss about. Frances and John Billings were both children of the wilderness, and something of the stoicism of the men and the women and even of the beasts and the trees that live alone, far from their kind, and weather the rigors of seven months winter was theirs, even at the age when youth and high spirits fight bravely against cold and silence and hard work.

The house was lonely. It was bad enough to have father gone, but to have him away and not to know
whether "Partner Uncle Phil" would ever come again or not, to have empty rooms and empty chairs to face, was more than uncomfortable. The two young people looked at each other gravely across the supper table.

"Don't let's mope, Jack," said Fanny. "Let's clear, up the attic. It needs it, and work is more fun than sitting still."... The girl arose, took a lamp, and went lightly upstairs. In a moment, Jack... joined his sister. Together they dressed as if for outdoors, and then went up to the big, dim, cobwebby attic. It was cold.

"Whew!" said Jack. "Let's begin.  Let's start on that pile of junk over there!'' and he stepped toward it as he spoke.

Whether he stumbled and fell or hit her arm by accident, he could not tell, but the next instant he was working madly to extinguish the flames which the oil from a broken lamp was spreading, while Fanny beat at his face and body with a blanket. Luckily they put the flames out. But when all was out save the smoke, Jack was curled up on the floor moaning, his face black and his cry all: "Oh, my eyes - my eyes! Oh, my eyes!"

Very gently, Fanny led him down the stairs, into the warmth and light of the sitting-room. As the warm air struck him, he gasped with pain. "My collar, Fanny; get it off - oh!"

Quickly the girl unbuttoned his collar and opened his shirt at the neck. He was badly burned. Deftly she bathed the tortured face and neck, bound up the burns and oiled the bandages. Then there was nothing to do but sit and watch.

Jack was a man in heart if a boy in years. Beyond his first involuntary cry, he grit his teeth and said nothing. But Fanny knew. Once when she left the room noisily and crept back, she heard him moan, "My eyes! Father, my eyes! "

It was too much for Fanny. She said to herself: "If I were hurt, Jack would never sit still and watch. He'd do something. He needs a doctor. It's only twenty miles, to town by the river. I can make it under the hour with the sail."

Even as she began to get together skates, cloak and gloves, sweater, and the fur, she stopped.

"Wolves!" Father said he saw a wolf track. And father told Jack to stay off the river. If father were only here! If I only had another horse... but I'm not afraid. At least, I'm not much afraid. And he didn't fell me to stay off."

Quietly she made her preparation. There were Jack's skates, longer and sharper than hers, but she knew she could use them., There was the fur, which fits head and neck and shoulders; there were the thin mittens and the thick fur ones to cover them, the sweater, the belt, and the fur cloak. The skate sail she meant to use was in the barn. She had already seen that the wind was pounding the river. Fanny stepped into the sitting- room.

"Jack," she said, "Jack. I'm going to town and get Dr. Perry. He'll be here in a few hours, and I'll come back with him. I can't see you suffer like this, and he may be able to do you a lot of good. No, don't say anything - I'm going."

Either Jack didn't hear, or, hearing, understood, she didn't know. He put out a hand to her, and she grasped it and kissed it an unusual demonstration for her to make and then ran from the room. The tears froze to her lashes as she stepped ouside. It was bitter cold and even in her fur, the north wind's icy knife cut true and sharp.

"This isn't the time for tears; it's the time for me to be a man," she said, half sobbing to herself, nor smiling at the words. She ran to the barn, and took from the wall her brothers' skate sail. Shaped like a big kite, it was nine feet long, five broad, with two crossed spars to hold it taut. She remembered how she and her father had laughed at Jack when he made it, after some plan he had seen in one of their rare magazines, and how he had had the laugh on them and the envy of all the countryside youth when he had carried it and outstripped the fleetest skater of them all. Then she caught her breath
with the thought, "What if I'll never skate again?", shook the dread from her, and tried to .think only of Jack as well and strong. It was with profound gratitude... that she remembered that she had a generous brother who had shared his sport with her and taught her how to use the thing, so graceful when well managed, so cumbersome to the novice."

"I'll make you a lighter one; this is yoo heavy for you," Jack had said. But she was glad she had learned to use the heavy one.

Slipping on her skating gear quickly, Fanny drew the straps tight - tight. "It'll shrink with the cold; mustn't get loose," she thought.

Then, confident, and with fears behind her, she stepped off the little wharf onto the black surface of the Skatchawattomie. She was not cold now, the excitement of adventure had gripped her. A few strokes brought her to the middle of the little river. The skate sail she held horizontal over her head, well knowing that to bring it broadside to the wind before she was ready was to be thrown or have it torn away for her. Then carefully she set her feet, the right one in front, drew in her breath, and with a sudden motion, brought the skate-sail upright along her right side. Before the wind could whip it about, her left hand had caught the horizontal spar which rested on her shoulder, her right grasped the upright, and almost as if shot from a gun, she spun away down the cracking, booming ribbon of
ice which stretched so far. so black, in front of her.

It was an exhilarating sport, this skate-sailing, almost like flying... So swift the motion, so bird-like and so effortless, the body seems without weight. Keen air whips the blood to the face with such a tingle, and the excitement of the possibility of a spill and of the motion and the necessity for alertness in guiding is so great that as a sport, it has few equals. But joyous as Fanny always found skate-sailing, it was not sport tonight. It was business. She had little time for enjoyment... [She had] to get to town and get the doctor back to that poor burned body in the house, already so far behind. Yet it was impossible to keep some feeling of exultation from her herself, even though she cursed herself for it.

Even as she exulted In the swift motion and shook with a little shiver of pleasure at her speed, her face blanched. Seeming an answer to the loud ring of the skates on the brittle ice there came through the air from behind, a soft, high keynote. She had never heard it, but she knew what it was.

"Wolves," she whispered; "wolves!" And then again, "Wolves!" She could not be mistaken.

Well she knew, from many a campfire story, told by the hunter and trapper, as well as from thrilling tales her father had told, what a pack of winter-starved wolves may mean to the unwary traveller. One wolf can be scared away, two or three need but a little vigilance, but a pack is death to one man, be 'he armed' how he may.

For a moment panic gripped her. But always she saw in her imagination the picture of a suffering, dearly loved face, a freckled hand, groping for her... The black ribbon of ice swung steadily and low beneath her feet and there was but little noise, only of the skates as they cut into the cold, cracked surface and an occasional "clang" as she struck with one foot or another a frozen bit of wood or an airhole or a crack. She was thankful for her brother's skates that saved many a tumble and for her strong ankles. With every bend in the river, she must change the position of her feet and sometimes swing the heavy sail over her head and down the other side. Cold she was not. Going with the wind, she felt none; across it, the sail protected her. Only her feet were getting numb, from vibration rather than cold.

Then again she heard it, nearer now and louder, a keen high, cry that was half a howl and half a growl and wholly terrifying. She looked back. There was nothing in sight. But "Horror!" she thought. "Horror! They are coming - coming - and soon I'll see them behind me. Give me strength!

The banks of the river were as black as the surface. Star shine only lighted the path and she prayed... Right behind her, it seemed, came the noise of the pack. In full chase now, and scenting well the flying quarry just ahead. But Fanny, her blood high and her brother's helpless cry still in her ears, forgot to be frightened as she turned and looked back.

"Small pack," she thought, as they swung into sight, eager and lank and swift, pin-points of light for merciless eyes, "but big enough for me."

Then she turned her face to the work in front. She had to change sail several times to make a difficult turn, and she felt she was losing ground. But a flow in the wind took her, just then and instead of easing off as she had been doing to relieve the strain on her ankle and leg, she held it up against the wind. Then the flow fell and her speed dropped. Behind her, closer and closer, she heard the occasional cry of the pack.

"But it isn't far now," she thought. "It can't be far now. It's just around that bend. Hopefully." Fanny did not know the river as Jack did, and the night and the excitement and the wolves had confused her
as to just where she was.

Now she swung Into a long and narrow stretch with the wind dead across it, and she had to tack or lose speed. And as she tacked, looking round, her she could see the black mass of terror sweeping straight down the ice. "It's now or never," she thought, as she reached the bend the river. But it was to be "now".

"There! There it is! There it is!" Fanny's thought was a cry aloud. The lights of the little town were in sight and with the wolf-pack trailing twenty yards behind her, she flung herself at the low wharf, pitched the sail to the pack and while they worried with it, flew - skates at all - into the little store, and gasped out her story to an astounded crowd of men, and then faded quietly into a land where there were neither wolves nor ice nor burned brother Jack.

In the long days of convalescence, when no one knew whether he would ever see again or not, Frances had to talk and to read much to keep from thinking too often of those hours of horror; for Jack, when, blinded and panic-racked, he waited helplessly for the aid which seemed so long in coming; for her when, coupled with the thought of being torn to pieces, was the other terror that, should she fail, her brother might suffer for days before relief, or - the end.

But the terror of these memories grew less with each passing hour, and vanished on the day when Dr. Perry took the bandage from Jack's eyes and he saw again.

"It was that, and a girl's pluck, that saved your eyes, young man,'' he said pointing to the torn sail standing in the corner of the room. But Jack only raised his eyes and took his sister's smiling face between his thin, scarred hands.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

A Wonder From Winnipeg: The Rupert Whitehead Story

Photo courtesy City Of Toronto Archives

The son of Edward and Julia (Davis) Whitehead, Rupert Whitehead was born on April 16, 1910 in Winnipeg, Manitoba. Rupert and his four siblings, Eleanor, Katherine, John, and Virginia, were largely raised by a British nurse. The Whitehead children attended elementary school in Winnipeg but their mother pulled them all out of school for a time when the family suffered through a year of whooping cough, chicken pox and the mumps. The family relocated briefly to Prince Rupert and Victoria, British Columbia before returning to Winnipeg.

Rupert received his first pair of skates at Christmas when he was in grade five. "It was a mild winter," he recalled in his memoir "Unstoppable Energy, Unshakable Faith", the primary source material for much of this blog. "Our front walk was covered with ice. So I went to the front steps and laced them on. My father was behind me urging me, 'Don't do it. Don't do it, Rupert. You have to learn to skate.' But I wasn't listening. I got them laced on and started off. I skated all the way to the boulevard, turned around and skated back. I can still see the white marks from the blades. That is how I learned to skate."

Rupert took to skating in the flooded backyard of a family friend's home on Kingsway and on the flooded courts of the Winnipeg Lawn Tennis Club. Encouraged by the 'fancy skaters' who practiced on the frozen tennis courts, he joined the Winnipeg Skating Club and took lessons at rinks on Smith Street and Portage Avenue. He recalled, "It was great. We would skate for two hours, have food and milk and then walk home under the stars. Because there were few street lights we learned about Orion, the Big Dipper and the Little Dipper. Those were happy times."


Rupert entered several of the Winnipeg Skating Club's competitions, winning the championship for boys under fourteen in 1924 and later, the club's intermediate and junior competitions. In one event, he narrowly defeated a young man named Elswood Bole who later played an important role in Winnipeg's city administration. He also performed in the club's first carnival in the early twenties. He recalled, "One act took the form of a three-ring circus. For reasons unknown I was the last skater to leave the ice. I realized there would be no skating action while the rings were removed so I stepped into a ring and began to practice my sit spin. Each time I tried, I ended up sitting on the ice. Then I managed about a half a revolution and then two and then I was spinning and managed to stand up instead of sitting down. Suddenly there was deafening applause. For a second I was frightened. Mr. Dick Bingham, the carnival producer, stopped me. 'That was great, Rupert, do it again tomorrow night.'

Aidrie Main and Rupert Whitehead. Photo courtesy City Of Toronto Archives.

After graduating high school at the age of sixteen, Rupert tried his hand at banking. A series of bad investments and failed business ventures left him in serious debt at a very young age. It was during this period that the Winnipeg Skating Club became the Winnipeg Winter Club, and while the financial industry struggled through The Great Depression, he borrowed from Peter to pay Paul. He took solace in ice dancing with a group of eight friends at the club. He recalled, "One day we found ourselves welcoming a new member. Her name was Aidrie Main and [she] hailed from Montreal. She and I became good friends. Her energy seemed to watch mine... Aidrie suggested we both try to pass the '2nd test' as it was known in those days. We practiced diligently for several weeks and succeeded. At the end of the skating season, she returned to Montreal."

In 1930, Rupert's father fell ill and passed away. Shortly thereafter, his uncle - a millionaire from California - passed away leaving Rupert and a cousin in England the bulk of his fortune. As 'the new man of the house', Rupert settled into his role with reluctance. Though his substantial windfall could have solved his money woes, through failed business venture after failed business venture, the money was lost and young Rupert developed what would be a long term, very public drinking problem. Fortunately, it was one he eventually overcame.

Photo courtesy City Of Toronto Archives

Through it all, Rupert got up at six or seven in the mornings and practiced at the Winnipeg Winter Club in hopes of passing his gold figure test. During this period, he competed thrice at the Canadian Championships, winning the bronze medal in the junior men's event in 1931, the Canadian junior men's title in 1932 and the bronze medal in the senior men's competitions in both 1933 and 1934 behind Bud Wilson and Guy Owen. He recalled that at one event, "The present holder, Montgomery (Bud) Wilson said he would not come to Winnipeg unless there was competition. So, you know who became the competitor! I volunteered and skated against him. Of course, he got very high marks and I got very low marks. But I got marks for being a good sport. Also, it gave me a chance to try for the gold [figure test] because there would be enough judges in Winnipeg. By George, if I didn't win my gold medal in figures, very difficult figures, and a very difficult long free skating program!"

Evelyn Rogers and Rupert Whitehead

Rupert also tried his hand at fours skating for a time. He recalled, "Skating fours were very popular, usually two men and two women. Ours consisted of Betty and Peggy Holden, sisters, Philip Lee and myself. Of course, I was in charge, planned the program and was even going to design the costumes... [My mother] made us two sets of terrific costumes: a Russian four and another in black and white. The front was white, the back, all black. The division down the sides was absolutely perfect." By 1936, he'd put together a new four with Burton Kennedy, Mary Arckle and Evelyn Rogers. They achieved some popularity and were invited to carnivals as far away as Minneapolis. He was coached by Leopold Maier-Labergo during this period.

Rupert Whitehead skating with the Winnipeg Winter Club four in 1937

In 1937, Royalite, an oil company Rupert had bought stocks in, struck Texas Tea and he made a pretty penny. He was also invited to be a guest skater in the Royal Glenora Skating Club's carnival in Edmonton. He recalled, "I was standing at the middle of the ice waiting for my music to start. The spots came on. The music began. From then on, I cannot remember a thing! What I do remember is that there was an awful lot of applause... When the show was over people actually leapt over the fence onto the ice to shake my hand." Rupert's good impression led to an invitation from the club to be their head professional. He accepted, and worked long, cold days, teaching figures and ice dance and organizing competitions amongst his students with wrapped gifts as prizes.

When his contract ended, Rupert married his wife Yvonne and returned to Winnipeg to work as a professional at the Winnipeg Winter Club. His position was short lived. In the autumn of 1941, he arrived at the club to prepare for the upcoming season only to find the doors locked. He later learned that the club had been sold to the Royal Canadian Naval Reserve. Again having made another series of bad investments, his oil money was gone and he was flat broke.


Unphased, Rupert decided to start his own skating club, which he first called The Figure Skaters Of Greater Winnipeg, later the Winnipeg Ice Club. He plastered the city with posters that said 'Rupert Whitehead, Gold Medallist, Dance, Silver Medallist, Former Junior Canadian Men's Champion will teach figure skating' and started giving lessons at the Sherburn outdoor rink. His club was an instant hit and soon he was presenting carnivals at the Amphitheatre. As director of these shows, Rupert brought in some big names, including Barbara Ann Scott and Belita Jepson-Turner. He performed as well, waltzing with his wife and skating solo exhibitions. One of his favourite programs was set to "Giannina Mia" from Rudolf Friml's opera "The Firefly". He recalled the program thusly: "My number was just graceful dance movements, one jump, what is called a half a revolution or waltz jump, one spin, and then a flip jump at the very end." He closed the number by having the lights blacked out, skating out the curtain, running up to the other side of the rink and emerging when the lights came on. The audience ate it up. Rupert's shows added a touch of colour to the grey Prairies throughout much of World War II.

The Whitehead home in Westgate. Photo courtesy Cheryl Whitehead.

During the War, Rupert and Yvonne welcomed three sons, Bill, Michael and Tim. For a period, Rupert stepped away from skating to undergo training with the army reserve, but in no time he was back on the ice, putting his students through the paces with the same iron fist as his military trainers.
However, by 1950, Rupert was struggling with the lows of his alcoholism and quit skating and coaching altogether, giving his position and even his skates to 1934 Canadian Junior Champion and former fours partner Philip Lee. Unfortunately, under Lee's direction, the Winnipeg Ice Club absolved within a year. Penniless and with few prospects, Rupert turned his life around as the Executive Director of the Greater Winnipeg and Manitoba Safety Councils. He played a major role in devising and implementing defensive driving programs in the province and even for a time dabbled in real estate.


Three decades later, Rupert had somewhat of a personal epiphany. He sold his real estate holdings, cancelled all of his subscriptions to business magazines and newspapers and turned towards religion. He considered a visit to a Franciscan monastery a life-changing event. A book lended to him by one Father Oswald called "The Sermon On The Mount" greatly changed his perspective on life. In retirement, he devoted his time to curling, playing bridge, attending church and writing. He even penned four novels: "The Gold Caper", "The Top Of Water", "The Note Skater" and "The World, A Fresh Start". Unfortunately, none of these books were ever accepted by a publisher.

In April 1996, a group of Rupert's former students organized a touching reunion full of speeches where they described the impact that he had made in their lives. Soon, Rupert and his former students were on the ice every week at the River Heights Community Club and he was welcomed back to the skating world with open arms. After attending the 2000 Canadian Figure Skating Championships in Calgary, he was inducted into the Manitoba Sports Hall Of Fame in 2004. On April 16, 2010, accompanied by three of his former students, he skated two laps around the ice at the Winnipeg Winter Club to celebrate his one hundredth birthday. He passed away on October 30 of that year, having left an indelible impression on Manitoba's skating community.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

The 1982 Skate Canada International Competition

Photo courtesy "Canadian Skater" magazine

The Skate Canada International competition held from October 28 to 30, 1982 might have taken place just days before Hallowe'en, but the competition itself was far from scary. Held at the Kitchener Auditorium in Kitchener, Ontario, the international competition boasted forty seven competitors from thirteen countries. The event was broadcast on CTV and received major sponsorship from NOVA Corp, an Alberta based energy company. Although a pairs competition had not yet been added to the Skate Canada roster, Barbara Underhill and Paul Martini were on hand to perform nightly exhibitions to music from "Cats", Vangelis and John Denver. World ice dance champions Jayne Torvill and Christopher Dean also appeared to give special exhibitions at the event, although they did not compete. Let's take a brief look back at how things played out in each discipline in Kitchener back in 1982!

The Canadian contingent at 1982 Skate Canada International. Photo courtesy "Canadian Skater" magazine. 

THE WOMEN'S COMPETITION

Rosalynn Sumners
The CFSA was left scrambling at the eleventh hour when - a week before the competition - Canadian Champion Kay Thomson withdrew due to injury. Also out was Elizabeth Manley, who had recently switched coaches and moved to Lake Placid to train with Emmerich Danzer. Seventeen year old Diane Ogibowski of Minnedosa, Manitoba was the third woman they had initially named to the Skate Canada team but there wasn't really a contingency plan in place to decide who would join her in Thomson and Manley's absence. A five competitor 'skate-off' was held and fifteen year old Monica Lipson of Toronto and sixteen year old Barbara Butler of Oakville were chosen.

The school figures were won by Finland's Kristina Wegelius with West Germany's Manuela Ruben second and Seattle, Washington's Rosalynn Sumners third. In the short program, only four of the eleven women competing skated cleanly. One of them was Ruben, who moved up to take the lead. Another was Vikki de Vries of the Broadmoor Skating Club in Colorado Springs, who finished second in the short program but remained in fourth place overall. Sumners fell on her combination jump but remained in second overall. The Canadians fared much worse. Lipson fell twice and sat in second, Obigowski was tied for ninth with Susan Jackson of Great Britain and Butler finished last.


Skating to a medley of tunes that included a steppy disco version of the "Gone With The Wind" theme, de Vries landed a nice triple toe-loop and triple Salchow early in her program but things got a little wonky as she went on. She managed to overtake a conservative Wegelius and a fumbling Sumners for the gold. Anna Kondrashova of the Soviet Union, who was second in the free skate, placed fourth and Manuela Ruben, the short program winner, fell apart and finished fifth. Ogibowski was eighth, Lipson ninth and Butler eleventh.

THE ICE DANCE COMPETITION

Annenko and Sretenski at 1982 Skate Canada International.  Photo courtesy "Canadian Skater" magazine. Used with permission.

Americans Judy Blumberg and Michael Seibert withdrew due to illness, leaving eleven ice dance teams from eight countries to tango to the top. Canadians Tracy Wilson and Rob missed their opening cue in the second compulsory dance (the Argentine Tango) and restarted without penalty. They finished a strong second behind Americans Elisa Spitz and Scott Gregory, setting the stage for the exciting Rock N' Roll OSP.

At the St. Ivel competition in England the month before Skate Canada, Wilson and McCall had debuted their new OSP. It wasn't well received by the international judges so they scrambled to replace it on short notice, even enlisting the help of a radio station to get clearance rights to skate to "Stray Cat Strut".  With Rob sporting a greased back ducktail and Tracy in fishnets and a ponytail, they skated brilliantly. Three judges had them ahead of Spitz and Gregory; two had the duos tied. They got a huge standing O from the Kitchener crowd - Wilson's first ever - but the Soviet judge gave them a 4.8 and had them dead last of the eleven teams competing.


Contrasting their crowd-pleasing OSP with a dramatic free dance to music from the French film "Les Uns Et Les Autres", Wilson and McCall finished second overall behind the spunky Spitz and Gregory. Canadian commentators criticized the American's free dance as being too similar to pairs skating. Soviets Natalia Annenko and Genrikh Sretenski edged an injured Wendy Sessions and Stephen Williams for the bronze. Americans Renee Roca and Donald Adair, also recovering from injury, were seventh.

THE MEN'S COMPETITION

Brian Orser.  Photo courtesy "Canadian Skater" magazine. Used with permission.

One of the earliest precursors of the 'Battle Of The Brian's' in Calgary in 1988, the men's event at Skate Canada in 1982, was billed as the 'Battle Of The Triple Axels'. In his book "Orser: A Skater's Life", Brian Orser mused, "An American TV station did a split-screen comparison - 'Who had the better triple Axel?' - and showed Brian [Boitano] and me side-by-side going through our Axels."

Eleven men from nine countries competed in the school figures, where Axels meant little and loops everything. Boitano, the nineteen year old Linda Leaver student from California, came out on tops ahead of West Germany's Heiko Fischer, Poland's Grzegorz Filipowski and France's Philippe Paulet. Brian Orser finished a disappointing fifth, all but assuring an anti-climactic end to this 'battle' before it even began.




In an almost identical scenario to the one that would play out two years later at the Sarajevo Olympics, Brian Orser found himself ahead of an American in both the short program and free skate... but second overall. And just as would be the case four years after that at the Calgary Olympics, Boitano took the gold in Kitchener and Orser the silver. If it was any consolation, it was Orser who landed the triple Axel in his free skate and Boitano who two footed his. Fischer ended the event in third ahead of Filipowski, the Soviet Union's Boris Uspensky and American Bobby Beauchamp. Canada's Kevin Parker was seventh when he started the competition and seventh when he finished.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

The Smaller Toller: The Dennis Coi Story

Photograph of Canadian figure skater Dennis Coi
Photo courtesy "Canadian Skater" magazine

"I try to excite them. I try to perform, to make myself different, to make them cheer . . . I'll do anything to make them pull for me." - Dennis Coi

The son of Pietro and Marilyn Coi, Dennis John Coi was born August 11, 1961 in North Vancouver, British Columbia. He started skating at the age of ten under coach Edi Rada at the North Shore Winter Club alongside Olympic Silver Medallist and World Champion Karen Magnussen. His earliest success actually came in pairs skating, when he won the bronze medal in novice pairs with Julie Mutcher at the 1974 Canadian Championships in Moncton, New Brunswick. However, the young skater showed immense promise as a singles skater, passing his Gold tests in figure and free skating at the age of fifteen.

Although certainly a talented jumper, Dennis' style on the ice was in many ways like a cross between an early Toller Cranston and Ron Shaver. He wasn't your typical men's skater of the era by any means. He interpreted the music beautifully, took risks choreographically and had a killer layback spin. Leaving Rada after passing his gold tests to "explore new ideas in skating", Dennis worked with Brian Power, Mrs. Ellen Burka and Linda Brauckmann. Under Mrs. Burka's tutelage, obvious comparisons were made between the young artistic skater and Cranston. Dennis dismissed them, saying, "I suppose it is inevitable. After all, both of us have skated with Mrs. Burka, but the way I skate is the way I want to. I am not copying anybody else."

Photograph of Canadian figure skater Dennis Coi
Photo courtesy "Canadian Skater" magazine.

Despite a ninth place finish in the junior men's event at the 1977 Canadian Championships, it didn't take Dennis long to make his mark. At sixteen, he returned to the Canadian Championships in 1978 and bounded back from a fourth place finish in the figures to win the free skate and junior men's title ahead of Daniel Beland, Brian Orser and Kevin Parker. In the February 3, 1978 issue of "The Globe And Mail", he confidently remarked, "It may be a surprise to the people, but not to me." His win earned him a spot to the 1978 Junior World Championships in Megève, France. Beating Vladimir Kotin of the Soviet Union (the leader after the compulsory figures) in both the short program and free skate, Coi became World Junior Champion and defeated not only Vladimir Kotin but a pair of young Brian's - Boitano and Orser - in doing so. The same year, he won the bronze medal at the Ennia Challenge Cup in Holland behind American Scott Cramer and Frenchman Jean-Christophe Simond.

Figure skaters Jean-Christophe Simond, Scott Cramer and Dennis Coi on the podium at the 1978 Ennia Challenge Cup
Jean-Christophe Simond, Scott Cramer and Dennis Coi on the podium at the 1978 Ennia Challenge Cup. Photo courtesy "Canadian Skater" magazine.

Although Dennis was named British Columbia's junior athlete of the year in 1979, when he moved up to the senior ranks he was unable to keep up with the likes of Brian Pockar, Vern Taylor, Gary Beacom and Gordon Forbes. He finished seventh in figures and remained there at the 1979 Canadian Championships. In The Hague that fall at the Ennia Challenge Cup, he narrowly lost the bronze medal to Robert Wagenhoffer in a five/four split. He wasn't happy, saying, "I landed five faultless triples. I showed a variety of styles and spins. Wagenhoffer landed a triple on two feet, fell once, and almost fell a second time. I strongly feel that I deserved to be higher. I should have been third or second." Progress took time. At the 1981 Canadian Championships he was seventh, at both Grand Prix St. Gervais and the Nebelhorn Trophy in Oberstdorf, West Germany that fall he was fourth. However, his tides began to turn in the fall of 1982 with a strong performance - and a win - at the Western Divisionals in Saskatoon despite a bone fracture suffered when practicing the triple Lutz.


At age twenty, Dennis entered the 1982 Canadian Championships in Brandon, Manitoba injured but with a renewed confidence. After finishing fifth in figures behind Pockar, Beacom, Orser and Forbes, he rebounded with one of only two clean skates of the night in the short program that year. His only near mistake was almost running into the boards after landing a required double Salchow. With an equally impressive free skate, he earned the bronze medal. In the February 1, 1982 issue of "The Globe And Mail", he declared, "I feel great. I'm going to celebrate and take some time off. I think a lot of it has to do with the fact that the CFSA sent me to some international competitions. I started feeling like a part of skating, and I did well over there. My confidence started to build up."

Photograph of Canadian figure skater Dennis Coi

Unfortunately, that autumn Dennis spiked his foot with his blade while again attempting a triple Lutz in practice. The injury came just three weeks before he was to compete at Skate America. Doctors first told him nothing was broken. In a September 30, 1982 interview in "The Globe And Mail", he explained, "I took two weeks off to let it heal. Then when I started skating again last week, it really hurt, so I went back for X-rays and they found I had fractured a bone in my foot. I think the reason they may not have seen anything at first was because the fracture was right at the joint of the bone leading to the middle toe. When I started skating again, the bone moved over... I'm trying to stay in shape by riding a stationary bicycle. But it's boring as hell... I had an incredible summer. I spent two weeks [skating in Washington] and seven weeks in Los Angeles. It was just a great atmosphere. I was skating with top U.S. competitors [Tiffany Chin, Mark Cockerell and Bobby Beauchamp] and top professionals [Fumio Igarashi and Linda Fratianne]. I really had improved a lot, then this all happened. There was no way that I was going to get back to the point I was at the end of the summer." He withdrew and took the fall off to recoup.

Linda Brauckmann, Ron McLean and Dennis Coi at a banquet celebrating her twenty years at the North Shore Winter Club
Linda Brauckmann, Ron McLean and Dennis Coi at a banquet celebrating her twenty years at the North Shore Winter Club. Photo courtesy "Canadian Skater" magazine.

At the 1983 Canadian Championships, a seventh place finish in figures left Dennis in the familiar position of having to move up in the short program but a popped double loop kept him there. He finished fifth overall, well back of medallists Brian Orser, Gary Beacom and Gordon Forbes. "Sometimes I think it's a crazy sport," he told reporters. "But it is a way of expressing myself that is not possible any other way."



Given the chance to redeem himself in international competition that fall, Dennis finished a disappointing tenth out of eleven competitors at Skate Canada. At Moscow Skate, Dennis and Gary Beacom fell asleep at the hotel and almost missed the figures. Perhaps still rubbing the sleep out of his eyes, he finished in sixth at the end of the day, well back of winner Vladimir Kotin, a skater who he'd previously defeated when he won his World Junior title. The artistically inclined skater endearingly known as "the smaller Toller" in skating circles had one last chance for redemption and at the 1984 Canadian Championships in Regina, Saskatchewan, but he let it pass him by. Although he did beat a young Lloyd Eisler, he finished just off the podium in fourth behind Orser, Beacom and Forbes and missed his last chance to make an Olympic or World team. His amateur career may have ended without fanfare... but he was a skater that other skaters watched.

Photograph of Canadian figure skater Dennis Coi

Sadly, like Shaun McGill and Paul McGrath whose stories previously explored on the blog, Dennis  died far too young of complications of HIV/AIDS, on September 1, 1987 at twenty six years of age. His story was featured in "The Calgary Herald" on December 13, 1992: "Coi was [a] humorous man, a flamboyant skater... [whose] pranks are legendary in skating. When his national teammates did poorly in a competition in Europe, he carved medals out of bread and hung them around their necks. Coi refused to change his clown's outlook when death faced him... When told he had AIDS, Coi dressed up in a fluorescent spandex outfit and rode around Vancouver on a red motor scooter... Coi died in his mother's arms while doing one of his favourite things - playing bingo. 'He missed a bingo by one number and said 'Oh [shit].' Those were two of the last words he spoke before he went into an epileptic seizure.'"

The circumstances of Dennis' death helped reshape his mother's perspective. Marilyn Coi said, "I had no idea Dennis was gay until he told me he had AIDS. I was angry for a while, about who he got [the virus] from, but now I don't want to know. It could have been anybody. I've learned to accept gays as human beings." The condolences poured in from a who's who of the Canadian skating world. Mrs. Ellen Burka recalled Dennis' final television interview, taped while he was in the hospital. "He was still performing to the end, with his hair dyed red," she said. Osborne Colson remarked, "'He was a ray of sunshine. He would smile all through his program."

The Dennis Coi Award, presented in memory of Canadian figure skater Dennis Coi
The Dennis Coi Award. Photo courtesy Michelle McDonald Wheeler.

After his death, the CFSA created the Dennis Coi Award, which was annually given at the Canadian Championships for a time to a skater who "keeps skating and life in perspective". Lloyd Eisler and Osborne Colson were both recipients. I think it goes without saying that the world has become increasingly more liberal in its thinking over the years. You don't hear as many coming out horror stories of parents disowning their LGBTQ+ children and with vast advances in medicine and science, HIV isn't the death sentence it once was. That's what makes stories like Dennis' even harder to swallow. 'The Smaller Toller' could still be out there and sadly, his story remains but a footnote in skating history.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

The 1942 Canadian Figure Skating Championships

Photo courtesy "Skating" magazine

While World War II raged overseas, Canadian figure skaters that weren't serving or engaged in War work gathered in Winnipeg, Manitoba on January 30 and 31, 1942 to compete in the 1942 Canadian Figure Skating Championships. The Winnipeg Winter Club played host to the national competition on outdoor ice... and it almost didn't happen. Warmer than usual temperatures in the Prairies that year left the ice a soupy mess. Concerns over a reduced number of entries due to the War and the difficulty of Eastern skaters making the lengthy trek to the Manitoba capital had organizers on edge pre-event. However, a wind from the North and drop in temperatures came just in time for the events allowed the ice to freeze sufficiently to let the show go on in glorious fashion. Let's take a look back at how things played out.

THE JUNIOR EVENTS

Four teams competed in the junior pairs event that year, which was won by Flaurine Ducharme and Wally Distelmeyer of the Kitchener-Waterloo Skating Club. In the junior Waltz, Margaret McInnes and Charles Lockwood of Regina, Saskatchewan were victorious but in the junior Tenstep, the temporary partnership of Doreen Dutton of the Glencoe Club and Will Thomas of the Toronto Skating Club edged their way to victory. Thomas, who grew up on a farm, also won the junior men's competition defeating no less than three future Canadian senior men's champions - Wally Distelmeyer, Norris Bowden and Nigel Stephens. Figures were his strength and he had passed seven figure tests in one season under Walter Arian's tutelage. In a field of ten, Winnipeg's Margaret McInnes won the junior women's title. At seventeen, she had been skating for ten years.

THE ICE DANCE, FOURS AND PAIRS COMPETITIONS

Eleanor O'Meara and Sandy McKechnie

To the delight of the small hometown audience, Evelyn Rogers and George McCollough of Winnipeg won the Tenstep. Six teams competed in the Waltz event, won by Eleanor O'Meara and Sandy McKechnie of Toronto. Back in those days the dances were contested individually with no free dance or overall ice dance title yet conceived on the national level in Canada. Eleanor O'Meara, Virginia Wilson, Donald Gilchrist and Michael Kirby gave a five minute performance and earned the fours title by default. Eleanor O'Meara and Sandy McKechnie were the only senior pairs team entered at the start of the competition, but junior champions Floraine Ducharme and Wally Distelmeyer were given the go ahead to 'skate up'. They were, however, unable to translate their junior win to a senior one. Ducharme was a talented singer.

THE MEN'S COMPETITION

Nova Scotian born Michael Kirby's win in the senior men's event must have been sweet. The sixteen year old St. Michael's College student had moved from Winnipeg to Toronto three years previously. He returned to Winnipeg as the reigning Canadian junior men's champion, competing in the senior ranks for the first time. Kirby received a better score than his fours teammate Donald Gilchrist to claim his only Canadian senior men's title before turning professional and skating with Sonja Henie. Reporting on the event in "Skating" magazine, Alison Chown wrote, "It was the commanding boldness of Kirby's figures that gave him the lead and won him the Senior Championship. In their free skating, both exhibited speed, daring jumps and spins, but this time it was Gilchrist's turn to win out. His ease, rhythm and well-planned program, made his performance a truly remarkable one."

THE WOMEN'S COMPETITION

Mary Rose Thacker

The senior women's event was won by eighteen year old Mary Rose Thacker, a hometown favourite. In winning her third senior women's title, Thacker outranked a thirteen year old Barbara Ann Scott of Ottawa (who had just lost her father months earlier), her Winnipeg training mate Elizabeth Ann McKellar and Toronto's Virginia 'Billee' Wilson. The February 2, 1942 edition of "The Montreal Gazette" noted that "polish and composure, attained by rigorous training and experience, provided Miss Thacker's margin over her youthful opponents. She defended her championship before a packed gallery and appeared as completely at ease as when she was skating seven and eight hours a day at Ottawa, training under the Czech instructor, Otto Gold." Gold, who also worked with Barbara Ann Scott, conceded in "The Ottawa Citizen" on March 6, 1947 that "in this competition, [Scott] skated a magnificent free skating program, which did not seem to get the deserved credit by the judges."

Clipping from "The Winnipeg Evening Tribune"

The excitement of Canada's best skaters of the early forties descending on Winnipeg was short-lived. By that October, the Winter Club where the 1942 Canadian Championships was held was purchased by the Royal Canadian Army and the facilities converted into training facilities for soldiers. The 1943 Canadian Championships were cancelled altogether due to the War. For a brief time in Canada, competitive figure skating would have to wait.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Peter Firstbrook, A Forgotten Canadian Champion

Photo courtesy Hamilton Public Library

"Whether you are skating a competition or a carnival, do not be mechanical. No two skaters skate alike really. Do not leave your personality on the barrier when you go out to skate. Take it with you and use it." - Peter Firstbrook, "Skating" magazine, November 1953

The youngest of Newman and Winnifred (Sprott) Firstbrook's three children, Peter Sprott Firstbrook was born May 11, 1933 in Toronto, Ontario. He came from a family of manufacturers and his grandfather held patents for a Sealing Device for Hasp Fasteners and a Crosscut Table Saw. 

Left: Children's number from the 1942 Toronto Skating Club carnival. Peter Firstbrook is the rooster pictured on the right of the left photo. Right: Vevi Smith, Peter Firstbrook, Mary Kenner and Peter Dunfield in the 1948 Toronto Skating Club carnival.

While his father and grandfather were busy at the drawing board, young Peter was showing an inventive spirit on his own on the ice at the Toronto Skating Club. He caught the 'skating bug' from his uncle Hubert Sprott, a pre-War Canadian Champion in the fours and junior men's divisions. At the age of fourteen, he made his first trip to the Canadian Figure Skating Championships. In the junior pairs competition with partner Mary Kenner, he finished third.


William Ashall Firstbrook's Victorian era inventions

In 1949, Peter finished second in the junior men's competition behind Donald Tobin of the Minto Skating Club and second in the fours competition with Kenner, Vera Smith and Peter Dunfield. Firstbrook's four went on to finish second that year at the North American Championships in Philadelphia. His strengths in both school figures and free skating forced him to abandon pairs and fours skating to focus solely on singles. It paid off.

Roger Wickson, Barbara Gratton, Suzanne Morrow and Peter Firstbrook at the 1950 Canadian Championships. Photo courtesy "Skating" magazine.

By the following year he won the junior men's title at the Canadian Championships in St. Catharine's, Ontario. It was clear by this point that he was a skater that was going places. A reporter for the "Georgetown Herald" noted on April 19, 1950 that attendees at the Georgetown Skating Club's Ice Revue "were loud in their praise [for] the effortless grace of Peter Firstbrook, who is in the opinion of experts the coming world champion (he is only 17 years old now)."

Left: Peter Firstbrook skating a pair with Barbara Oshust. Right: Advertisement for a carnival in Stouffville, Ontario featuring Peter Firstbrook.


At six feet tall and one hundred and sixty pounds, with black hair and green eyes, Peter was a commanding presence on the ice even as a teenager. A student of legendary coach Sheldon Galbraith, he made the smooth transition from the junior to senior ranks, winning the 1951 Canadian senior men's title in Vancouver in a convincing fashion.


In winning the 1951 Canadian Championships, Peter unseated Roger Wickson, the defending champion, in Wickson's home city as well as another Vancouver skater, Billy Lewis. It's safe to say he probably wasn't a popular winner in British Columbia that year.


At Peter's first international competition as a singles skater, that year's North American Championships at the Glencoe Club in Calgary, he finished just off the podium behind a trio of extremely talented American skaters: Dick Button, Jimmy Grogan and Hayes Alan Jenkins. The February 16, 1951 issue of the "Canadian Observer" described his performance at that year's Sarnia Figure Skating Club annual carnival as "sheer lyricism."

Left: Peter Firstbrook. Right: Peter Firstbrook and Barbara Gratton. Clippings courtesy Dana Thorne, Lambton County Archives.

Repeating as Canadian Champion in 1952, Peter earned a spot on the Oslo Olympic team, where he finished an incredible fifth ahead of Italy's Carlo Fassi and France's Alain Giletti. Although fourth in both phases of the competition, movement in the standings in the free skate kept him down a peg in the overall standings. Still, who finishes fourth at the Olympics in their second international competition as a singles skater these days? Pretty impressive if you ask me! At the World Championships that followed in Paris, he dropped a few spots in the standings down to seventh.


Photos courtesy Dana Thorne, Lambton County Archives

The following year, Peter won both the school figures and free skate at the Canadian Championships in Ottawa to retain his senior men's title for the third consecutive year ahead of Charles Snelling and Peter Dunfield. After finishing second at the 1953 North American Championships in Cleveland behind Hayes Alan Jenkins and seventh at the 1953 World Championships in Davos, he turned professional at the age of twenty.

Photos courtesy "Skating" magazine, Lambton County Archives

Peter joined Arthur Wirtz' Hollywood Ice Revue in December 1953, performing alongside Barbara Ann Scott as a replacement for fellow Canadian Champion Michael Kirby. In addition to solo performances, he played Prince Charming to Scott's Goldilocks. By December 1954, he had left the troupe, replaced by his former competitor Jimmy Grogan, and was teaching at the London Skating Club in Ontario, as well as in neighbouring towns St. Mary's, Exeter and Strathroy. He later joined the cast of Holiday On Ice, touring in Europe and South America.

Photo courtesy "Skating" magazine

After suffering an injury while skating in the "Winter Wonderland" show at Wembley in 1958, Peter returned to Canada to attend Upper Canada College and then St. Lawrence College in Canton, New York so that he could be near Lake Placid. He later taught skating in Northern Ontario and Banff, Alberta, retiring in the late sixties because (according to his mother) "he was sick of being cold."

Photos courtesy Diana Flynn. Circa 1968/69. Peter Firstbrook is in the front right of both.

Abandoning the sport entirely, Peter moved to an artists community in Estado Libre y Soberano de Guanajuato, Mexico. Echoes of another Canadian Champion anyone? While there, he wrote children's books.

Gordon Crosland, a one-time partner of Peter's recalled, "He was a good artist both on the ice and with a pencil. His brain was quick, smart, very witty, and always fun to be around. His sketches were excellent and often leaned toward the naughty...  He had made it clear early on in our relationship that he was promiscuous and that would never change...  Peter truly was his own person. It was a shock when I was notified of Peter’s death in the 80's. He was still a young man."

Peter passed away at the age of fifty one on February 22, 1985, leaving behind his mother, brother, sister and a whole lot of Canadians who thought the world of his skating... and yet today, sadly few people even remember his name.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on FacebookTwitterPinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.