#Unearthed: The 1983 Betty Callaway Interview

When you dig through skating history, you never know what you will unearth. In the spirit of cataloguing fascinating tales from skating history, #Unearthed is a once a month 'special occasion' on Skate Guard where fascinating writings by others that are of interest to skating history buffs are excavated, dusted off and shared for your reading pleasure. From forgotten fiction to long lost interviews to tales that have never been shared publicly, each #Unearthed is a fascinating journey through time. Today's gem comes to you from the February/March 1983 edition of the "Canadian Skater" magazine. It's an interview that British writer Christopher Hilton conducted with the late Betty Callaway, coach of the incomparable Jayne Torvill and Christopher Dean, at the start of the 1982/1983 season before they unveiled their "Barnum" free dance that took them to their third of four European and World titles. Shared with you with the permission and blessing of the good folks at Skate Canada, I think you're going to be fascinated with this inside glimpse into the perspective of one of the most decorated coaches in history.

"BETTY CALLAWAY" (CHRISTOPHER HILTON, SHARED WITH PERMISSION FROM SKATE CANADA)

It began in Ottawa four years ago. The exact location: the elevator of a hotel.

It began, as these things often do, with a polite, almost meaningless conversation between two absolute strangers.

Betty Callaway said to Christopher Dean: "Oh hello, I've heard you've been ill. How are you? Do you feel better?"

Police constable Dean was, as Mrs. Callaway remembers, "so painfully shy he just about managed to say 'Yes, thank you.'"

And that was it. She'd first glimpsed Dean and Jayne Torvill at the Europeans at Strasbourg a month before when she was preoccupied with training those respected and admired Hungarians Krisztina Regőczy and András Sallay.

Torvill and Dean? "They look quite interesting, I thought, and really thought no more about it." She'd trained Germans and now the Hungarians and had no particular reason to have seen Torvill and Dean before. The direction of her life had been Continental for a lot of years.

But at Ottawa, during the Worlds, she had the conversation in the elevator (by chance) and then (by chance) first spoke to Jayne Torvill. "On the last night after the free dance I found a dress hanging up. I remembered the color and wondered if it was the British girl's dress. So I took it back to the hotel and it was Jayne's."

A few weeks later, Janet Sawbridge - who was training them at Nottingham - retired and Betty Callaway was asked if she'd take over. "I went up to Nottingham and we met one Thursday morning we said: Let's give it a month's trial."

It began seriously at that moment: A blond policeman on the beat, a petite insurance clerk, a tall English lady who has always loved to teach. Betty Callaway is firm, formidable, kind, understanding and the essence of the English. She has awesome achievements (her couples have won every European and World championships since Dortmund, 1980 in ice dancing) but I don't suppose she's raised her voice, never mind actually shouted at anyone, for a couple of decades.

The story of Torvill and Dean and Callaway is so compelling that it must be allowed to tell itself. Like the skating, it has a power all of its own, an impetus which becomes an inevitability.

"I always knew that they had got something special. But you have to become good friends and you have to become close. It helped a lot having András that first year because they all trained together and became real good pals, and of course András and Krisztina were very polished. Some of that rubbed off. They were very shy but they were dedicated and they knew what they wanted to do. They were also very astute. They learnt by watching."

"Gradually (in fact it was happening month by month) you could see it coming through. András had a ballet teacher in Hungary. He was a great character and a real man, and Christopher learnt that you don't have to look sissy to show your emotions and to show your feelings on the ice."

"We went to Budapest because they had the facilities there and" - note this please - "I thought that if Christopher and Jayne were going to be brought out as people, we had to travel and meet more situations."

"Don't you feel that Christopher had a uniform to hide behind? In some ways a policeman does keep a certain distance from everybody? Being a policeman held him back at the beginning."

"He was so fair-haired and a little bit nervous at championships that he used to look as if he was going to peg out on us, so we insisted that he put some color on his face. But we literally had to sit on him, Krisztina, Krisztina's mother, the British team leader: hold him down to put it on."

"But of course he realized" - Dean and Torvill are quick learners, all right - "and the ballet teacher helped tremendously."

"In Dortmund, it was already beginning to show. They were fourth, third after the compulsories. The first year I had them, they had one or two disappointments in that they could have been fourth but finished fifth, but it was good for them. They couldn't have handled the situation without a little bit more time. In some ways I was pleased they didn't get there too quickly."

"Instead of being a nice little couple from Nottingham" - part of England's backbone, an industrial town associated with coal mining - "they had to be turned into a 'professional', outgoing couple."

I unashamedly interrupt the flow of the story at this point to tell you about Betty Callaway, who foresaw and orchestrated these things. She is 54, began skating at 16, "much too late, and really I would never had made much of a competitive skater." She joined a show to her parents fury (they were paying her school fees).

She sensed she was "cut out" for teaching, and she was right. In time, she took the German couple back to a European title (1972), Regőczy and Sallay to a World title (1980). She also taught Prince Charles and Princess Anne the rudiments of skating. She thinks he might have made a skater.

Now, moving towards Innsbruck and the 1981 Europeans, she had opened up a seam of purest gold. Nobody among the outsiders - press, specators, camp followers - was really prepared for the extent of Torvill and Dean's victory. It was to be the first of many surprises for the outsiders.

They won the Worlds at Hartford and they were around 5.9 in the free for technical, the same mark for impression. Very good, we all thought, very good indeed.

They went away to Bavaria and we all got on with basking in both days of the British summer.

But something had changed. The policeman had left the force to skate all the time, the insurance clerk had put away her ledger for the last time and was now carrying a German phrase book around.

They came to the Europeans in Lyon last year. "They had matured," Betty Callaway says. "They had confidence in their new ideas."

A British dancer helped them. He made Jayne laugh. "She didn't mind wiggling about." - Then, and please do not misinterpret these words - "he helped her to be a little more vulgar."

At Lyon, it was a slaughter. They got fourteen sixes.

At Copenhagen in the Worlds, the slaughter went on: six sixes in the OSP, five in the artistic free. And this before all the Russians had skated.

After the blues, I sat by myself in the rink beside an American woman who was so moved she cried in contorted sobs, all to herself; tried to say something and found noo words. She was lucky. I had to find words for the Daily Express.

Some reflections from Betty Callaway: "They got along incredibly well. Jayne has her feet firmly planted on the ground. Christopher occasionally explodes, mainly because they're both perfectionists, but he must have it exactly right each time."

And

"Last year after the British nationals, I said: Right, you must have a holiday and get completely away from it. You go on holiday."

And

"Moiseeva had only one range. Jayne is just an ordinary attractive girl and therefore can go several ways. If she was strikingly sad, she would only have that."

And

"Fortunately, we have the same taste in music, clothes, everything. I personally like everything we do. You have to make a couple what they are, not what you want." Trainers, everywhere, here is a key to the big door.

And

"Sometimes Christopher is the dominant one but then Jayne can be the dominant one because she's so steady. I don't think we've ever had a change of tone" - a diffident laugh - "never mind a disagreement." Then, after due consideration: "I think we have a telepathy between the three of us."

And

"I think I shall probably finish when they finish."

At the time of writing this, we haven't seen the new program, although whispers suggest it makes last year's program look exactly like something which happened a year ago and is now - well, a historical curiosity, dried, embalmed, put away.

Don't leave your television sets for a moment when the championships come around this winter.

The success of Torvill and Dean and Callaway wasn't as easy as the story suggests. It never is.

It was honed. It was sweated over. It was rehearsed in front of mirrors. It made ankles painful because it seemed neverending - always going on towards a creation of perfect human movement; it was spread across a thousand hours of preparation.

In the story are subplots which can never be developed: the relationship between three people, the thousands of hours when each minute brought a problem or a gratification or existed as just another ordinary minute. Somewhere in it all is the gold. Nobody can know exactly where.

Alchemy, of course. A former policeman, a former insurance clerk, a tall lady: this is the chemistry and it might just blow your mind.

Again.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

The Boy From Bratislava: The Ondrej Nepela Story

"Many people perceived him as handsome or even as beautiful. He evidenced an androgynous, Nijinsky-like quality. In physical features he reminded me of a Tartar from the Eastern European steppes, with slanted Mongolian eyes yet light skin. He was small. He was fine. He was a steady, nerveless competitor, completely lacking in personality or finesse: a generic Soviet-satellite skater who had been browbeaten into becoming a fine technician - less fine in free skating and more precise or womanlike in the school figures." - Toller Cranston, "When Hell Freezes Over, Should I Bring My Skates?"

Born January 22, 1951, Ondrej Nepela was the child of Central Slovakian parents. His father worked as a driver at the ministry and his mother was a seamstress and homemaker. He was drawn to the ice rink in Bratislava at the age of seven after watching figure skating on television and like so many great skaters, imitating what they saw by dancing around the living room in imitation. Hilda Múdra, Nepela's coach for the entirety of his amateur career, spoke about how she first started working with the young skater in one of dozens of Slovakian news articles I used in researching today's blog: "I did not train young children. Mrs. Nepelová arrived. Supposedly her son had skated two weeks and [all the coaches] ignored him. I told her, dear lady, show me the boy. She did so. I took [him]. I [took] the best in the world." The shy young skater forged an immediate bond with his coach. Múdra explained, "I often told him to go into the rink to train a paragraph and I left. I returned [after an] hour and he still practiced and practiced. He was a great boy on whom I could rely absolutely."

Nepela made his international debut at the 1964 Winter Olympics in Innsbruck, Austria, finishing an unheralded twenty second of twenty four competitors at just thirteen years of age. He was again third to last at that year's World Championships in Dortmund, West Germany. However, diligence and hard work soon paid off for the young skater. He won his first of eight Czechoslovakian national titles the following year and placed a creditable eighth at the European Championships and sixteenth at the World Championships. By 1966, he had won the bronze medal at the European Championships and was ranked eighth in the world. Over the following two seasons, he'd defend his bronze medal at the European Championships two more times and finish in the top ten at two more World Championships and the 1968 Winter Olympics in Grenoble, France.

Training early in the mornings, going to school and returning to the rink in the afternoons, much of Nepela's training was done on a sectioned off third of Bratislava's ice rink. Although off ice training in dance wasn't something that was incorporated into the Czechoslovakian skater's training regime, he did practice jumps and spins off the ice regularly and soon became well known as a specialist in school figures. When Austrian skaters Wolfgang Schwarz and Emmerich Danzer retired from competition following the 1968 season, Nepela rose to the occasion and established himself as the skater to beat. In 1969 in Garmisch-Partenkirchen, he won his first of five consecutive European Championships. After claiming silver at the World Championships in both 1969 and 1970, he finally became World Champion in 1971. That same year he was honored as Czechoslavia's top athlete and was afforded a prefab housing estate in the Dubravka borough in northwestern Bratislava. Nepela lived in the same building as his coach and second mother 'Aunt Hilda'.

At the 1972 Winter Olympics in Sapporo, Japan, Nepela found himself in a very similar situation to Austria's Trixi Schuba. He amassed an incredible fifty five point lead over his closest competitor, France's Patrick Péra in the school figures and despite falling on a triple loop attempt and finishing fourth in the free skate, still won the competition by over sixty points and ten places. Perhaps most amusing was the fact that in Communist Czechoslovakia, when the live television transmission of the men's free skate in Japan failed, radio host Gabo Zelenay conveniently failed to mention Nepela's fall to listeners, despite describing the rest of his performance in detail. Mudra recalled that "after the [competition] I did not feel any particular joy, though I imagined what it would be when I saw the flag rise to the mast. Maybe I'm immodest; I knew Nepela obtained gold. He also was one of spectacular emotions. We had a habit. The morning before the competition we [would go] for long, private walks... [When we returned] we discovered the rink was empty. We wandered through the darkness until we suddenly saw a red light that showed us the way out. That was the only dramatic moment." After winning a second World title in Calgary, Nepela toured fifteen cities with Tom Collins' Tour Of Champions alongside Janet Lynn, Toller Cranston, Karen Magnussen, Trixi Schuba, Jojo Starbuck and Ken Shelley and others.

A wonderful video montage of Ondrej Nepela footage made by Frazer Ormondroyd

After winning a final European title in Cologne in 1973, Nepela finished his competitive career with a win in front of a hometown audience at that year's World Championships in Bratislava. It was the only time he performed a short program at a World Championships during his career and he skated exceptionally well, winning the figures and finishing second in both the short and long programs. It was also at this event that Toller Cranston reported to have a fling with Nepela, described in his book "When Hell Freezes Over, Should I Bring My Skates?" Nepela told his coach 'Aunt Hilda' his thoughts on his final competition: "It was the hardest night of my life - I had a responsibility to stand up at home, where I was skating for sixteen years. Saying goodbye felt like a divorce."

Moving on to a professional career, Nepela toured with Holiday On Ice in Europe from 1973 to 1986.
'Aunt Hilda' said that "he often called me, telling me about choreography and steps and I also describing in detail sequin studded costumes that had... He was interested not only of the figure skating, even though he was in the ice show, and talked to me constantly about whom he met... He did not like athletics and later began to work on horseback riding."

Life changed in 1986 when Nepela got an apartment in Mannheim, West Germany, became certified as a skating coach and started working with promising West German skater Claudia Leistner. Through Nepela's coaching, Leistner reclaimed past glory and returned to the European and World podiums. Things seem to be looking up just when they came crashing down.

Tragically, Nepela passed away on February 2, 1989 at the age of thirty eight in a hospital in Mannheim, West Germany. The West German Skating Union, who made the announcement he'd passed away stated only that he'd died "after a long illness" although accounts suggest that his death was HIV related. We know that his mother cared for him a week before his death and 'Aunt Hilda' arrived five days beforehand. We also know that he was so sick he couldn't even open a bottle of medication. After two surgeries (I'll spare you the details but the latter wouldn't have been pretty) he died as a result of cancer of the lymph nodes and colorectal cancer. A January 2009 article from Instinkt magazine noted that after his death, his mother and 'Aunt Hilda' visited the bank and found that although a "wealthy admirer from Bolzano had regularly sent gold jewelry, every world champion received skates with insets of diamonds and he should thus have [had] three, and as a soloist in Holiday on Ice he earned a lot of money, the safe and accounts had nothing left. It was said that he had been ripped off [by] friends." Nepela was interred in the Slávičie Údolie Cemetery in the Karlova Ves borough of Bratislava.

Posthumously, he was honoured with the creation of the Ondrej Nepela Memorial international competition in 1993, a postage stamp in 1995 and in December 2000 he was named the Slovak Athlete Of The Twentieth Century. The following year, he had a rink in Bratislava named after him. However, the only skater from Czechoslovakia ever to win an Olympic gold medal has never been named to the World Figure Skating Hall Of Fame. Petr Barna, in his July 2014 Skate Guard interview, said that "he was always a very down to earth kind of person. He always treated me and other people very nicely and that is what I took from knowing him personally." Cyclist Anton Tkáč, who grew up with Nepela, said "Ondrej was quiet, as if a fearful boy. But when he started talking about sports plans, he embodied a sense of purpose." However overlooked for his role in figure skating history he was because his speciality was school figures and not free skating, Ondrej Nepela deserves to be remembered.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Giving A Fuch About Gilbert Fuchs

The very first man in history to hold the distinction of winning a World title recognized by the International Skating Union was Austrian born Anton Gilbert Fuchs. He represented the Münchener Eislauf-Verein in Munich, Germany during the reign of Kaiser Wilhelm II and shares the historical distinction with his contemporary Austria's Gustav Hügel of being one of only two people in history to win World titles in both in the nineteenth and twentieth centuries.

Gilbert won his two World titles exactly ten years apart; his first came in 1896 on the frozen Yusupov Gardens in St. Petersburg, Russia and his second in 1906 on home soil in Munich, Germany. In addition to his two World gold medals, he also won two silver and two bronze medals at the World Championships as well as four medals at the European Figure Skating Championships and three German titles. What made his wins even more impressive is the fact he was entirely self-taught as a skater and only started skating around five years before he won his first World title.

In his 1926 book "Theorie und Praxis des Kunstlaufes am Eise", Gilbert rather confidently describes in his own words the challenges of being self-taught: "All by myself, then - never satisfied with my own attempts, an unsparing critic of myself - I strove in every way possible to bring these turns to perfection. It was soon clear to me that they must be skated without change of edge, for otherwise they were combinations in disguise. So, after various experiments, I came to form the style which I subsequently expounded, and have always upheld by voice, pen, and by my own practice on the ice. This last has obviously told against me in various competitions, because, although the justice of my view has been appreciated when fully understood and when seen in actual demonstration, it may be some time before the correctness of my position is fully acknowledged."

From Fuchs' ""Theorie und Praxis des Kunstlaufes am Eise"

Descendant Anatoly Fuchs of Russia shared a contemporary account of his ancestor Gilbert's 1896 win: "The strongest in the championship proved a German athlete Gilbert Fuchs. In the performance of 'school' figures he wowed audiences and judges with confidence and purity movements, was bold and original in the free skating. He showed outer 'ship' complex pirouettes cleanly executed jump in half turns landing on outstretched leg... Observers felt that difficulties diversity of the program and it was definitely better than others. All five judges gave him the first place."  In fact, Fuchs came from behind to defeat the winner of the figures competition Georg Sanders of Russia to take the overall title based on his free skating performance.

Gilbert Fuchs, Gustav Hügel, Georg Sanders and Nicholas Poduskov at the first  World Championships in figure skating recognized by the International Skating Union

A fierce rival of ten time World Champion and contemporary Ulrich Salchow of Sweden, Gilbert only ever defeated Salchow in one major ISU Championship: the 1901 European Championships on neutral territory in Vienna. Seeing as judging panels of the era would often be stacked with several judges from one country it stands to reason that both skaters fears may have been founded dependent on the composition of the panel on any given day. Salchow both opted not to compete in important competitions on each other's home turf for fear of being judged unfairly. That said, Salchow wasn't always particularly known for always being a good sport.

One of Fuch's free figures and a list of the elements in Gilbert Fuchs' free skating program (in German) 

Though described in T.D. Richardson's "History Of Ice Skating" as a "big, heavily built man who skated with tremendous swing"", according to Beretvás Blanka's book "Figure Skating", Gilbert Fuchs certainly gave a fuch about staying in skating shape.

Photo courtesy Dutch National Archive

He was an athletically inclined man, taking to skating after learning gymnastics, shot put and weightlifting. After finishing secondary school, Gilbert served in a cavalry regiment and later studied agriculture in Vienna, Austria before moving to Munich and studying forestry. He also demonstrated passion for the land he lived on.

In addition to a book about figure skating called "The Practice And Theory Of Art Skating", Gilbert studied the morphology of the bark beetle and in 1929 (approaching sixty) he wrote his thesis "Europäische Holzwirtschaft der Nachkriegszeit (European timber industry after the war)".

A survivor of both World Wars, Gilbert died in Germany in 1952 at the age of eighty one, and will be perpetually be not only remembered as numero uno in terms of world champions in figure skating but also for his scholarly contributions to the worlds of forestry and zoology he was so passionate and knowledgeable about long after he had hung his skates.

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

Lutzes Behind The Great Wall: Communist China's Skating History

Whenever the history of figure skating in China is discussed, there's always a certain script that is followed. In 1980, when Irish IOC President Lord Killanin won his long battle to allow Chinese athletes to compete in the Winter Olympics under the People's Republic, the Chinese Skating Association sent Xu Zhaoxiao and Zhenghua Bao to compete in Lake Placid. Both finished dead last. Then, at the World Championships in Dortmund, West Germany, the two Olympic skaters were traded out in the men's and ladies events for Liu Zhiying and Wang Zhili and a pairs team, Luan Bo and Yao Bin, was also sent. All four of these skaters fared no better, again finishing in last place in their disciplines. A rocky start is an understatement.

Bo and future coach Bin, in particular, were the topic of ridicule in their debut effort at the World Championships in 1980. A contemporary Reuters article from February 6, 2010 noted that Bin "heard the crowd laughing at him and pairs partner Luan Bo as they struggled to keep their balance during an unconvincing performance". Among those laughing was three time Olympic Gold Medallist Irina Rodnina, who in a March 21, 2005 article from the Russian Olympic Committee's website recalled, "I remember the debut of the Chinese pairs in the World Championship of the eightieth year. Frankly, I was very much laughing. In this pair was Yao Bin, the current coach of Chinese couples." Another classy moment for the politician who may or may not have tweeted a racist picture of President Barack Obama. But I digress...

Then in early November 1980, a contingent of elite (mostly American) skaters converged on the People's Republic China to perform a rare exhibition of elite level figure skating for China's people and offer some basic instruction to China's skaters. Among the contingent of skaters who went to China were Toller Cranston, Peggy Fleming, Tai Babilonia and Randy Gardner, Linda Fratianne, Jojo Starbuck and Ken Shelley, Lisa-Marie Allen, Judy Blumberg and Michael Seibert, David Santee and Elaine Zayak. Recalling the China expedition in the October-November 1981 edition of the "Canadian Skater" magazine, Santee remarked, "It was such a totally different experience from any I'd ever had. The Chinese are a happy, congenial people, almost naively content with what they have. For so many years they were cut off from outside. They have very little idea what the rest of the world is doing." Taped for ABC's Wide World Of Sports, an edited version of the show was edited and broadcast to American audiences on December 27, 1980. In my 2014 interview with Wide World Of Sports producer Doug Wilson, he recalled the trip thusly: "I was there for the first visit of U.S. skaters in China. It was grey, with no cars... bicycles and piles of cabbage on the sidewalk... the whole experience was incredible. To go again in the nineties and find a KFC sign dominating the main street and vitality, cars, people and commerce thriving... it was just extraordinary."

The expedition sparked great interest in skating in China and before long something miraculous happened. North American coaches started heading to the Communist country at the invitation of Chinese Skating Association president Jing Bowen to help develop the country's skating programs and athletes. By February 1, 1988, Wang Yingfu, the general secretary of the Chinese Skating Association, was remarking that "we've improved a lot in some events and believe we can finish around the middle in most of our contests." He wasn't too far off either. At the 1988 Winter Olympics in Calgary, Zhang Shubin finished twentieth in a field of twenty eight men, ahead of Michael Huth and Peter Johansson, who would both go on to prominent coaching careers. Only three years later, Lu Chen was on the podium at the World Junior Championships. Four years later, she was the first skater from China to win the World Championships. In 2010, Xue Shen and Hongbo Zhao became the first skaters from China to win an Olympic gold medal.

That's the abbreviated version of the first act of Chinese skating history's script that we've all come to know. It of course excludes the Eight Banner Ice Skating Battalion and the royal skater Wu Tongxuan. It also excludes how skating developed as a sport in the country long before North Americans came along to offer their valuable assistance... which is actually quite a unique story.

Recreational ice skating actually thrived in Harbin's Jewish quarter in the thirties. Yaʼacov Liberman, in his 1998 book "My China: Jewish Life in the Orient, 1900-1950" recalled that in his youth, "as winter approached, the center of activity would move to the two existing skating rinks in the city. One was located in the Apothecary Street Stadium and the other on Commercial Street. The cold winter kept the ice hard, and the Chinese staff smoothed it by watering it each day. If you were looking for someone in Harbin in winter, you could easily find him or her at one of these rinks... At the Apothecary Street skating rink, a glassed-in wooden hut had been built for the orchestra. The band was composed of White Russian musicians whose repertoire was limited to waltzes and polkas. At the Commercial Street rink, the music was provided by a blaring loudspeaker wired to a gramophone... Indoors there was an array of small stoves to warm your body, while the expert hands of the Chinese personnel massaged your frozen feet back to life."

1895 Hungarian engraving of skaters pulling a royal carriage in Beijing

As for competitive skating, way back in 1939 the Chinese Communist Party set up a Yenan Sports Committee that was sponsored and guided by the Youth Work Committee of the party's Central Committee. They oversaw the development of competition in a wide range of both winter and summer sports. As early as the winter of 1942, ice skating competitions were organized among government workers, army members, factory workers and student groups. Equipment was an issue. Jonathan Kolatch's 1972 book "Sports Politics And Ideology In China" tells us that in the forties "ice skates were manufactured by adding blades, made in the Yenan Iron Works, to slabs of wood. Boots captured from the Japanese often served as the skate shoes."

During this time, the Chinese Communist Party was studying the Soviet Union's physical education programs, and in the early fifties translated Soviet physical education teacher's books and distributed them to schools as guides. The party's motto for developing students as athletes translated roughly to "cultivate from an early age, train for many years, establish a good foundation" and skating was actually an extremely integral part of most school's physical education programs during the winter.

The party was of the belief that training in ice skating had to begin by the age of eight or nine. In the late fifties - the era of China's labour-defense system and The Great Leap Forward - the Physical Culture and Sports Commission of the People's Government developed a new decree which required all students between the ages of thirteen and fifteen to prove proficiency in six events: a sixty meter dash, a four hundred meter dash, long or high jump, grenade or softball throw (yeah, you read that right!), rope or pole climb and a sixth event "according to local conditions". In the country's north (in Harbin, for instance) that sixth event was more often than not ice skating.

The first ice sports school opened in Harbin in 1953 and skaters trained in the flooded field of the Red Star Stadium and travelled north to Heihe in the northern Heilongjiang province, where they practiced on the frozen Black River. In 1956, the Chinese Skating Association became the second Asian country to join the International Skating Union. The following year, a Czechoslovakian coach and four of his pupils came to Harbin and gave Chinese coaches and skaters their first exposure to world class skating. Before long, figure skating was being contested at the National Games of the People's Republic of China.

However, as Joy Goodwin's book 2004 "The Second Mark: Courage, Corruption And The Battle For Olympic Gold" explained, it wasn't all roses: "In October 1968 the entire figure skating team was 'smashed and discarded.' and its former participants were placed under the supervision of the Management Group of the People's Liberation Army. A formal order stated that as sports teams had been infiltrated and controlled by bad people, the athletes must be re-educated and politics must be stressed. In Harbin, the ice sports school was locked and stood empty, and the skaters were shipped out under army supervision to Chalianhe, Tonghe County." There, in a former labour camp for prisoners, China's figure skaters were forced to work on a farm, subsist on sorghum and corn flour and participate in 'struggle sessions' were they verbally assaulted their former coaches. In June of 1969, they returned to Harbin only to be shipped back for more of this perverse 'thought-remoulding' months later. In 1970, they finally returned to Harbin and those skaters allowed to return to the Harbin ice sports school were allowed to resume training. For another ten years, Chinese skaters quietly toiled away on the ice in relative obscurity and under close scrutiny.

Learning about the role that the government and education system played in turning the Chinese people on to skating long before 'North America showed up' actually reminded me A LOT of the blog I wrote on the history of skating in Colonial America where we learned of the Iroquois people skating up a storm long before 'the white man' showed up. Although the story of how the Chinese skating program developed was not always pretty, it is a fascinating glimpse into how unique each country's skating history can truly be. 

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

The 1960 Winter Olympics, Part Three: The Men's Competition

"Pave paradise, put up a parking lot." Joni Mitchell beautifully chirped these lyrics in her much loved hit "Big Yellow Taxi". Ten years prior to that song's release, many of the world's best figure skaters gathered at the newly constructed Blyth Memorial Arena in Squaw Valley, California, hoping their dreams would come true. For a select few they did; for many others they did not. After a roof collapse, the Blyth Memorial Arena was demolished in 1983 and replaced by - you guessed it - a parking lot. Under that concrete and out of the past, the tales of the 1960 Winter Olympics beg to be revisited. This week, we are digging deep and excavating some sensational skating stories from the swinging sixties in Squaw Valley:

THE MEN'S COMPETITION

With the gold medals in the pairs and women's events going to skaters from North America, the already Paramount - pardon the California pun - pressure on David Jenkins was only compounded.
Leaving his coach behind in Colorado, the five foot six, one hundred and twenty five pound medical student at Western Reserve and three time World Champion was burning the clock at both ends, training in the evenings and on weekends. In his 2011 Manleywoman SkateCast interview, Jenkins offered great insight into the events leading up to his 1960 Olympic experience: "In the summer of 1959, before the Olympics, I’d been injured. I'd had a nasty slash in my leg that put me in a cast. So I went back to medical school in a cast, with a nerve partially severed. People were wondering whether I would get to skate at all, but in an odd sort of way it took pressure off me. I had no conflict with school, because I couldn't train. Maybe that’s just the odd psychology of the way you look at things, but I didn't start training until mid-December, which was only seven or eight weeks before the Olympics. And then I left school for three weeks, and that was the part that was very hard, to leave medical school for a whole three weeks. But I needed to get out to high altitude and to be with my coach, and to be in particularly good shape because it was outdoor ice in 1960." He actually delayed his departure for California by ten days just to get in extra training time in Colorado Springs with coach Edi Scholdan.

When the men's compulsory figures got underway on February 24, 1960, Jenkins was only one of nineteen skaters from ten countries... each trying their absolute best to carve the finest eights of their careers. After the first day, Jenkins was in fact third behind another twenty three old - the two time European Champion Karol Divin of Czechoslovakia - and France's Alain Giletti. On February 25 when the school figures concluded, Jenkins was able to move up to second place. He was still over twenty points behind Divin (much of it, according to him, from one judge) and had some serious ground to make up if he was to achieve his own impossible dream on the Olympic stage.

Karol Divin of Czechoslovakia

When it came time for the free skate on February 26, 1960, the bleachers were packed and the field was down by one. Austria's Norbert Felsinger, who was sixth in the figures, took a nasty fall during practice and hit his head against the boards and opted to withdraw. Of the remaining men, many sported injuries. Divin was recovering from a groin muscle injury a month earlier, Jenkins had been in a cast only months previous and American Robert Brewer was hampered by a strained muscle. Despite many being injured, by all accounts the quality of skating amongst the leaders was quite first rate, to borrow from the legendary Dick Button.

Among the earlier competitors, Germany's Tilo Gutzeit - who had dropped from sixth to tenth after bombing his final figure the day before - gave a solid performance consisting of all double jumps. Fourteen year old Canadian Champion Donald McPherson made up for a weak showing in the figures with a program that Harald Lechenperg in his book "Olympic Games 1960 Squaw Valley-Rome" described as "truly beautiful". Future Olympic Gold Medallist Manfred Schnelldorfer showed his "neat style, his overall program marred unfortunately by some empty moments" and moved up a spot. American Tim Brown's skate was "another fine one marked by a series of very steady double jumps at a furious tempo."

The morning of the men's free skate, The Montreal Gazette had superstitiously noted that Donald Jackson's fourth place finish in the compulsories was "a bad omen". Ultimately, the student of Pierre Brunet proved the newspapers back home wrong and let his skating do the talking, narrowly edging another Brunet student - Giletti of France - for the bronze medal. This had to be more than a little satisfying for Jackson, who spoke in the 1977 George Gross biography "Donald Jackson: King Of Blades" about his frustration with Mr. Brunet's lack of presence in Squaw Valley and choice to devote most of his time to Carol Heiss Jenkins. Contrarywise to Jackson, Divin's free skating performance in Squaw Valley was largely described by reporters with such adjectives as "uninspired" so we can only hesitate to guess that the best man ultimately won.

That man, of course, was David Jenkins. The "United States 1960 Olympic Book" from the United States Olympic Committee refers to his come from behind victory: "Now it was up to Jenkins, reigning and three-time world champion and considered the outstanding free skater of them all, to make it up in his specialty. And make it up he did, in an electrifying display of leaps and whirls and acrobatic twists... He displayed his triple Salchow and triple loops, and at stage, when he leaped high and came into a sit-spin, the crowd was breathless, fearful he would tumble, but he didn't."

After a massive ovation, Jenkins got his marks which were mostly 5.8's and 5.9's... and one 6.0! That perfect mark that came on the second set came from Emil Skákala, the judge from Jenkins' chief rival Divin's homeland of Czechoslovakia. How's that for the Olympic spirit? I love it. Afterwards, Jenkins said "I think it was the best I've done under pressure". I'd say the timing was right, wouldn't you?

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

The 1960 Winter Olympics, Part Two: The Women's Competition

"Pave paradise, put up a parking lot." Joni Mitchell beautifully chirped these lyrics in her much loved hit "Big Yellow Taxi". Ten years prior to that song's release, many of the world's best figure skaters gathered at the newly constructed Blyth Memorial Arena in Squaw Valley, California, hoping their dreams would come true. For a select few they did; for many others they did not. After a roof collapse, the Blyth Memorial Arena was demolished in 1983 and replaced by - you guessed it - a parking lot. Under that concrete and out of the past, the tales of the 1960 Winter Olympics beg to be revisited. This week, we are digging deep and excavating some sensational skating stories from the swinging sixties in Squaw Valley.

THE WOMEN'S COMPETITION

In contrast to the one day of competition for the pairs, the women's event was a four day affair. From February 20 to 22, 1960, twenty six skaters from thirteen countries traced and retraced school figures patiently on the ice under the scrutiny of judges from Austria, Canada, Czechoslovakia, Germany, Great Britain, Italy, Japan, Holland and the United States. Without a break, on February 23 every last one of them returned to compete in the free skating event. It was long before the days of qualification rounds and cuts after the short program: when you started something, you finished it! If anyone knew about sticking it out for the long haul, it was three time Olympic Gold Medallist Sonja Henie who took in the 1960 Games as a spectator.

After winning the silver medal at the 1956 Winter Olympics and the previous four World Championships, twenty year old Carol Heiss (much like Barbara Wagner and Bob Paul in the pairs event) was a heavy favourite. When her devoted mother passed away in  October 1956, she had vowed to stick with it for another four years and win a gold medal in her memory. She reflected in her 2012 Manleywoman SkateCast interview, "You're not entitled to anything, you have to earn it and you have to work for it. And the Olympics was no different. You still had to skate for it. And so I was much more nervous than I was in 1954, because each year from then it got harder. First of all, you are older, and you realize that you have an investment in it and you’re giving up so much more for it." Racking up an almost forty six point lead in the school figures on her closest competitor, Holland's Sjoukje Dijkstra, Carol didn't disappoint. In fact, she appeared unstoppable even if she was under tremendous pressure. Further demonstrating her dominance of the field, Carol was 64.9 points ahead of her friend, third place finisher Barbara Roles in the figures.

The drama was in full swing on February 23, 1960 when the women took to the ice for their free skating performances. In the earlier groups, seven skaters took tumbles and two collapsed, gasping for air in the high altitudes. One of them was two time British Champion Patricia Pauley, who was recovering from a very bad flu. According to Harald Lechenperg's wonderful book "Olympic Games 1960 Squaw Valley-Rome", Pauley (in her weakened condition) "only just managed to get through the program, struggling against exhaustion. When her four-minute free-skating performance finished, Miss Pauley collapsed on the ice, totally spent. Yet despite her handicap she manages to gain 15th place out of 26 entrants - an achievement worthy of high praise."

Too far back in points to even challenge Dijkstra for silver let alone Heiss for gold, eighteen year old Barbara Roles delivered an exceptional free skate in Squaw Valley. Her only major mistake was a miss on a flying sit spin. Czechoslovakia's Jana Mrázková was considered by more than source to have been undermarked in the free skating. Considering that she was considerably behind  Laurence Owen and even Holland's Joan Haanappel in the school figures, she was actually lucky to claim fourth to Roles' third overall.

Regine Heitzer of Austria and Sjoukje Dijkstra of Holland

Like Roles, Dijkstra performed exceptionally. Lechenperg's book remarks "when Carol's keenest rival, Miss Dijkstra, whirls over the ice the Americans cannot help but watch her anxiously. The Dutch girl starts her program with an unusually high axel followed by a series of beautiful spins and jumps. The middle section of her free-skating programme is an elegant combination of steps which afford her some respite before her big finale, in which she demonstrates strikingly the strength at her command. She ends with an exhibition of verve that brings the audience to its feet in thunderous ovation. The public is sufficiently unbiased to acknowledge that Miss Dijkstra is a front-rank performer, regardless of whether Miss Heiss is better or not."

Making good on the Olympic Oath that she delivered only days before, Heiss was the class of the field in Squaw Valley... although she wasn't flawless. Lechenperg's book notes that "there are two tiny uncertainties in her jumps." The "United States 1960 Olympic Book" (the quadrennial report of the U.S. Olympic Committee) edited by Arthur G. Lentz recorded her performance thusly: "Her magnificent exhibition in the free skating stirred the capacity crowd to tears and cheers. Clad in crimson costume, embellished with spangles and a tiara in her blonde hair, she bedazzled the judges and the spectators with her sheer artistry. It was an enthralling four minutes for the crowd as Carol, to the accompaniment of a medley score from Tchaikovsky, Delibes and Rossini, glided over the ice, spinning and leaping with feathery lightness. When she executed the double axel and double salchow, the crowd stood and cheered. When it was all over there were cries of 'bravo', 'six, six, six' - the perfect score. She didn't get six but she came mighty close. Even Japanese judge, Shotaro Kobayashi, who had been scoring very conservatively, awarded her 5.5 points... The other scores all ranged from 5.7 to 5.9."

Ultimately, Carol Heiss won Olympic gold in 1960, fulfilling that promise to her mother from four years earlier. Dijkstra was second; Roles third. There's a certain sadness when you look down the list of competitors and see Laurence Owen's name in sixth place. She tumbled on a double toe-loop in Squaw Valley but got up smiling... and then perished on the Sabena Crash the next year enroute to the World Championships. But on February 23, 1960, she wasn't that skater standing outside an airplane in an eerie and prophetic image. That night, Laurence Owen was the roommate of Carol Heiss in the Athlete's Village. Together, they celebrated their success in a sport which is often far too cruel for its own good.

Stay tuned for the next Skate Guard blog... where everything will be coming up David Jenkins as we revisit the men's competition from the 1960 Squaw Valley Olympics in the final installment in this three part series!

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.

The 1960 Winter Olympics, Part One: Setting The Stage And The Pairs Competition

"Pave paradise, put up a parking lot." Joni Mitchell beautifully chirped these lyrics in her much loved hit "Big Yellow Taxi". Ten years prior to that song's release, many of the world's best figure skaters gathered at the newly constructed Blyth Memorial Arena in Squaw Valley, California, hoping their dreams would come true. For a select few they did; for many others they did not. After a roof collapse, the Blyth Memorial Arena was demolished in 1983 and replaced by - you guessed it - a parking lot. Under that concrete and out of the past, the tales of the 1960 Winter Olympics beg to be revisited. This week, we are digging deep and excavating some sensational skating stories from the swinging sixties in Squaw Valley:

SETTING THE STAGE

I will be referring to several sources throughout the three parts of this series and I cannot think of a better place to start than with the 1960 Harald Lechenperg book, "Olympic Games 1960 Squaw Valley - Rome"! Lechenperg set the stage wonderfully with a description of the three point five million dollar Blyth Arena: "The stadium itself is a magnificent building with its northern facade decorated with the emblems of the participating nations. Passing through any of the several entrances one crosses a bright spacious vestibule which takes up the whole width of the glass-enclosed northern side. The vestibule is also decorated with emblems, with the dominating colours of golden yellow, muted green and black. The deeply-fluted surface of the steel roof is covered with grey-green plastic tiles. The interior of the arena by comparison gives a Spartan impression. The roof is supported by cables, has a 300-feet span, and rises 89 feet... All around the rink are grandstands, and those on the southern side can be swung outwards to ensure a good view. A vital section of this huge structure is the big freezing plant which has a centralized control system from where the engineers can cover more than 2 1/2 acres of ground inside and outside the stadium with man-made ice... This gives the stadium its complete independence of the weather." Although partially enclosed, the rink still was outdoors and several skaters who competed at that Games have noted that between the wind whipping in and cool temperatures, the assessment of "completely independent of the weather" was perhaps wishful thinking on the part of the builders.

The Canadian Olympic Figure Skating Team in Squaw Valley, California. L-R: Sheldon Galbraith (coach), Barbara Wagner, Bob Paul, Wendy Griner, CFSA President Granville Mayall, Maria and Otto Jelinek, Sandra Tewkesbury, Donald Jackson, Donald McPherson

Separate outdoor practice rinks were set up, as the Blyth Arena was a multi-purpose venue at those Games that simply couldn't accommodate daily training sessions for the skaters competing. Skaters unaccustomed to acclimatizing to higher altitudes had a rough go of practices and in many cases, the free skating competitions as well. Though the last Olympic Games to hold figure skating competitions in an outdoor rink, it was the first to offer (scant) television coverage. In his 2010 interview on The Manleywoman SkateCast, Bob Paul noted "A friend of my partner was in Lausanne last year and found (a film), I don’t know if the ISU had it or something, so now we have the entire performance on a DVD. Walter Cronkite introduced us, and then Bud Palmer talked us through the entire program. After we won, and we critiqued it. I also have a silent film that I bought, which I thought was going to be the whole performance but it wasn't, but it has the warm-ups and also when we stopped."

The Athlete's Oath was read by none other than Carol Heiss and the chairman of the Pageantry Committee who coordinated all of the ceremonial arrangements was none other than Walt Disney himself. Way to set up a fairytale!

THE PAIRS COMPETITION

Although there was certainly support for German pairs Marika Kilius and Hans-Jürgen Bäumler and Margret Göbl and Franz Ningel and the Soviet married couple of Nina and Stanislav Zhuk, the odds on favourites were of course the three time and defending World Champions Barbara Wagner and Bob Paul.

Billed by North American media as practical shoo-ins for the Olympic gold, the pressure on the two was immense. Bob, who had started skating at age ten to overcome non-paralytic polio, was Canada's flag bearer at both the Opening and Closing Ceremonies. The Opening Ceremonies, held the night before the pairs competition, might have served as a welcome distraction but in reality placed even more stress on the pair. Coach Sheldon Galbraith began to notice signs of strain in Barbara the night before. In David McDonald's 1981 book "For The Record - Canada's Greatest Women's Athletes", Barbara recalled, "what I used to do was take a book and start reading, because there is nothing you can do by panicking, and you may as well not get upset. Sometimes I wasn't really reading. The other competitors try to put pressure on you, and I would just pick up my book as if I was above everything. No matter what they did to me, I wasn't going to show how much I cared."

The pairs competition - which consisted of a single free skate - was held on the morning of February 19, 1960. Thirteen pairs from seven nations participated. Due to the early hour the event got underway, only about two thousand of the eight thousand plus seats in Blyth Arena had bodies in them when the event first began. By the conclusion, seven thousand were filled. During the warm-up, a collision between American pairs skaters Ila Ray and Bill Hadley Jr. and one of the Soviet pairs only amplified the nervous tension that was already building among the skaters.

The first team up were Germans Margret Göbl and Franz Ningel. The couple started strongly but only seconds in, their music stopped abruptly. More than five minutes passed as the organizers worked desperately to repair a defect in the sound equipment. The couple returned to the ice and despite landing a solid set of side-by-side double Salchows, they skated like the wind had been taken out of their sails a little. The judge's marks from 4.7 to 5.5 for technical merit and 4.8 to 5.5 for manner of performance were conservative.

Maria and Otto Jelinek in Squaw Valley

Americans Maribel Y. Owen and Dudley Richards struggled with the altitude and nerves, whereas
teenage Canadian siblings Maria and Otto Jelinek skated one of their best performances thus far. They were as shocked as the spectators when they received conservative marks. Australian Champions Jackie Mason and Mervyn Bower. In his Manleywoman SkateCast interview, Bob Paul recalled, "The Australian team skated right before us, and I don’t know how many days they had arrived before, but they were so wiped out that when they finished they were sitting on the ice by the entrance way, and we almost had to walk over them to get on the ice."

When Wagner and Paul finally did take to the ice to thunderous applause as the seventh pair to compete, the unthinkable happened: they too had their music fail! Varying accounts describe the music issue in Squaw Valley as a technical issue with the sound system itself or "someone bumping the record player" but whatever the case may have been, not exactly what anyone dreams of at the Olympics of all places! In McDonald's book, Wagner recalled that "It may have been the best thing to happen to us. We had gone around the rink once, and had a chance to loosen up." In his Manleywoman SkateCast interview, Bob added, "During our performance, the music jumped a bar or two - enough that I said 'stop', because it would totally throw off our unison... So we stopped and went over to the referee, William Powell, and thank goodness that he was American so there was no language problem. And they had no communication (with the music players) so he had to walk across the ice to the music department, which was a record player in the hockey penalty box. Very sophisticated. And he said, yes, the music did jump, so we got to start again. And we found out many months later that our coach was standing in that music box, and got a little nervous and made a little thing with his elbow. So we think he was the one that did it. Some people now say he did it on purpose, but come on now. It was 10 o'clock in the morning! What freestylists compete at 10 o'clock in the morning? I said to Barbara, that’s our warm-up. We had a five-minute warm-up and that day they hadn't arranged any for the pairs. We just went out and competed."

Despite the pressure on them, the Canadians were (as Bob noted) unruffled by the disruption, skating to the side of the rink and waiting to be announced again. Lechenperg's book describes their performance thusly: "But where the wait seemed to unsettle the German pair, the Canadians managed to turn it to advantage and start for the second time with increased brilliance, maintaining a sparkling tempo and classical poise right to the end of their performance. Classical lifts and perfectly-executed axels alternate with unusual and rhythmically-precise combinations of steps. Their entire program is planned with such harmony and executed with such smooth elegance of movement combined with vigour that even before they had finished they seem certain of the gold medal." Executing not only side-by-side Axels but double toe-loop's also, Wagner and Paul earned first place marks from all seven judges and a score of 80.4, well above the 75.9 score of their teammates the Jelinek's, who were the leaders over the Germans at that stage of the competition.

Germans Marika Kilius and Hans-Jürgen Bäumler

Next of the contenders to skate were defending World Silver Medallists and European Champions Marika Kilius and Hans-Jürgen Bäumler of Germany, arguably Wagner and Paul's greatest competition in Squaw Valley. Although Lechenperg's book does describe the duo's performance in Squaw Valley as "charming, vivacious and competent", it is also noted that the rink's size seemed to hinder the couple. At one point, they grazed the boards with their hips but managed to regain their balance and continue without any major disruption. Good but not great, the Germans had to settle for 76.8 points and second place behind the popular Canadians.

Americans Nancy and Ron Ludington

American married pair Nancy and Ron Ludington delivered an exceptional performance in Squaw Valley. Despite having the reputation power of being the bronze medallists at the 1959 World Championships and delivering a performance that many felt was superior to the Germans, they finished in third place... just 0.6 shy of the second spot. Making their success even more extraordinary was the fact that Nancy had a bad flu at the time. She reportedly needed oxygen after coming off the ice!

The final contenders were the elegant Soviet pair of Nina and Stanislav Zhuk, the latter acting later in his career as the controversial coach of two time Olympic Gold Medallists Ekaterina Gordeeva and Sergei Grinkov. Although their performance was praised for its artistry, a fall by Nina on a side-by-side Axel attempt destroyed any hopes of the three time European Silver Medallists making the Olympic podium.

Canadians Barbara Wagner and Bob Paul

Ultimately, Wagner and Paul would become the first North American pair to claim the Olympic gold medal. To this day, they are only one of two pairs team to hold that distinction - the other being Canadians Jamie Sale and David Pelletier, who of course gave the performance of the night at the 2002 Salt Lake City Games and  eventually earned their rightful place in the history books next to their 1960 predecessors. Bob recalled, "It was a long, hard haul, but that's what any competitive sport is. The timing was very good for us, but we've always been appreciative of that." The silver in Squaw Valley was earned by Kilius and Bäumler; the bronze by the Ludington's, followed by the Jelinek's, Göbl and Ningel and the Zhuk's. Future two time Olympic Gold Medallists Ludmila and Oleg Protopopov (then twenty four and twenty seven) were an unceremonious ninth. A report of the event in "Skating" magazine felt the Soviets "showed [a] lack of skating ability and experience." I bet that writer ate their words four years later!

Stay tuned for the next part in the series... where everything will be coming up Carol Heiss as we revisit the women's competition from the 1960 Squaw Valley Olympics!

Skate Guard is a blog dedicated to preserving the rich, colourful and fascinating history of figure skating. Over ten years, the blog has featured over a thousand free articles covering all aspects of the sport's history, as well as four compelling in-depth features. To read the latest articles, follow the blog on Facebook, Twitter, Pinterest and YouTube. If you enjoy Skate Guard, please show your support for this archive by ordering a copy of the figure skating reference books "The Almanac of Canadian Figure Skating", "Technical Merit: A History of Figure Skating Jumps" and "A Bibliography of Figure Skating": https://skateguard1.blogspot.com/p/buy-book.html.